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Alex Gibney (written by)
13 juin 2008 (UK) suite
In 2002, a young cab driver picked up a few passengers near his home in Afghanistan... He never returned.
An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002. full summary | add synopsis
Won Oscar. Another 8 wins & 2 nominations suite
Not an easy watch, but an important and excellent film plus de (28 total)
| Alex Gibney | ... | Narrator (voice) | |
| reste de la distribution par ordre alphabétique: | |||
| Brian Keith Allen | ... | Soldier - New York studio shoot reenactment | |
| Moazzam Begg | ... | Himself - Torture victim (as Moazzam Beg) | |
| Christopher Beiring | ... | Himself - Captain | |
| Willie Brand | ... | Himself - Military police | |
| George W. Bush | ... | Himself (archive footage) | |
| Jack Cafferty | ... | Himself (archive footage) | |
| Brian Cammack | ... | Himself - Military police | |
| William Cassara | ... | Himself - Attorney | |
| Doug Cassel | ... | Himself - Professor | |
| Dick Cheney | ... | Himself (archive footage) | |
| Jack Cloonan | ... | Himself - Former FBI agent | |
| Damien Corsetti | ... | Himself - Military interrogator | |
| Thomas Curtis | ... | Himself - Sergeant, military police | |
| Greg D'Agostino | ... | Soldier - New York studio shoot reenactment | |
| Lynndie England | ... | Herself (archive footage) | |
| Tommy Franks | ... | Himself - General (archive footage) | |
| Carlotta Gall | ... | Herself - New York Times reporter | |
| John Galligan | ... | Himself - Attorney | |
| Frank Gibney | ... | Himself (as Frank B. Gibney) | |
| Tim Golden | ... | Himself - New York Times reporter | |
| Alberto Gonzales | ... | Himself (archive footage) | |
| Charles A. Graner | ... | Himself (archive footage) | |
| Gita Gutierrez | ... | Herself - Attorney | |
| David Hayden | ... | Himself - Colonel (archive footage) | |
| Donald O. Hebb | ... | Himself - Behavioral Psychologist | |
| Scott Hennen | ... | Himself (archive footage) (voice) | |
| Jay Hood | ... | Himself - Brigadier General | |
| Scott Horton | ... | Himself - President of the International League for Human Rights | |
| John Hutson | ... | Himself - Rear admiral, retired | |
| Maan Kaassamani | ... | Detainee - New York studio shoot reenactment | |
| Anthony Lagouranis | ... | Himself - Military intelligence (as Tony Lagouranis) | |
| Eric Lahammer | ... | Himself - Military interrogator | |
| Carl Levin | ... | Himself - Member on the Senate Armed Services Committee | |
| Steven Loring | ... | Himself - Sergeant | |
| John McCain | ... | Himself (archive footage) | |
| Alfred W. McCoy | ... | Himself - Professor of political history | |
| James McGarrah | ... | Himself - Rear Admiral | |
| Dan McNeill | ... | Himself - General (archive footage) (voice) | |
| Geoffrey D. Miller | ... | Himself - Major General (archive footage) | |
| Alberto J. Mora | ... | Himself - General Counsel of the US Navy, retired | |
| Anthony Morden | ... | Himself - Sergeant, military police | |
| Dan Mori | ... | Himself - Major | |
| Richard Myers | ... | Himself - US Chief of Staff (archive footage) | |
| Karyn Plonsky | ... | Soldier - New York studio shoot reenactment | |
| Colin Powell | ... | Himself (archive footage) | |
| Jack Reed | ... | Himself - Member on the Senate Armed Services Committee (archive footage) | |
| Condoleezza Rice | ... | Herself (archive footage) | |
| Donald Rumsfeld | ... | Himself - U.S. Secretary of Defense (archive footage) | |
| Selena Salcedo | ... | Herself - Sergeant | |
| Randall M. Schmidt | ... | Himself - Lieutenant General | |
| Clive Stafford Smith | ... | Himself - Lawyer | |
| Glendale Walls | ... | Himself - Military intelligence | |
| Lawrence Wilkerson | ... | Himself - US Army colonel, retired | |
| Tom Wilner | ... | Himself - Attorney | |
| Carolyn A. Wood | ... | Herself - Captain (archive footage) | |
| John Yoo | ... | Himself - US Department of Justice | |
| Tim Russert | ... | Himself (archive footage) (uncredited) | |
Réalisé par | |||
| Alex Gibney | |||
Scénaristes(WGA) | ||
