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Ca$h (2008) -- This is the theatrical trailer for Ca$h, directed by Eric Besnard.

Overview

Note des utilisateurs:
5.7/10   936 votes
MOVIEmeter: ?
Up 2% in popularity this week. See rank & trends on IMDbPro.
Réalisateur:
Eric Besnard
Scénariste:
Eric Besnard (scenario)
Contact:
View company contact information for Ca$h on IMDbPro.
Release Date:
23 avril 2008 (Belgium) suite
Avis des utilisateurs:
Not quite a "sting", but neither "THE Sting"! suite

Ensemble

  (in credits order)
Jean Dujardin ... Cash

Jean Reno ... Maxime - Dubreuil

Valeria Golino ... Julia
Alice Taglioni ... Garance
François Berléand ... François
Caroline Proust ... Léa
Mehdi Nebbou ... Vincent
Cyril Couton ... Mickey

Eriq Ebouaney ... Letallec
Ciarán Hinds ... Barnes
Jocelyn Quivrin ... Lebrun
Hubert Saint-Macary ... Leblanc
Christian Hecq ... Lardier
Joe Sheridan ... Finley
Roger Dumas ... Émile
Samir Guesmi ... Fred
Christian Erickson ... Kruger
Alain Figlarz ... Le vrai mercenaire
Mark Grosy ... Comparse Maxime #1
Samir Boitard ... Comparse Maxime #2
Laurent Jumeaucourt ... Comparse Maxime #3
Philippe Visconti ... Comparse Maxime #4
Bruno Ricci ... L'expert
Ludo Harley ... Le fils de Cash (as Ludo Harlay)

Françoise Miquelis ... La femme curiste
Paul Bandey ... L'homme curiste
Christophe Rossignon ... Le réceptionniste
Philippe Hérisson ... L'homme du bus
Ilian Calaber ... Un enfant joeur de billes
Hugues Boucher ... L'homme d'affaires
Claudia Tagbo ... La secrétaire #1
Sandra Reno ... La secrétaire #2
Zofia Moreno ... L'élégante
Bernard Cheron ... Le jardinier
Sidney Wernicke ... L'employé de l'hôtel
Steeve Gasparin ... Le prof de gym
Christian Valsamidis ... Inspecteur Europol
Emmanuelle Fossat ... La fleuriste
Clovis Cornillac ... Solal
reste de la distribution par ordre alphabétique:
Didier Chabi ... Malik
Stacey Kent ... Performer (song "The Ice Hotel")
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Réalisé par
Eric Besnard 
 
Scénaristes
(in alphabetical order)
Eric Besnard  scenario

Produit par
Luc Bossi .... associate producer
Patrice Ledoux .... producer
 
Musique originale
Jean-Michel Bernard 
 
Image
Gilles Henry 
 
Montage
Christophe Pinel 
 
Distribution des rôles
Nathalie Cheron 
 
Création des décors
Jacques Rouxel 
 
Décorateur de plateau
Gérard Marcireau 
 
Création des costumes
Madeline Fontaine 
 
Maquillage
Veronique Bosle .... assistant hair stylist: dailies
Françoise Quilichini .... key makeup artist
 
Directeur de production
Margot Luneau .... unit production manager
 
Assistant réalisateur
James Canal .... first assistant director
Marie Legendre .... trainee assistant director
 
Art Department
Lionel Callari .... property master
Stephanie Laurent Delarue .... second assistant art director
Thierry Rouxel .... set dresser
Patrick Schmitt .... first assistant art director
 
Technicien du son
Marc-Antoine Beldent .... sound editor
Marc-Antoine Beldent .... sound
Matthieu Bricout .... sound assistant
Matthieu Bricout .... sound editor
Jean-Charles Liozu .... sound mixer
 
Visual Effects
Alain Bignet .... digital compositor
Stephanie Broussaud .... Lustre assistant
Anthony Charbonnier .... digital compositor
Jean-Nicolas Costa .... digital compositor
Nicolas Daniel .... data manager: DUBOI
Thierry Delobel .... visual effects supervisor
Bertrand de Saint Seine .... digital compositor
Aurélien Grand .... retouch and restoration
Guillaume Le Gouez .... digital compositor
Frederic Moreau .... visual effects designer
Sarah Moreau .... visual effects coordinator
Joel Pinto .... digital compositor
Mikael Tanguy .... digital compositor
 
Cascadeur
Jérôme Gaspard .... stunt performer
 
Camera and Electrical Department
Loïc Andrieu .... Steadicam operator
Kamel Belaïd .... electrician
Matilde Blancke .... set assistant camera
Mathieu Caudroy .... Steadicam operator
Pierre-Louis de Stefano .... grip
Antoni Dimundu .... grip
Renaud Fidon .... grip
Bertrand Follet .... first assistant camera
Marion Koch .... second assistant camera
David le Mevel .... electrician
Philip Lozano .... additional focus puller
Gilbert Lucido .... key grip
Alexandra Massetti .... electrician
Pierre Michaud .... gaffer
Anne Nicolet .... focus puller
Frederick Vanard .... electrician
 
Casting Department
Sandra Marthon .... casting: children
Sandra Marthon .... extras casting assistant
 
Costume and Wardrobe Department
Marie Bouvier .... costume assistant
Sandrine Douat .... wardrobe assistant
Marie Frémont .... wardrobe supervisor
Justine Vivien .... costume assistant
 
Editorial Department
Carlos Pinto .... assistant editor
 
Music Department
Frédéric Junqua .... music supervisor
Bruno Mercere .... music recording mixer
 
Divers
Lionel Berner .... assistant location manager
Guillaume Lefrançois .... assistant location manager
 

Production CompaniesDistributorsTechnicien des effets spéciauxOther Companies
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Additional Details

Durée:
France:100 min
Pays:
France
Aspect Ratio:
2.35 : 1 suite
Classification:
Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | France:U
Emplacements De Pelliculage:
Côte d'Azur, France suite

Curiosités

Soundtrack:
The Ice Hotel suite

foire aux questions

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37 out of 41 people found the following comment useful:-
Not quite a "sting", but neither "THE Sting"!, 3 September 2008
6/10
Author: Mihnea the Pitbull de Romania

The comparison is fateful - for better (as "unavoidable") and worse (as "suicidal"). The main fault lays in the characters (none has the perverse charm of Gondorff and Hooker) and in those parts of the script that depict the heists (not by far as ingenious as in the best movies of the genre, but neither as hair-pulled and flat as in the "Ocean..." series). Fortunately, the direction is fast-paced and stylish, so this saves the day more or less. And... okay, I won't spoil the ending, but one thing should be stated: it's totally unlikely. You do NOT pull such an elaborate farce, ONLY to send (...) screaming in a motor boat without fuel in the middle of the Mediterranean.

Further, the perpetual use of the trick "I'm not who you thought me to be" is hugely abused of, reminding rather of "The Pirates of the Caribbean". What really stands is the sparkling direction and the old-fashioned style, nostalgically recalling the end of the Seventies. For such a merry flick, it's positively refreshing.

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