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Réalisé par | |||
| Claude Chabrol | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Claude Chabrol | writer | |
| Cécile Maistre | writer | |
Produit par | |||
| Patrick Godeau | .... | producer | |
Musique originale | |||
| Matthieu Chabrol | |||
Image | |||
| Eduardo Serra | |||
Montage | |||
| Monique Fardoulis | |||
Création des décors | |||
| Françoise Benoît-Fresco | |||
Création des costumes | |||
| Mic Cheminal | |||
Maquillage | |||
| Maya Benamer | .... | key makeup artist | |
| Alexandre Laforest | .... | hair stylist | |
Directeur de production | |||
| Grégory Back | .... | assistant unit manager | |
| Michel Jullien | .... | production manager | |
| Cecile Regnauld | .... | assistant unit manager | |
| Sandrine Rouquié | .... | assistant production manager | |
Département Art | |||
| Miss Tic | .... | poster designer | |
| Audrey Vincent | .... | painter | |
Technicien du son | |||
| Sophie Chiabaut | .... | boom operator | |
| Vincent Cosson | .... | sound re-recording mixer | |
| Eric Devulder | .... | sound | |
| Michel Filippi | .... | adr supervisor | |
| Thierry Lebon | .... | sound re-recording mixer | |
| Julien Naudin | .... | foley artist | |
| Seppe van Groeningen | .... | boom operator | |
| Jean-Alexandre Villemer | .... | sound recordist | |
Visual Effects | |||
| Guillaume Bauer | .... | compositor | |
| Marc Bonneviot | .... | digital compositor | |
| Nicolas David | .... | visual effects | |
| David Rodrigues | .... | digital artist | |
Caméra et Département Electrique | |||
| Florent Bazin | .... | first assistant camera | |
| Eric Bonnaire | .... | grip | |
| Mathieu Caudroy | .... | Steadicam operator | |
| Delphine Desbruères | .... | second assistant camera | |
| Moune Jamet | .... | still photographer | |
| Emmanuel Théry | .... | additional electrician | |
Département Casting | |||
| Maguy Aimé | .... | casting assistant | |
| Mademoiselle Chouchou | .... | casting assistant | |
Département Costume et garde-Robe | |||
| Sandrine Bernard | .... | costumer | |
| Valérie Sanis | .... | additional dresser | |
Dpartement Editorial | |||
| Christophe Bousquet | .... | color timer | |
| Stanislas Moreau | .... | assistant editor | |
Département Musique | |||
| Laurent Petitgirard | .... | conductor | |
Divers | |||
| Aurore Chabrol | .... | script supervisor | |
| Stéphanie Fouet | .... | administrator | |
| Catherine Franquin | .... | location scout (as Cathy Franquin) | |
| Nicolas Porte | .... | location scout | |
| Sandrine Rouquié | .... | production assistant | |
| Eva Simonet | .... | press attache | |
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| A Place in the Sun | Heavenly Creatures | Young Adam | Die Stille nach dem Schuß | El diputado |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb Allemagne section | Add this title to MyMovies |
"A Girl Cut In Two" is the kind of movie that requires a lot of patience from its audience (it moves slowly and runs long), without really rewarding them for it at the end. Listed by IMDb as a drama/thriller, it is basically a drama about a young weather girl (and later TV show host) caught in two parallel relationships with a middle-aged writer and a rich heir about her age, with the "thriller" part (such as it is) coming into play only in the last 20 minutes. One of the main problems with the film is that the viewer can see right away that neither of these relationships is going to work out - the older man is married and just looking for cheap thrills, the younger man acts borderline psychotic right from the start - and you wonder how the heroine, who seems fairly smart in most ways, can be so naive as to not see that these two men are unworthy of her time. Perhaps the two most likable characters - the heroine's uncle and the young man's little sister - have very little screen time. The film is very well-acted, especially by Ludivine Sagnier and Francois Berléand, but ultimately it is a minor work for someone of Claude Chabrol's great reputation. (**)