| Alex Gibney | (written by) | |
Produit par | |||
| Sidney Blumenthal | .... | executive producer | |
| Don Edkins | .... | executive producer: Steps International | |
| Hans Robert Eisenhauer | .... | commissioning editor: ZDF/Arte | |
| Martin Fisher | .... | co-producer (as Marty Fisher) | |
| Blair Foster | .... | co-producer | |
| Alex Gibney | .... | producer | |
| Don Glascoff | .... | executive producer | |
| Mette Heide | .... | executive producer: Steps International | |
| Robert Johnson | .... | executive producer | |
| Sloane Klevin | .... | co-producer | |
| Eva Orner | .... | producer | |
| Susannah Shipman | .... | producer | |
| Jedd Wider | .... | executive producer | |
| Todd Wider | .... | executive producer | |
Musique originale | |||
| Ivor Guest | |||
Image | |||
| Maryse Alberti | |||
| Greg Andracke | |||
Montage | |||
| Sloane Klevin | |||
Technicien du son | |||
| Felix Andrew | .... | sound | |
| Michael Boyle | .... | additional sound | |
| Travis Call | .... | audio post supervisor | |
| Margaret Crimmins | .... | sound designer | |
| Jim Daumeyer | .... | additional sound | |
| Don Grissom | .... | additional sound | |
| Michael Isabell | .... | additional sound | |
| Jimmy Peterson | .... | additional sound | |
| Brenda Ray | .... | additional sound | |
| Len Schmitz | .... | additional sound | |
| Greg Smith | .... | sound designer | |
| Paul Thompson | .... | additional sound | |
| Tony Volante | .... | sound re-recording mixer | |
| Claudia Woloshin | .... | additional sound | |
Visual Effects | |||
| Craig Davis | .... | visual effects designer: Version2 | |
| Tim Farrell | .... | visual effects designer: Version2 | |
| Lydia Holness | .... | head of production: Version2 | |
| Lydia Holness | .... | visual effects producer: Version2 | |
| Kelley McDermott | .... | visual effects producer: Version2 | |
| Mike McKenna | .... | visual effects designer: Version 2 | |
| Rebecca Mitchell | .... | assistant visual effects producer: Version2 | |
| Federico Saenz-Recio | .... | visual effects designer: Version2 | |
| Kieran Walsh | .... | inferno artist: Version2 | |
| Kieran Walsh | .... | visual effects creative director: Version2 | |
Cascadeur | |||
| Elliot Santiago | .... | stunt coordinator: New York studio shoot, reenactment | |
Caméra et Département Electrique | |||
| Felix Andrew | .... | additional cinematographer | |
| Ben Bloodwell | .... | assistant camera | |
| Mariusz Cichon | .... | assistant camera | |
| Nate Clapp | .... | assistant camera (as Nate Clap) | |
| Luis Colon | .... | grip | |
| Matt Green | .... | additional cinematographer | |
| Andrew B. Hansen | .... | gaffer (as Andrew Hanson) | |
| Roger Holliday | .... | assistant camera (as Roger Holiday) | |
| Peter Jouvenal | .... | additional cinematographer | |
| Idris Kabulzad | .... | additional cinematographer | |
| Brian Leach | .... | gaffer | |
| Chris Li | .... | additional cinematographer | |
| Alan McIntyre Smith | .... | gaffer (as Alan Smith) | |
| Étienne Sauret | .... | additional cinematographer (as Etienne Sauret) | |
| Brett Wiley | .... | additional cinematographer | |
| Claudia Woloshin | .... | assistant camera | |
Departement Animation | |||
| Craig Davis | .... | animator: Version2 | |
| Tim Farrell | .... | animator: Version2 | |
| Mike McKenna | .... | animator: Version2 | |
| Federico Saenz-Recio | .... | animator: Version2 | |
Département Casting | |||
| Daphne McWilliams | .... | executive director of casting: New York studio shoot, reenactment | |
| Christine Nelson | .... | casting: New York studio shoot, reenactment | |
Dpartement Editorial | |||
| Eric Bruggemann | .... | additional editor | |
| Tim Farrell | .... | on-line editor: Version2 | |
| Nick Fraser | .... | commissioning editor: BBC Storyville | |
| Lindy Jankura | .... | assistant editor | |
| Scott Olive | .... | colorist: PostWorks | |
| Leigh Anne Sides | .... | assistant editor | |
| Don Wyllie | .... | on-line editor: high definition. Frame: Runner | |
Département Musique | |||
| Fred Ala | .... | musician: acoustic guitar | |
| Cameron Craig | .... | recording and mix engineer | |
