| Videos (see all 8 NOUVEAU) |
| Cameron Ansell | ... | Finn O'Brien | |
| Benz Antoine | ... | Greg Graham | |
| Noah Bernett | ... | Scot | |
| Robin Brûlé | ... | Ms. Paul | |
| Tom Cavanagh | ... | Eric McNally | |
| William Cuddy | |||
| Colin Cunningham | ... | Billy | |
| Dylan Everett | ... | Ryan Burlington | |
| Travis Ferris | ... | George Jr. | |
| Megan Follows | ... | Barbara Warren | |
| Mark Forward | ... | Snickering Businessman | |
| Alexander Franks | ... | Joey Morita | |
| Jeananne Goossen | ... | Nula | |
| Graham Greene | ... | Bud Wilson | |
| Kathryn Haggis | ... | Andrea Burlington | |
| Adam Korson | ... | Referee | |
| Shauna MacDonald | ... | Joan | |
| Sheila McCarthy | |||
| Benjamin Morehead | ... | Hank | |
| Billy Parrott | ... | Security Guard #2 | |
| Alex Popovic | ... | Walter Wodlowski | |
| Fiona Reid | ... | Mildred Monterossos | |
| Edwina Renout | ... | Mrs. Morita | |
| Ben Shenkman | ... | Sam | |
| Anna Silk | ... | Mia | |
| Vanessa Thompson | ... | Carla | |
| Jamie Ferenczi | ... | Grocery store patron (uncredited) |
Réalisé par | |||
| Laurie Lynd | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Michael Downing | novel | |
| Sean Reycraft | writer | |
Produit par | |||
| Paul Brown | .... | producer | |
| Howard Rosenman | .... | executive producer | |
| Howard Rosenman | .... | producer | |
| Nadine Schiff | .... | executive producer | |
| Stephen Traynor | .... | line producer | |
Musique originale | |||
| Robert Carli | |||
Image | |||
| David A. Makin | |||
Montage | |||
| Susan Shipton | |||
Distribution des rôles | |||
| Sharon Forrest | |||
| Susan Forrest | |||
| Karen Margiotta | |||
Création des décors | |||
| Tamara Deverell | |||
Direction artistique | |||
| Jason Graham | |||
Décorateur de plateau | |||
| Peter Wilde | |||
Création des costumes | |||
| Randi Littlefair | |||
| Alex Reda | |||
Maquillage | |||
| Yasmeen Jalali | .... | assistant makeup artist | |
| Stephen Lynch | .... | key makeup artist | |
| Amanda Milne | .... | key hair stylist | |
Assistant réalisateur | |||
| Michael T. Burgess | .... | third assistant director: prep only | |
| Christine Harrington | .... | trainee assistant director | |
| David Manion | .... | first assistant director | |
| Sorcha Vasey | .... | second assistant director | |
| Matt West | .... | third assistant director | |
Département Art | |||
| Jody Lynn Clement | .... | assistant art director: prep | |
| Britt Doughty | .... | assistant art director | |
| Kate Grant | .... | property master | |
| David Gruer | .... | lead dresser | |
| Shirley Gulliford | .... | set buyer | |
| Michael Smith | .... | set dresser | |
Technicien du son | |||
| Kevin Belen | .... | adr recordist | |
| Robert Fletcher | .... | sound mixer | |
| Paul Germann | .... | sound effects editor | |
| Goro Koyama | .... | foley artist | |
| Kirk Lynds | .... | sound re-recording mixer | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Joe Morrow | .... | sound re-recording assistant | |
| Brent Pickett | .... | first assistant sound editor | |
| Iain Stewart | .... | boom operator | |
| Kevin Swartz | .... | trailer sound designer | |
| Jane Tattersall | .... | sound | |
| Don White | .... | foley recording mixer | |
Effets spéciaux | |||
| Jon Davis | .... | special effects key | |
| Jonathan Graham | .... | special effects technician | |
| Peter Kovachis | .... | special effects first assistant | |
| Derek Liscoumb | .... | special effects coordinator | |
| Ron Shinder | .... | special effects technician | |
| Gloria Tong | .... | special effects technician | |
Visual Effects | |||
| Jordan Foster | .... | visual effects | |
Cascadeur | |||
| Duncan McLeod | .... | stunt performer | |
| Branko Racki | .... | stunts | |
| Alison Reid | .... | stunt coordinator | |
Département Casting | |||
| Chantal Leblanc-Everett | .... | casting assistant | |
Dpartement Editorial | |||
| Jim Fleming | .... | digital film colorist | |
| Chris Haufe | .... | colorist | |
| Chris Mayo | .... | on-line editor | |
| Marc Roussel | .... | assistant editor | |
Département Musique | |||
| Kevin Banks | .... | music editor | |
| Charlie Finlay | .... | composer assistant | |
| John Rowley | .... | music clearance | |
Divers | |||
| Ryan M. Barnett | .... | production assistant | |
| Samantha Earl | .... | production assistant | |
| Alice Wickwire Foster | .... | production coordinator | |
| Laura Garcia | .... | assistant to producer | |
| Doug Gillespie | .... | production accountant | |
| Jillian Ordowich | .... | assistant production coordinator | |
| Lori Roussell | .... | script supervisor | |
| Lisa Shamata | .... | unit publicist | |
| Todd Shannon Jr. | .... | water safety | |
| Vess Stoeva | .... | assistant accountant | |
| Vess Stoeva | .... | post-production accountant | |
Merci | |||
| Claire Freeland | .... | special thanks | |
| Carrie Paupst Shaughnessy | .... | thanks | |
|
|
|
|
|
| Billy Elliot | La face cachée de la lune | Less Than Zero | Brokeback Mountain | Coming Out |
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb Canada section | Add this title to MyMovies |
I just saw Breakfast With Scot last night at the Seattle Intl. Film Festival. I was fully prepared not to like it at all, as most gay themed films of the last several years have been so disappointing.
Yes, it is a little predictable, in the sense that you ultimately know how a story like this is going to turn out. Novelty for the sake of novelty doesn't help stories either, and this is a solid well told story. The small turns of the story were not predictable though. I particularly liked that this Canadian production did not reach for the obvious over the top emotional climax an American production would have. For example, it resolves Tom Cavanaugh's work conflict with far less drama then I would expect from a gay themed film. The script deflates the situation in an interesting and realistic way, recognizing that the film is foremost about the relationship between Eric and Scot, and not about Eric's closeted work situation.
The acting is really really solid. The cast feels like an ensemble, not a group of actors vying for screen attention. It takes awhile to realize that Tom Cavanaugh, with his usual non-showy performance, is the adult lead. Noah Bernett, as Scot, hits it exactly right. A very tough character for an actor of any age to get right. Some criticize the script, saying that the character is way too flamboyant for a boy this age. But that is exactly the center of the book, and the film, for this character to be so unapologetically out there and flamboyant that he challenges gays even more than straights. He's not supposed to be a typical gay kid. (In fact, part of that challenge is that he (and we) do not even know for sure what his ultimate sexuality might be.) As it is, he is sort of a child genius of fun fashion and cosmetics. His character is supposed to make us uncomfortable, and challenging to our assumptions.
Cinematography and production design are first rate. I heard that the overall budget was well under 4 million, if so, then bravo to the production crew, it looks like more.