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55 utilisateurs sur 61 ont trouvé ce commentaire utile :
Unusual, As Usual, 25 février 2007

Auteur : ccrivelli2005 de Rome, Italie

Ferzan Ozpeteck returns to familiar territory but without the nerve, and self assuredness that he shown in the much better "Le Fatte Ignoranti" This time we're introduced to an unusual little group of friends doing all the usual things. Loving and and deceiving, being honest and compassionate, blatant, timid, courageous, self effacing. At times I thought "Saturno Contro" was going to deal with the tough theme that a gay lover is not a relative with all its thorny connotations but not such luck. Our characters are much more sophisticated and, apparently, the society they all live in, as well. There is no real conflict, really. Death is the thing and death is always powerful, specially when it touches the unsuspecting. Pierfrancesco Favino is wonderful. Human to the hilt. Even when he's given a far too long close up with tears that seem to, awkwardly, fight their way out. Luca Argentero, his lover, is definitely beautiful and gets, like Gabriele Garko in "Le Fatte Ignoranti" the most loving, lingering close ups. Again, I couldn't quite connect with Stefano Accorsi as a character or as an actor. Marherita Buy is a delight, as usual and Serra Yilmaz has become already Ozpeteck's good luck charm and she's always fun to watch. All in all, I was moved and annoyed at the same time.

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49 utilisateurs sur 61 ont trouvé ce commentaire utile :
more of the same, 21 février 2007

Auteur : muerco de California

I saw the premiere of this film in Florence the other night, with Ozpetek and a lot of the cast (including Accorsi and Buy) in attendance. It will soon have its release throughout Italy but I highly doubt (despite its esteemed cast) that it will make it abroad--for good reason. Having liked "Le fati ignoranti" and been less impressed with "La finestra di fronte," I came to this hopeful but with some reservations. The basic theme (though not the plot, which is too uninteresting to go into) is the same as in those other movies--that family is something one forms among friends and lovers rather than the traditional tight/strangling norms that define Italian family bonds. When Ozpetek really brought this out in "Le fati ignoranti", he seemed like a fresh voice in Italian cinema: unjudgmental, sane, equally interested in straight and gay relationships, kind with actors. Things haven't really changed in the intervening years, but his approach now seems a limitation, or rather, there's nothing to get excited about or involved with in this new film. The stakes seem low, the actors seem unplugged, the melodrama feels forced, and with no especially compelling central character (like Accorsi's in "Fati ignoranti"), there's no real involvement for the audience. Tears are shed, lessons are learned, compassion is shown. This could be a TV movie. It's only the sad state of Italian cinema in general that makes something like this pass for a serious drama. It's not really a bad film or a terrible failure, just something slightly better than mediocre. Is that good enough for one of Italy's leading directors?

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50 utilisateurs sur 63 ont trouvé ce commentaire utile :
More Ignorat Fairies For Ozpetek, 25 février 2007

Auteur : leonardofilmgroup de Italie

Ennio Fantastichini, a wonderful Italian stage actor, weeps as he watches Meryl Streep in , I believe, "Out of Africa" He also establishes he is not gay but a fagot..."Isn't that the same thing?" "Yes, but I'm old fashioned" is his replay. I wish the tone had been like that, a bit more Almodovaresque. There is a need to be deep in Oztepek's world and that makes everything seem banal. Even death. Well I don't want to be too harsh. The Turkish filmmaker is one of the best Italian directors around but his universe seems to be tiny, tiny, tiny. He has a wonderful eye for beautiful men - Luca Argentero, a veteran from the the reality show "Big Brother" is scrumptious and Pier Francesco Favino is, without question, one of the best actors we've got. But, what was the film about? Friendship? Love? Death? Ping Pong? I couldn't tell and that's why I couldn't get into it. It seemed like a random trip without destination. Maybe that's it, maybe its about the aimless wondering of us humans during our brief stint on this earth. Wow! Around tables talking - with Sierra Yilmaz as a constant comic relief and a couple of wonderful moments. I wish the daringness that is, quite clearly, within Oztepek's range, could go all the way and tell us, in no uncertain terms, what its all about. He has the talent, the vision and the sensibility. Now he needs a story and a full proof script. Maybe next time.