| Amar Dhanjan | .... | musician: singer | |
| Adam Green | .... | musician: steel guitar and electric guitar | |
| Mario Grigorov | .... | composer: additional music | |
| Ivor Guest | .... | musician: keyboards and arrangements | |
| Robert Logan | .... | musician: keyboards | |
| Faheem Mahzar | .... | musician: singer | |
| John McCullough | .... | music supervisor | |
| Philip Sheppard | .... | musician: cello and electric cello | |
| Paul Wassif | .... | musician: dobro | |
Divers | |||
| Lisa Andracke | .... | production assistant | |
| Richard Dworkin | .... | transcripts: Transcripts Associates | |
| Jacqueline Eckhouse | .... | production counsel: Sloss Law (as Jackie Eckhouse) | |
| Salimah El-Amin | .... | researcher (as Salimah El Amin) | |
| Ben Fine | .... | end titles | |
| Jennifer Zolten Freed | .... | production accountant (as Jennifer Freed) | |
| Garren Givens | .... | intern | |
| Rahmat Haqmal | .... | translator | |
| Charlie Hoxie | .... | intern | |
| Nick Johnson | .... | intern | |
| David Joray | .... | production assistant | |
| Barbara Karen | .... | production accountant | |
| Amanda Ritchie | .... | production assistant | |
| Peter Russotti | .... | production coordinator | |
| Marcia Rutledge | .... | insurance: Marsh Entertainment Insurance | |
| Hanif Sherzad | .... | fixer: Afghanistan | |
| Ben Sozanski | .... | production assistant | |
| Ben Sozanski | .... | researcher | |
| Robert Stein | .... | legal counsel: Pryor Cashman Sherman & Flynn | |
| Rebecca Wexler | .... | intern | |
| Crystal Whelan | .... | production coordinator | |
| Jordan Young | .... | production assistant | |
Merci | |||
| Frank Gibney | .... | dedicatee (as Frank B. Gibney) | |
Rated R for disturbing images, and content involving torture and graphic nudity.
106 min | Finland:53 min (TV)
1,85 : 1 suite
USA:R | Argentina:13 | Canada:13+ (Quebec) | Canada:14A (Alberta/Manitoba) | Canada:R (British Columbia) | Canada:13+ (Québec) | Canada:18A (Ontario) | Australia:MA
figure dans The 80th Annual Academy Awards (2008) (TV) suite
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| Standard Operating Procedure | Fahrenheit 9/11 | Celsius 41.11: The Temperature at Which the Brain... Begins to Die | DC 9/11: Time of Crisis | A Mighty Heart |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
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Too few have heard of Dilawar. Those who have will probably never forget him. Alex Gibney certainly will not. His latest film starts and ends with this poor innocent taxi driver who, in 2002, was taken to the Bagram airbase in Afghanistan. Five days later, he was dead.
Dilawar's death was the spark which ultimately led to the international awareness of what the Bush administration was doing to its detainees in the war on terror. Gibney's film, however, decides to look up the tree, not down, to discover who was really responsible for these unpleasant developments.
Gibney's film is bolstered by frank and interesting interviews with some of the troops on the ground. Their remorse is clear, as is their disgust. And disgust is the right word. This is, by no means, an easy watch. The use of the appalling footage which has been generated by the recent conflicts is necessary because, if anyone is in any doubt about how morally reprehensible these tactics are, this film will make it abundantly clear.
However, this film's real strength is the structure of its attack on the tactics that are employed. Gibney demonstrates that the tactics used are hopelessly inadequate and never yield effective information. There is a cutting and brilliant comparison with the old techniques and the new where an interviewee, a former FBI interrogator, uses his old tools of interrogation words and you can feel yourself being persuaded.
This is not just a polemic. It is a human story and a powerful and well-constructed argument. It should be essential viewing as what has happened at Guantanamo, Bagram and Abu Ghraib should never be forgotten. This is excellent, important film-making.
4 Stars out of 5