| Photos (see all 1 | slideshow) | Videos |
| Jean Dujardin | ... | Cash | |
| Jean Reno | ... | Maxime - Dubreuil | |
| Valeria Golino | ... | Julia | |
| Alice Taglioni | ... | Garance | |
| François Berléand | ... | François | |
| Caroline Proust | ... | Léa | |
| Mehdi Nebbou | ... | Vincent | |
| Cyril Couton | ... | Mickey | |
| Eriq Ebouaney | ... | Letallec | |
| Ciarán Hinds | ... | Barnes | |
| Jocelyn Quivrin | ... | Lebrun | |
| Hubert Saint-Macary | ... | Leblanc | |
| Christian Hecq | ... | Lardier | |
| Joe Sheridan | ... | Finley | |
| Roger Dumas | ... | Émile | |
| Samir Guesmi | ... | Fred | |
| Christian Erickson | ... | Kruger | |
| Alain Figlarz | ... | Le vrai mercenaire | |
| Mark Grosy | ... | Comparse Maxime #1 | |
| Samir Boitard | ... | Comparse Maxime #2 | |
| Laurent Jumeaucourt | ... | Comparse Maxime #3 | |
| Philippe Visconti | ... | Comparse Maxime #4 | |
| Bruno Ricci | ... | L'expert | |
| Ludo Harley | ... | Le fils de Cash (as Ludo Harlay) | |
| Françoise Miquelis | ... | La femme curiste | |
| Paul Bandey | ... | L'homme curiste | |
| Christophe Rossignon | ... | Le réceptionniste | |
| Philippe Hérisson | ... | L'homme du bus | |
| Ilian Calaber | ... | Un enfant joeur de billes | |
| Hugues Boucher | ... | L'homme d'affaires | |
| Claudia Tagbo | ... | La secrétaire #1 | |
| Sandra Reno | ... | La secrétaire #2 | |
| Zofia Moreno | ... | L'élégante | |
| Bernard Cheron | ... | Le jardinier | |
| Sidney Wernicke | ... | L'employé de l'hôtel | |
| Steeve Gasparin | ... | Le prof de gym | |
| Christian Valsamidis | ... | Inspecteur Europol | |
| Emmanuelle Fossat | ... | La fleuriste | |
| Clovis Cornillac | ... | Solal | |
| reste de la distribution par ordre alphabétique: | |||
| Didier Chabi | ... | Malik | |
| Stacey Kent | ... | Performer (song "The Ice Hotel") | |
Réalisé par | |||
| Eric Besnard | |||
Scénaristes(in alphabetical order) | ||
| Eric Besnard | scenario | |
Produit par | |||
| Luc Bossi | .... | associate producer | |
| Patrice Ledoux | .... | producer | |
Musique originale | |||
| Jean-Michel Bernard | |||
Image | |||
| Gilles Henry | |||
Montage | |||
| Christophe Pinel | |||
Distribution des rôles | |||
| Nathalie Cheron | |||
Création des décors | |||
| Jacques Rouxel | |||
Décorateur de plateau | |||
| Gérard Marcireau | |||
Création des costumes | |||
| Madeline Fontaine | |||
Maquillage | |||
| Veronique Bosle | .... | assistant hair stylist: dailies | |
| Françoise Quilichini | .... | key makeup artist | |
Directeur de production | |||
| Margot Luneau | .... | unit production manager | |
Assistant réalisateur | |||
| James Canal | .... | first assistant director | |
| Marie Legendre | .... | trainee assistant director | |
Art Department | |||
| Lionel Callari | .... | property master | |
| Stephanie Laurent Delarue | .... | second assistant art director | |
| Thierry Rouxel | .... | set dresser | |
| Patrick Schmitt | .... | first assistant art director | |
Technicien du son | |||
| Marc-Antoine Beldent | .... | sound editor | |
| Marc-Antoine Beldent | .... | sound | |
| Matthieu Bricout | .... | sound assistant | |
| Matthieu Bricout | .... | sound editor | |
| Jean-Charles Liozu | .... | sound mixer | |
Visual Effects | |||
| Alain Bignet | .... | digital compositor | |
| Stephanie Broussaud | .... | Lustre assistant | |
| Anthony Charbonnier | .... | digital compositor | |
| Jean-Nicolas Costa | .... | digital compositor | |
| Nicolas Daniel | .... | data manager: DUBOI | |
| Thierry Delobel | .... | visual effects supervisor | |
| Bertrand de Saint Seine | .... | digital compositor | |
| Aurélien Grand | .... | retouch and restoration | |
| Guillaume Le Gouez | .... | digital compositor | |
| Frederic Moreau | .... | visual effects designer | |
| Sarah Moreau | .... | visual effects coordinator | |
| Joel Pinto | .... | digital compositor | |
| Mikael Tanguy | .... | digital compositor | |
Cascadeur | |||
| Jérôme Gaspard | .... | stunt performer | |
Camera and Electrical Department | |||
| Loïc Andrieu | .... | Steadicam operator | |
| Kamel Belaïd | .... | electrician | |
| Matilde Blancke | .... | set assistant camera | |
| Mathieu Caudroy | .... | Steadicam operator | |
| Pierre-Louis de Stefano | .... | grip | |
| Antoni Dimundu | .... | grip | |
| Renaud Fidon | .... | grip | |
| Bertrand Follet | .... | first assistant camera | |
| Marion Koch | .... | second assistant camera | |
| David le Mevel | .... | electrician | |
| Philip Lozano | .... | additional focus puller | |
| Gilbert Lucido | .... | key grip | |
| Alexandra Massetti | .... | electrician | |
| Pierre Michaud | .... | gaffer | |
| Anne Nicolet | .... | focus puller | |
| Frederick Vanard | .... | electrician | |
Casting Department | |||
| Sandra Marthon | .... | casting: children | |
| Sandra Marthon | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Marie Bouvier | .... | costume assistant | |
| Sandrine Douat | .... | wardrobe assistant | |
| Marie Frémont | .... | wardrobe supervisor | |
| Justine Vivien | .... | costume assistant | |
Editorial Department | |||
| Carlos Pinto | .... | assistant editor | |
Music Department | |||
| Frédéric Junqua | .... | music supervisor | |
| Bruno Mercere | .... | music recording mixer | |
Divers | |||
| Lionel Berner | .... | assistant location manager | |
| Guillaume Lefrançois | .... | assistant location manager | |
| Recent Posts (updated daily) | User |
|---|---|
| DVD | Jeff-Nelson-1 |
| First Comment! | dprabon |
| Ciarán Hinds | louv2000 |
| Cash... | abutterw |
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| The Squeeze | Ocean's Eleven | Shaan | Foolproof | Classe tous risques |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedie section | IMDb France section | Add this title to MyMovies |
The comparison is fateful - for better (as "unavoidable") and worse (as "suicidal"). The main fault lays in the characters (none has the perverse charm of Gondorff and Hooker) and in those parts of the script that depict the heists (not by far as ingenious as in the best movies of the genre, but neither as hair-pulled and flat as in the "Ocean..." series). Fortunately, the direction is fast-paced and stylish, so this saves the day more or less. And... okay, I won't spoil the ending, but one thing should be stated: it's totally unlikely. You do NOT pull such an elaborate farce, ONLY to send (...) screaming in a motor boat without fuel in the middle of the Mediterranean.
Further, the perpetual use of the trick "I'm not who you thought me to be" is hugely abused of, reminding rather of "The Pirates of the Caribbean". What really stands is the sparkling direction and the old-fashioned style, nostalgically recalling the end of the Seventies. For such a merry flick, it's positively refreshing.