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41 utilisateurs sur 48 ont trouvé ce commentaire utile :
Another family, Ozpetek style., 27 février 2007

Auteur : pierlorenzodangelo de Italie

Once again, Ozpetek introduce us to an unorthodox gathering in the shape of a family. The gay couple Perfrancesco Favino and Luca Argentero are a model couple. Lovely, talented, kind. The heterosexual couple, Margherita Buy and Stefano Accorsi are also kind even if infidelity and other obstacles complicate their life but only momentarily. Now, okay, it all looks fine but I couldn't quite figure out what was I looking at. The story unfolds without any rhyme or reason. Did I miss something important? Favino is totally credible and Argentero is eye candy of the most delightful kind. Ennio Fantastichini is funny and pathetic, Stefano Accorsi is Stefano Accorsi and Margherita Buy manages a very civilized matrimonial crisis. Serra Yilmaz does her thing, beautifully of course, but hardly new. The only surprise was Lunetta Savino, an ex hairdresser and Argentero's step mom. Her character brings a much needed truth to the proceedings. It is, perhaps, the best written character. Somebody asked me what the film was about and I couldn't quite answer. I think that's were the problem resides. If Ferzan Ozpetek had something to say I completely missed it. However, the beauty of the people on the screen kept me awake and somehow engaged.

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13 utilisateurs sur 17 ont trouvé ce commentaire utile :
Saying Goodbye Is Never Easy, 12 mars 2007

Auteur : marcus_stokes2000 de Italie

*** Ce commentaire peut contenir des spoilers ***

*Saturno SPOILERS* When young Lorenzo (Luca Argentero) suddenly collapses during a dinner with friends, his (not officially, obviously) husband Davide (Pierfrancesco Favino), and their friends, among whom there is Antonio (Stefano Accorsi), who is cheating on his wife Angelica (Margherita Buy) with a florist (Isabella Ferrari) but still loves her, are all forced to face the fact that he isn't ever going to come back, because as one of them informs the others, it's a condition which you cannot come back from without a miracle, and in real life there are no miracles...

I probably am the only one who has added 'Saturno Contro' to his 'Buy As Soon As It Comes Out On DVD' list, but maybe it's because I can relate a lot to the plot, being myself a guy who tries to keep things as they were, 'forever... even if forever isn't possible'.

Maybe the fact that it had a top-notch cast (especially good were Argentero, Favino, Accorsi, and Ambra Angiolini as a drug addict businesswoman, who is actually more deep than anyone gives her credit for.

Serra Ylmaz is a little obnoxious (as an example, when she scolds Lorenzo a few hours before he slumps into unconsciousness and never returns), Fantastichini is cute as Davide's 'Rebecca, the first wife' (the first wife is the Italian subtitle of the Hitchcock movie Rebecca) ('first' lover) Sergio, and TV Stars Lunetta Savino and Milena Vukotic give two very nice performances, the first as Lorenzo's bubbly stepmother, and the second as a sympathetic nurse.

This is my first Ozpetek movie (besides having begun to watch 'La Finestra Di Fronte'), but his subdued directing has already won me over, as has his not making Davide and Lorenzo's relationship some kind of political statement, but showing that homosexuals are not aliens from another world, like some bigoted Government members and Church members seem to think, but people like everyone else, who live and die like everyone else, and suffer as such.

The script, and especially the characters, were also well written, and the music by Italian R&B Singer Neffa, who also sang the theme 'Passione' ('Passion') was very involving.

