| Videos (see all 4 NOUVEAU) |
| Stefano Accorsi | ... | Antonio Pontesilli | |
| Margherita Buy | ... | Angelica Pontesilli | |
| Pierfrancesco Favino | ... | Davide | |
| Serra Yilmaz | ... | Neval | |
| Ennio Fantastichini | ... | Sergio | |
| Ambra Angiolini | ... | Roberta | |
| Luca Argentero | ... | Lorenzo Marchetti | |
| Filippo Timi | ... | Roberto | |
| Michelangelo Tommaso | ... | Paolo | |
| Milena Vukotic | ... | Marta, la Capoinfermiera | |
| Luigi Diberti | ... | Vittorio | |
| Lunetta Savino | ... | Minnie | |
| Isabella Ferrari | ... | Laura | |
| Benedetta Gargari | ... | Giulia | |
| Gabriele Paolino | ... | Marco | |
| Vandenia Navi | ... | Sugnora Cedro Artifumo | |
| Ivo Micioni | ... | Portiere Residance | |
| Kati Markkanen | ... | Ragazza al Telefono | |
| Alberto Frasca | ... | Portentino | |
| Cosimo Tomanulo | ... | Addico Obitorio | |
| Rosa Cleotilde Zuniga Garga | ... | Roxy | |
| Salvatore Gianni | ... | Salvo |
Réalisé par | |||
| Ferzan Ozpetek | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Ferzan Ozpetek | writer | |
| Gianni Romoli | writer | |
Produit par | |||
| Tilde Corsi | .... | producer | |
| Gianni Romoli | .... | producer | |
Musique originale | |||
| Neffa | (as Giovanni Pellino 'Neffa') | ||
Image | |||
| Gianfilippo Corticelli | (as Gian Filippo Corticelli) | ||
Montage | |||
| Patrizio Marone | |||
Création des décors | |||
| Massimiliano Nocente | |||
Création des costumes | |||
| Alessandro Lai | |||
Directeur de production | |||
| Sandra Bonacchi | .... | production manager | |
Assistant réalisateur | |||
| Alberto Caviglia | .... | assistant director | |
Technicien du son | |||
| Paolo Amici | .... | sound effects editor | |
| Giuseppe D'Amato | .... | sound editor | |
| Marco Grillo | .... | sound | |
| David Quadroli | .... | sound effects editor | |
| Fabrizio Quadroli | .... | sound effects editor | |
Effets spéciaux | |||
| Massimiliano Bianchi | .... | special effects assistant | |
| Pasquale Catalano | .... | special effects rain | |
| Massimo Ciaraglia | .... | special effects rain | |
| Fabio Traversari | .... | special effects supervisor | |
Visual Effects | |||
| Stefano Camberini | .... | digital intermediate | |
| Ercole Cosmi | .... | visual effects | |
| Simone Fontana | .... | digital mastering editor | |
| Alessandro Pantanella | .... | visual effects | |
| Paolo Verrucci | .... | digital mastering colorist | |
Caméra et Département Electrique | |||
| Luigi Andrei | .... | Steadicam operator | |
| Luigi Andrei | .... | camera operator | |
| Alessio Bastianelli | .... | first assistant camera: "a" camera | |
| Luigi Cortese | .... | video assist | |
| Romolo Eucalitto | .... | still photographer | |
| Gian Claudio Giacomini | .... | first assistant camera: "b" camera | |
| Patrizio Marra | .... | grip | |
| Alessandro Picchi | .... | electrician | |
| Marco Sticchi | .... | gaffer | |
| Mauro Toscano | .... | additional assistant camera: "b" camera | |
Divers | |||
| Daniele Esposito | .... | production assistant | |
| Alice Marchitelli | .... | production secretary | |
| Vilma Simoncelli | .... | accountant | |
Merci | |||
| Hrant Dink | .... | dedicatee | |
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| La finestra di fronte | Longtime Companion | Le fate ignoranti | Infamous | Amor de hombre |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb Italy section | Add this title to MyMovies |
I was really excited to see this film because I loved Hamam and I wasn't disappointed at all. Saturn in Opposition is really about a way of life that I feel lucky enough to have. It tells the story of a group of people who exist and stick together when faced with loss, difficulty and beside differences. I've always liked to think of friendship as a type of love. And I hope Mr Ozpetek would agree with me. The visual style is somewhat impulsive, but that makes the film more alive, personal. I'd recommend Saturn in Opposition to anyone who likes films about real life, friendship, emotionality, vulnerability. It carries a distinct European sensibility that I respect very much.