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Sunshine Cleaning (2008)
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Vue d'ensemble
Note Générale:
Réalisateur:
Scénariste (WGA):
Megan Holley (written by)
Date de sortie:
27 mars 2009 (USA)
suite
Accroche:
life's a messy business.
Intrigue:
In order to raise the tuition to send her young son to private school, a mom starts an unusual business -- a biohazard removal/crime scene clean-up service -- with her unreliable sister. full summary | add synopsis
Plot Keywords:
Récompenses:
1 nomination
suite
Avis des utilisateurs:
Adams and Blunt are remarkable
plus de (72 total)
Ensemble
(dans l'ordre des crédits) | Amy Adams | ... | Rose Lorkowski |
 | Emily Blunt | ... | Norah Lorkowski |
 | Alan Arkin | ... | Joe Lorkowski |
 | Jason Spevack | ... | Oscar Lorkowski |
 | Steve Zahn | ... | Mac |
 | Mary Lynn Rajskub | ... | Lynn |
 | Clifton Collins Jr. | ... | Winston |
 | Eric Christian Olsen | ... | Randy |
| Paul Dooley | ... | Sherm |
 | Kevin Chapman | ... | Carl |
| Judith Jones | ... | Paula Datzman-Mead |
 | Amy Redford | ... | Heather |
 | Christopher Dempsey | ... | Gun Shop Suicide |
| Vic Browder | ... | Gun Shop Owner |
 | Ivan Brutsche | ... | Above and Beyond Worker |
 | Arron Shiver | ... | Detective |
| Ralph Jason Aukison | ... | Gun Shop Employee #1 |
 | Cliff Garstka Sr. | ... | Gun Shop Employee #2 |
| Charles Domenici | ... | Gun Shop Employee #3 |
| Susie Yip | ... | Mrs. Kim |
 | Mike Miller | ... | Counselor |
| Sarah Hudnut | ... | Teacher |
| Anya Alyassin | ... | Mac's Daughter |
 | Pab Schwendimann | ... | Apartment Super |
 | William Sterchi | ... | Candy Store Manager |
| Amber Midthunder | ... | Candy Store Girl |
 | Angelique Midthunder | ... | Girl's Mother |
 | Olive Gallagher | ... | Seminar Speaker |
| Lois Geary | ... | Mrs. Davis |
| Frank E. Cruz | ... | Shrimp Truck Driver |
 | Esodie Geiger | ... | Reporter |
 | Kevin Wiggins | ... | Police Officer |
 | Epifanio Hernández | ... | Restaurant Owner |
| McKenna Hutton | ... | Young Rose |
| Mason Frank | ... | Young Norah |
 | Marya Beauvais | ... | TV Waitress / Mother Lorkowski |
 | Maddie Corman | ... | Mousy Baby Shower Guest |
 | Rebekah Wiggins | ... | Peppy Shower Guest |
| Kristin Reese | ... | Hinkle's Employee Singer #1 |
| Veronica Hernandez | ... | Hinkle's Employee Singer #2 |
| Jourdan Reese | ... | Hinkle's Employee Singer #3 |
 | Josh Berry | ... | TV Detective |
| reste de la distribution par ordre alphabétique: | |||
 | Kathy Lamkin | ... | Fair N Square Owner (uncredited) |
Réalisé par | |||
| Christine Jeffs | |||
Scénaristes(WGA) | ||
| Megan Holley | (written by) | |
Produit par | |||
| Jeb Brody | .... | producer | |
| Bob Dohrmann | .... | co-producer | |
| Dave Gare | .... | associate producer | |
| Dan Genetti | .... | associate producer | |
| Peter Saraf | .... | producer | |
| Marc Turtletaub | .... | producer | |
| Glenn Williamson | .... | producer | |
Musique originale | |||
| Michael Penn | |||
Image | |||
| John Toon | |||
Montage | |||
| Heather Persons | |||
Distribution des rôles | |||
| Avy Kaufman | |||
Création des décors | |||
| Joseph T. Garrity | |||
Direction artistique | |||
| Guy Barnes | |||
Décorateur de plateau | |||
| Wendy Ozols-Barnes | |||
Création des costumes | |||
| Alix Friedberg | |||
Maquillage | |||
| Debra Clair | .... | key hair stylist (as Debra R. Clair) | |
| Tarra D. Day | .... | department head makeup (as Tarra Day) | |
| Lisa Hill | .... | additional makeup artist | |
| Voni Hinkle | .... | department head hair | |
| Vanessa Jaramillo | .... | additional makeup artist | |
| Mary Hedges Lampert | .... | key hair stylist (as Mary Lampert) | |
| Karen McDonald | .... | key makeup artist | |
| Yvette Meely | .... | additional hair stylist (uncredited) | |
Directeur de production | |||
| Bob Dohrmann | .... | unit production manager (as Robert J. Dohrmann) | |
| Brent Morris | .... | unit production manager: additional photography | |
Assistant réalisateur | |||
| Sarah Lemon | .... | second second assistant director (as Sarah B. Lemon) | |
| Chemen Ochoa | .... | second assistant director (as Chemen A. Ochoa) | |
| Gregory J. Smith | .... | first assistant director | |
| Marcia Woske | .... | additional assistant director | |
Technicien du son | |||