One trivia: the title was supposed to be 'Mentre Lorenzo Dorme' ('While Lorenzo Sleeps') before becoming 'Saturno Contro' ('Negative Saturn' - it's an astrology term).

Saturno Contro: 9/10.

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7 utilisateurs sur 10 ont trouvé ce commentaire utile :
Seven friends who loved it, 17 mai 2008

Auteur : John LaBella de Etats-Unis

I am puzzled by the tepid response to this film. My friends and I were fully engaged throughout, and completely satisfied at film's end. For me, art in any medium needs to be either 1) a transforming story or 2) so beautifully done that people are reminded anew of how amazing life is. This was a movie in the second category, a soufflé that needed a lot of elements to come together perfectly in order not to fail. And my friends and I found it perfect. The movie also needed to be well controlled to make up for the fact that everyone was so beautiful.

It was one of those "This happened, then this, then this" - and I bought it all. I had no idea where it was going but I didn't care because it was going to be satisfying.

On top of that, this was a movie I didn't have to translate at all. And on top of *that*, the characters possessed a grace of spirit that matched their considerable physical beauty. One scene, where the wife met the mistress, was a marvel. The director either picked people who had extraordinary brains and sensitivity, or else he's really good at getting a lot out of his actors.

My friends had many telling details we needed to lovingly examine. Perhaps the reviewers who found it disappointing are young, or Europeans who have seen a lot of movies like this one (I haven't); maybe they've seen these same actors a lot, or know too much about them from gossip magazines. Maybe they've not lost a charismatic friend or undergone experiences together with a close set of friends. There were moments in my life that I haven't seen represented on film before and here they were. I liked having those moments represented honestly but also idealized - and yes, you can do both things at the same time.

At least reviewer wondered what this movie was about. For me, this movie was many things: an astonishing display of ensemble acting; a set of character studies where each character seemed to have years of history shading every moment; a romanticized story about a kind of family not sufficiently represented on film; a story about people experiencing complex emotional states and not making a big deal about it.

And there were so many beautiful camera moments!

All in all, Mozart is a good reference point for this movie. So perfect that it breaks rules and still makes a good film.

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2 utilisateurs sur 2 ont trouvé ce commentaire utile :
A Revelation, 21 décembre 2008

Auteur : bubblegun-1 de Bmth, England

I was really excited to see this film because I loved Hamam and I wasn't disappointed at all. Saturn in Opposition is really about a way of life that I feel lucky enough to have. It tells the story of a group of people who exist and stick together when faced with loss, difficulty and beside differences. I've always liked to think of friendship as a type of love. And I hope Mr Ozpetek would agree with me. The visual style is somewhat impulsive, but that makes the film more alive, personal. I'd recommend Saturn in Opposition to anyone who likes films about real life, friendship, emotionality, vulnerability. It carries a distinct European sensibility that I respect very much.

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3 utilisateurs sur 4 ont trouvé ce commentaire utile :
Role reversal--how men deal with lost love, 2 novembre 2008

Auteur : ekeby de wisconsin

I think this is a film that tries to do for men what countless movies have done for women: expose the real pain men feel when love is lost. We've seen the genre exploited for the female market ad infinitum. We rarely see it for men.

I believe that's the theme of this movie: how do men deal with the loss of love? For those of you who have seen it and are questioning what the movie was about, consider it. . . . There's the lover who abandons, the lover who is abandoned, the father who rejected, and the lover whose lover dies.

Aside from the title, a major clue is the reference to "Rebecca", a film about a man who grieves for lost love, and yet who is accused of murdering that love. It is perhaps the ultimate movie about submerged male emotion. In that film the woman (the second wife) is both a participant and an observer, as is the case with most of the women in this film. Then there's the title, a reference to a Saturnalia, a "party" where traditional roles are reversed. In this movie, it is the women who observe the men dealing with lost love, not the other way around as it usually is.

