La cámara oscura (2008)

Réalisateur:

María Victoria Menis

Scénaristes:

Alejandro Fernández Murriay (writer)
Angelica Fischer (story)
(suite)

Date de sortie:

16 octobre 2008 (Argentina)

Genre:

Drame | Musique

Plot Keywords:

Immigrant | Birth | Song | Family Portrait | Boat

Récompenses:

8 nominations

Avis des utilisateurs:

Nothing to say...

Ensemble

Mirta Bogdasarian	...	Gertrudis
Fernando Arman	...	León
Patrick Dell'Isola	...	Jean Baptiste
Carlos Defeo	...	Nathan
Silvina Bosco	...	Eva
Joaquín Berthold	...	David
Jeronimo Freixas	...	Samuel
Brenda Howlin	...	Esther
Elisa Carricajo	...	Ana
Ezequiel Circo	...	Benjamín
Florencia Ortiz	...	Ruth
Malena Figo	...	Sara
María Figueras	...	Judith
Héctor Sinder	...	Martín
Gonzalo Martínez	...	Juan
Alan Coria	...	Pedrito
Barbarella Piana	...	Gertrudis niña
Nazarena Noeli Sánchez	...	Gertrudis adolescente
Gustavo Pastorini	...	Inmigrant
Mabi Abele	...	Inmigrant

Réalisé par
María Victoria Menis

Scénaristes (dans l'ordre alphabétique)
Alejandro Fernández Murriay		writer
Angelica Fischer		story
Angélica Gorodischer		story
María Victoria Menis		writer

Produit par
Sophie Dulac	....	co-executive producer
Héctor Menis	....	executive producer
Pepe Salvia	....	executive producer
Michel Zana	....	co-executive producer

Musique originale
Marcelo Moguilevsky

Image
Marcelo Iaccarino

Montage
Alejandro Brodersohn

Direction artistique
Marcela Bazzano

Création des costumes
Mónica Toschi

Maquillage
Marisa Amenta	....	makeup artist

Directeur de production
Marcos Barboza	....	production manager
Jean-Christophe Gigot	....	post-production supervisor
Héctor Menis	....	production director
Héctor Menis	....	production manager

Assistant réalisateur
Natalia Hernández	....	assistant director

Technicien du son
Martín Grignaschi	....	sound
Fernando Ribero	....	sound editor
Jean-Guy Veran	....	sound mixer

Caméra et Département Electrique
Agustin Barrutia	....	spare electrician
Marcelo Iaccarino	....	camera operator
Sebastián Mendelberg	....	gaffer
Guillermo Saposnik	....	electrician

Departement Animation
Rocambole	....	animator

Companies de production

• Sophie Dulac Productions
• Todo Cine S.A.

Distributeurs

• Distribution Company (2008) (Argentina) (theatrical)
• National Center for Jewish Film (NCJF) (2009) (USA) (theatrical) (English subtitles)
• Sophie Dulac Distribution (2009) (France) (theatrical)
• Argentina Video Home (2009) (Argentina) (DVD)
• National Center for Jewish Film (NCJF) (2009) (USA) (DVD) (English subtitles)

Autre(s) titre(s):

The Camera Obscura (International: English title)

Durée:

85 min

Pays:

Argentina | France

Langue:

Espagnol

Couleur:

Couleur | Noir et Blanc

Rapport de forme:

1,85 : 1

Son:

Dolby Digital

Classification:

Argentina:Atp

Lieux de tournage:

Argentina

Société:

Sophie Dulac Productions

Nothing to say...

It comes and goes with independent movies. The truth is they always seem to have something different to say, something more to say; but there are also times when they come with a straightforward story, filled with emotion, and you can't help to like them. At least that's how I see it in Argentina, thinking very quickly that, for example, "Un Oso Rojo" hasn't got any big or fundamental message, but tells a slice of life that gets right into your heart.

"La cámara oscura", the film by María Victoria Menis, is a piece of a strange nature, that couldn't enter into any of the groups I mentioned above (if there is such thing as those groups in the first place), simply because it's the first picture I've seen in a long time that doesn't seem to know exactly what it wants to be.

It tells the story of Gertrudis (Mirta Bogdasarian), one of the children of a Jewish family that escapes from their home country to go to Argentina. Gertrudis comes to life from her mother's belly, and maybe that's the reason of her strange beauty, when she's coming down of the ship that brought her to Buenos Aires.

It's important that you notice the expression "strange beauty", because it's one of the fundamental aspects of the movie. There are two aspects that you would expect the writers to develop after witnessing Gertrudis' birth, but they sort of evade them. With this I mean that they do delevop these things but they don't do it fully, a fact that gives the film a simplistic look. There's an intention of representing a historical period in the country that never takes shape and there's a relationship of silence, more like indifference, between Gertrudis and her sisters; but everything is surpassed by the 'beauty' aspect.

Probably what I'm trying to present as the film's fundamental aspect is the only thing the film cares about, and this turns out to be a problem. When we understand that Gertrudis is seen as ugly by all the people around her, we feel obliged to feel sorry for her. This can never be possible in a movie, and least possible in a piece like this one, that only cares about a central character.

There's something secretly sad about a woman that only knows to watch her own feet and is not able to raise his head but nothing secret about the way "La cámara oscura" guides us towards this conclusion. The rest is background, and it's not attractive enough to carry a full-length feature. Like that failed attempt at meditation directed by Santiago Loza, "Extraño", Menis gives us beautiful images of beautiful fields in peaceful times. It shows us a family that lives happily by repeating a boring routine (which is understandable, due to the time period and the activity of the father, head of the family in question), and at times elevates the risk with animated sequences.

What I mean with thee fact that the film doesn't know what it wants to be can be appreciated just by watching it: "La cámara oscura" has nothing to say. If you read the first paragraph of this review, you could say I'm contradicting myself because I defend movies that don't have a fundamental message; but these films at least have something to say. Except for the final scene, during which I found myself smiling, this film has nothing to say, and therefore the viewer has nothing to feel.

However, "La cámara oscura" is a very interesting film because it tells a love story we're not accustomed to watch every day, and it tells it relying mostly on images and looks, without the need of using a lot of words; and that's always appreciated.