| Deb Adair | .... | sound re-recording mixer | |
| Michael J. Benavente | .... | supervising sound editor | |
| Gary C. Bourgeois | .... | sound re-recording mixer | |
| Laurel Bridges | .... | boom operator | |
| Bayard Carey | .... | production sound mixer: pick-ups | |
| Lori Dovi | .... | sound mixer | |
| Tricia Linklater | .... | supervising sound editor | |
| Martin Lopez | .... | sound designer | |
| Ryan Maguire | .... | foley mixer | |
| Fred Peck III | .... | sound mix technician | |
| John Weitz | .... | utility sound technician: pick-ups | |
Effets spéciaux | |||
| Scott Hastings | .... | special effects technician | |
| Daniel Holt | .... | special effects foreman | |
| Margaret Johnson | .... | special effects coordinator | |
| Randy E. Moore | .... | special effects rigging foreman | |
Visual Effects | |||
| Michael Plescia | .... | Flame artist: Digiscope | |
| Janet Quen | .... | senior flame artist | |
| Christopher Stack | .... | imaging supervisor: Digiscope | |
| Robert Vega | .... | title animator | |
Cascadeur | |||
| Trine Christensen | .... | stunt double: Norah | |
| Al Goto | .... | stunt coordinator | |
| John Koyama | .... | stunts | |
| Jodi Michelle Pynn | .... | stunt double: Norah | |
| Kevin L. Jackson | .... | stunt coordinator (uncredited) | |
| John Koyama | .... | stunt rigger (uncredited) | |
Département Costume et garde-Robe | |||
| Barbara Lee Brice | .... | seamstress (as Barbara Brice) | |
| Debra Chapman | .... | seamstress | |
| Linda Huse | .... | costume supervisor | |
| Wendy R. Kennedy | .... | costume production assistant | |
| Maili Lafayette | .... | costumer: LA | |
| Daniela Moore | .... | costume supervisor (as Daniela Landrith) | |
| Molly O'Haver | .... | key costumer | |
| Kent Alan Parker | .... | key costumer | |
| Claire Sandrin | .... | set costumer | |
| Alison M. Schmidt | .... | costumer: LA | |
| Amy Sexton | .... | costume production assistant | |
Dpartement Editorial | |||
| David Buchwald | .... | post-production assistant | |
| Jim Eberle | .... | digital intermediate on-line editor | |
| Naomi Geraghty | .... | additional editor | |
| Mia Goldman | .... | editorial consultant | |
| Lesley Hansen | .... | post-production assistant | |
| David James Kelly | .... | post-production assistant | |
| Mark T. Osborne | .... | digital intermediate colorist | |
| Chris Patterson | .... | associate editor | |
| Arturo Sosa | .... | first assistant editor | |
| Ian Turpen | .... | digital intermediate scanner: Company 3 (uncredited) | |
Département Musique | |||
| David Majzlin | .... | composer: additional music | |
| Albert Thrower | .... | music clearances | |
| Ronald J. Webb | .... | music editor | |
Merci | |||
| Paul Maxwell | .... | special thanks | |
| Brian Schornak | .... | special thanks | |
Companies de productionDistributeurs
- A-Film Distribution (2009) (Netherlands) (theatrical)
- Capelight Pictures (2008) (Germany) (theatrical)
- Festive Films (2009) (Singapore) (theatrical)
- Golden Village Pictures (2009) (Singapore) (theatrical)
- Overture Films (2009) (USA) (theatrical)
- Phantom Film (2009) (Japan) (theatrical)
- Surreal Films (2009) (France) (theatrical)
- Svensk Filmindustri (SF) (2009) (Sweden) (theatrical)
- A-Film Home Entertainment (2009) (Netherlands) (DVD)
- Anchor Bay Entertainment (UK) (2009) (UK) (all media)
- Anchor Bay Entertainment (2009) (USA) (DVD)
- Anchor Bay Entertainment (2009) (USA) (DVD) (Blu-ray)
- CN Entertainment (2009) (Hong Kong) (DVD)
- MG Film (2009) (Croatia) (all media)
- Madman Entertainment (2008) (Australia) (all media)
- Madman Entertainment (2008) (New Zealand) (all media)
- Paradox Entertainment Group (2009) (Canada) (DVD)
- Svensk Filmindustri (SF) (2009) (Sweden) (DVD)
- Act One Script Clearance script research
- Big Time Picture Company post-production facilities
- Camera Service Center camera equipment (as ARRI/Camera Service Center)
- Chapman/Leonard Studio Equipment cranes
- Chapman/Leonard Studio Equipment dollies
- Cinetic Media U.S. sales
- Company 3 digital intermediate
- Deborah Ross Film Design title design
- Lakeshore Records soundtrack
- Pacific Title titles and opticals
- Reel Chefs Catering catering
- Sony Pictures Studios post-production sound services
Détails supplémentaires
MPAA:
Rated R for language, disturbing images, some sexuality and drug use.