It's not difficult for me to understand the "tepid response" of some reviewers, particularly those who are male. Males are so unplugged from this part of life that it is understandable they could watch a whole movie about lost love and not recognize what it is.

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3 utilisateurs sur 4 ont trouvé ce commentaire utile :
Sensuous, Sad, Stimulating & Stunning. Bravo, Stefano Accorsi!, 25 septembre 2008

Auteur : TOM O'LEARY (olearytko@yahoo.com) de Etats-Unis

This delicate, moving and absorbing film continues director Ferzan Ozpetek's growth as a great film artist. His movie STEAM possessed a sweet sensuality that was potent and moving. His movie HIS SECRET LIFE is a sexy little masterpiece. It is moving and funny. And, like I said, very sexy.

With SATURN IN OPPOSITION, Ozpetek teams up again with the gorgeous Italian actor Stefano Accorsi. This actor added sensuality to every scene in HIS SECRET LIFE. Stefano continues to bring his amazing heat to SATURN IN OPPOSITION.

This movie is an ensemble piece in every sense of the word. A group of friends are thrown into turmoil when the most beloved member of their group is struck down in his prime. How the friends and lovers and former lovers survive this tragedy is heartwarming and very moving.

If this movie does not get to you then you have no heart. Period.

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2 utilisateurs sur 3 ont trouvé ce commentaire utile :
Appreciating and Celebrating the Extended Family, 20 octobre 2008

Auteur : gradyharp de Etats-Unis

Ferzan Ozpetek understands as well as any writer/director today the concept and attending importance of Extended Family. Much as he spoke about the importance of friends who are often more supportive than genetic family in his beautiful film HIS SECRET LIFE, he explores a similar topic in his latest exceptional film SATURNO CONTRO (SATURN IN OPPOSITION). Ozpetek and his co-writer Gianni Romoli have created a story about camaraderie, celebration, shared loss, consolation, and healing among a rather disparate group of Romans that manages to not only underscore our human needs, but also demonstrates how nearly insurmountable hurdles can be managed by the kindness and understanding of true friends.

Davide (Pierfrancesco Favino) is a much admired writer who lives with his artist partner Lorenzo (Luca Argentero) in a healthy, loving relationship. Davide has many admirers who wish to fall under his influence as a writer and Lorenzo likewise has many friends who are devoted to him. These friends gather at the home of Davide and Lorenzo for meals, parties and celebrations - a place where each of the friends finds compassion for whatever is nibbling away at their happiness. Davide's close friend Antonio (Stefano Accorsi) is married to the beautiful Angelica (Margherita Buy) who is writing a book about smoking and is not aware that her husband is having an affair with florist Laura (Isabella Ferrari) until a mutual friend, translator Neval (Serra Yilmaz) - caring for both friends' concerns - shares the information. The possible disastrous discovery is overshadowed by the sudden subarachnoid hemorrhage suffered by Lorenzo during a communal meal. Each of the friends' lives are halted while they gather at the hospital awaiting the inevitable death of their friend - each with open arms of support for Davide and each other as they find their way through dealing with the circle of life. The story places Lorenzo's tragedy near the beginning of the film: the resolution and coping of the large number of this extended family form the message and the sidebars that explore the sanctity of friendship and caring. There are myriad moments of rare beauty in this little film, moments that include the tenderness of Lorenzo's father's acceptance of Davide's relationship to his son as the funeral is passing, the wordless mending that the death of a friend brings to the dissolving marriage of Angelica and Antonio, and many others.

This is a beautifully photographed film (Gian Filippo Corticelli) and one with a musical score (Giovanni Pellino 'Neffa') that is so subtle that it supports without distraction (much like the presence of Extended Families!). The acting is of the highest quality from some of Italy's finest actors. We can only hope that Ferzan Oztepek continues to create meaningful films such as this for a world that too often settles for finding solace as well as happiness from artificial sources outside the circle of human relationships. In Italian with subtitles. Highly recommended. Grady Harp

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