WALL·E (2008)

Note Générale:

8,6/10   

Réalisateur:

Andrew Stanton

Scénaristes:

Andrew Stanton (original story) &
Pete Docter (original story) ...

Date de sortie:

27 juin 2008 (USA)

Genre:

Animation | Aventure | Famille | Romance | Science-Fiction

Accroche:

An Adventure Beyond the Ordinar-E

Intrigue:

In the distant future, a small waste collecting robot inadvertently embarks on a space journey that will ultimately decide the fate of mankind.

Plot Keywords:

Robot | Plant | Future | Rescue | Cockroach

Récompenses:

Won Oscar. Another 44 wins & 38 nominations

Avis des utilisateurs:

Who says popular films can't be art? "WALL·E" is magical

Ensemble

Ben Burtt	...	WALL·E / M-O (voice)
Elissa Knight	...	EVE (voice)
Jeff Garlin	...	Captain McCrea (voice)
Fred Willard	...	Shelby Forthright - BnL CEO
MacInTalk	...	AUTO (voice)
John Ratzenberger	...	John (voice)
Kathy Najimy	...	Mary (voice)
Sigourney Weaver	...	Ship's Computer (voice)
reste de la distribution par ordre alphabétique:
Kim Kopf	...	Hoverchair Mother (voice)

Autre(s) titre(s):

WALL-E (USA) (alternative spelling)

Durée:

98 min

Pays:

USA

Langue:

Anglais

Couleur:

Couleur

Rapport de forme:

2,35 : 1

Son:

DTS-ES | SDDS | Dolby Digital EX

Classification:

Ireland:G | Australia:G | UK:U | Netherlands:AL | Brazil:Livre | South Africa:A | Canada:G | Iceland:L | Singapore:G | Malaysia:U | USA:G (certificate #44354) | Finland:K-3 | South Korea:Tous | Hong Kong:I | New Zealand:G | Argentina:Atp | Peru:PT | Sweden:Btl | France:U | Switzerland:0 (canton of Geneva) | Switzerland:0 (canton of Vaud) | Mexico:AA | Denmark:7 | Norway:7 | Portugal:M/6 | Philippines:G (MTRCB) | Germany:o.Al. | Czech Republic:U

Société:

Pixar Animation Studios

Anecdotes:

The makers consulted with a live-action director of photography, Roger Deakins, to learn how Deakins would light and shoot a scene if it were a live-action movie.

Goofs:

Erreurs faites par les personnages (éventuellement des erreurs délibérées par les cinéastes): BNL's president claims that people on board the Axiom are suffering from "bone loss" due to the effects of "microgravity". Numerous scenes establish that the (artificial) gravity on board is comparable to that on Earth, and certainly can't be called "microgravity", which is a near weightlessness. Also, no bone loss (let alone a "slight" one) can explain the change in physical appearance of humans shown in the movie, and "a few laps around a jogging track" wouldn't be enough to reverse such effects, not by a long shot. Of course, most of those mistakes, if not all, are probably intentional, to show the president's incompetence.

Guillemet:

[first lines]
Voice in commercial: Too much garbage in your face? There's plenty of space out in space! BnL StarLiners leaving each day. We'll clean up the mess while you're away.

Connexions:

Référencé sur "Ugly Betty: Things Fall Apart (#3.16)" (2009)

Bande son:

Down to Earth

Who says popular films can't be art? "WALL·E" is magical

Who says popular films are not and cannot be art? If anything is proof that popular films can be of a stunningly high quality, the beauty of the animation, writing, music, and sound design in "WALL·E" is it. "WALL·E" eclipses even Andrew Stanton's "Toy Story" and "Toy Story 2" in the Pixar pantheon, is perhaps Pixar's best film to date and, call me crazy as I've just seen it, a contender for the title of best animated film, period.

"WALL·E" is everything we've come to expect from Pixar and more- colorful, vibrant, imaginative, exciting, involving, beautiful, and most importantly a film with interesting, involving characters. Sure, WALL·E is adorable, and as much credit as the animators get for that, this film would be nothing without Stanton's screenplay, which features very little dialogue but is still notably intelligent and surprisingly subtle, making a refreshing change from the 'go green' campaigns we're all so used to. Does "WALL·E" have a message? Sure, but it's an important message and it is delivered subtly and beautifully.

"WALL·E" operates on two levels (and works spectacularly well on both). It is a majestic science fiction epic like we haven't seen in a couple of decades and it is a genuinely touching and never cheap romance. "WALL·E" will never get points for originality but it doesn't exactly need them because the homages to great films and figures of the past- Chaplin, Keaton, Tati, the Marx Brothers, "2001: A Space Odyssey" (this one is particularly spectacular), "Close Encounters of the Third Kind" are actually homages and not ripoffs. "WALL·E" is a wonderful tribute to a bygone cinematic tradition (well, two or three of them actually).

The social commentary in "WALL·E" is sobering because it's never overbearing and most importantly because we see the world through machines, machines who feel more about Earth and life than the humans do. The depiction of humans on the ship could have been incredibly offensive, cheap, and tasteless in concept but the execution here is absolutely perfect.

What is most surprising about "WALL·E" is how sad it is. Not even in the 'how will they get out of this, oh I feel so sorry for them' way "Finding Nemo", a previous Stanton effort, is, but in a truly melancholy sense. The early portion of the film maintains all the playfulness of a Jacques Tati film but also evokes a striking and powerful feeling of loneliness. It's a brilliant introduction to WALL·E, given that the rest of the film is too wacky to bother with long scenes focused entirely on character, and works beautifully with the ugly yet beautifully-rendered future Earth, a barren wasteland filled with nothing but garbage, a seriously resilient cockroach being WALL·E's only companion before EVE shows up, but I won't go into the story- it's best you see it unfold for yourself.

From the entertaining shorts shown before the film to the memorable characters, locations, and animation we have come to expect, Pixar films are now event cinema, and they have outdone themselves with "WALL·E". This film is spectacular, majestic, touching, involving, and achingly beautiful. Most importantly, however, it is perfect entertainment. I may be saying this too soon, but I don't think I have ever seen an animated film that has satisfied me more than "WALL·E", and 2008 is going to have to work hard to keep this from being the top film of the year, which it most certainly is at the moment.

9.5/10