Parents Guide:
Durée:
91 min | Germany:102 min (European Film Market)
Pays:
Langue:
Couleur:
Rapport de forme:
2,35 : 1 suite
Son:
Classification:
USA:R (certificate #44055) |
Canada:13+ (Quebec) |
Canada:14A (Alberta/British Columbia/Manitoba/Ontario) |
Netherlands:12 |
UK:15 |
Sweden:7 |
Ireland:15A |
Germany:12 |
Japan:PG-12 |
New Zealand:R16 |
Australia:M |
Singapore:M18 |
Hong Kong:IIB |
Switzerland:12 (canton of Geneva) |
Switzerland:12 (canton of Vaud) |
Finland:K-11 |
Singapore:NC-16 (edited for re-rating) |
South Korea:15 |
Turkey:13+
Lieux de tournage:
Société:
Curiosités
Anecdotes:
Amy Adams played the girlfriend of John Krasinski's character Jim Halpert on "The Office" (2005) during parts of the first and second seasons. Emily Blunt is Krasinski's girlfriend in real life.
suite
Connexions De Film:
Référencé sur "The Rotten Tomatoes Show: Watchmen/Shuttle/12 (#1.2)" (2009)
suite
Bande son:
Barcelona
suite
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Of late, independent films seem to fall into three ruts; the quirky indie film, the contrived indie film and the quirkily contrived indie film. Thankfully, for the most part, Sunshine Cleaning manages to avoid these associated pitfalls, and is instead a benchmark for how two sensational performances can succeed in drastically improving the quality of a film.
These aforementioned indie clichés are quite the conundrum when looked at thoughtfully. The birth of independent film-making stemmed from creativity and desire to be liberated from the shadow of the major movie conglomerates. Yet now, most of these offbeat flicks are as cold and calculated as any big budget summer movie and often drown in wacky plots and bizarre characters which are not of what free film should be an expression.
Starring the consistently stellar and always delightful leading ladies of Amy Adams and Emily Blunt, Sunshine Cleaning tells the bittersweet story of two sisters (Adams and Blunt) and their struggles to purge the horror of their mother's suicide and live normal lives. Adams as Rose and Blunt as Norah are polar opposites; Rose was the head cheerleader in high school and aches to regain that notoriety in her adult life and Norah the 'screw-up', the black sheep of the family. They are held together loosely by Rose's son Oscar and their father (Alan Arkin) that is until they find themselves in need of work. Through a less than professional police connection of Rose's (Steve Zahn) they come to start a crime scene cleanup service called Sunshine Cleaning and while they sought money, they ended up finding something more profound.
Adams and Blunt truly are remarkable and give bonafide Oscar worthy performances. Their characters never fall to any deprecating indie quirks, and are fully realized individuals. Zahn is solid in a smaller role, as is Clifton Collins Jr. as a clean-up store owner and all lend to a story that did not by any means conclude where I was suspecting. Many of the subplots are left open, but not in a unsatisfying way and while featuring ups and downs along the way, Sunshine Cleaning manages to find a hopeful tone without being sticky sweet. Perhaps by favourite aspect outside of the performances was Adam's character. We have seen in many films the former cheerleader who has grown up under the shadow of the 'losers' of their school, but never have I seen such an honest look from the view of the former. Perhaps this is a testament to Adams acting skills, but I was impressed nevertheless.
Sunshine Cleaning keeps you involved based on characters alone. There is certainly humour, tragedy and emotion to drive the story but all is born from the relationship between this broken family. I wish fresh faced director Christine Jeffs had forgone all the trends of the recent independent film movement, but there is still more then enough to admire about Sunshine Cleaning, and even more to love.