France TV Distribution has enlisted a raft of major distributors worldwide for “Sugar and Stars,” a movie starring Riadh Belaïche, a social media influencer-turned-actor.
The inspirational drama is based on the true story of Yazid Ichemrahem, an underdog who became a famous pastry chef.
“Sugar and Stars” marks the debut feature of Sébastien Tulard, who has directed several shorts and worked as assistant director on hit French comedies such as Tarek Boudali’s “30 jours max,” Frank Gastambide’s popular show “All the Way Up,” Dany Boon’s “Supercondriaque” and Philippe Lacheau’s “Babysitting.”
The film was penned by Penned by Cédric Ido and based on Ichemrahem’s bestselling autobiographical book “Un rêve d’enfant étoilé.”
The story revolves around Yazid, who spent his childhood moving from one foster home to another while dreaming of becoming a pastry chef. Nothing predestines him for such a career, but Yazid’s fierce...
The inspirational drama is based on the true story of Yazid Ichemrahem, an underdog who became a famous pastry chef.
“Sugar and Stars” marks the debut feature of Sébastien Tulard, who has directed several shorts and worked as assistant director on hit French comedies such as Tarek Boudali’s “30 jours max,” Frank Gastambide’s popular show “All the Way Up,” Dany Boon’s “Supercondriaque” and Philippe Lacheau’s “Babysitting.”
The film was penned by Penned by Cédric Ido and based on Ichemrahem’s bestselling autobiographical book “Un rêve d’enfant étoilé.”
The story revolves around Yazid, who spent his childhood moving from one foster home to another while dreaming of becoming a pastry chef. Nothing predestines him for such a career, but Yazid’s fierce...
- 10/10/2023
- by Elsa Keslassy
- Variety Film + TV
Orange Studio is launching several French projects at the Cannes Film Market, including Simon Bouisson’s “Drone,” a thriller produced by Haut et Court (“The Night of the 12th”), and “Miss Violet,” a period drama directed by Eric Besnard (“Delicious”) and starring Alexandra Lamy (“Rolling to You”).
Bouisson, who is directing “Drone,” previously penned and directed the short-format series “Stalk” which was hit on France Televisions’ youth-centered service and has been optioned for a remake in the U.S. The thriller stars Marion Barbeau, the dancer-turned-actor who broke through in Cedric Klapisch’s “Rise,” as well as Eugénie Derouand (“Paris Police”), Cédric Kahn (“November”) and Stefan Crepon (“Peter Von Kant”)
“Drone” follows Emilie who has freshly arrived in Paris to study architecture. At night, to make ends meet, she works as a cam-girl, something which she keeps to herself. One evening, a mysterious drone appears at her apartment window. From then on,...
Bouisson, who is directing “Drone,” previously penned and directed the short-format series “Stalk” which was hit on France Televisions’ youth-centered service and has been optioned for a remake in the U.S. The thriller stars Marion Barbeau, the dancer-turned-actor who broke through in Cedric Klapisch’s “Rise,” as well as Eugénie Derouand (“Paris Police”), Cédric Kahn (“November”) and Stefan Crepon (“Peter Von Kant”)
“Drone” follows Emilie who has freshly arrived in Paris to study architecture. At night, to make ends meet, she works as a cam-girl, something which she keeps to herself. One evening, a mysterious drone appears at her apartment window. From then on,...
- 5/12/2023
- by Elsa Keslassy
- Variety Film + TV
France’s broadcasting group, France Televisions, launched Slash, a niche platform skewing millennials, as part of its efforts to keep its brand relevant among younger viewers. In five years, the service has become one of France’s biggest showcases of daring scripted content created by and starring diverse talents.
Slash, which is accessible on the pubcaster’s streaming service France.tv and is headed by former screenwriter Sened Dhab, has been consistently delivering hit shows. Recent examples include Noé Debré’s Brexit-themed political satire “The Parliament,” Simon Bouisson’s “Stalk,” a thriller about cyber bullying, and “Skam,” the local adaptation of the Norwegian series about troubles teenagers.
Although the platform’s content is primarily aimed at adolescents and young adults, a number of shows have become popular among older demographics. Dhab told Variety that shows commissioned by Slash stand out because they tend to be “edgier, engaging and have a different...
Slash, which is accessible on the pubcaster’s streaming service France.tv and is headed by former screenwriter Sened Dhab, has been consistently delivering hit shows. Recent examples include Noé Debré’s Brexit-themed political satire “The Parliament,” Simon Bouisson’s “Stalk,” a thriller about cyber bullying, and “Skam,” the local adaptation of the Norwegian series about troubles teenagers.
Although the platform’s content is primarily aimed at adolescents and young adults, a number of shows have become popular among older demographics. Dhab told Variety that shows commissioned by Slash stand out because they tend to be “edgier, engaging and have a different...
- 9/16/2022
- by Elsa Keslassy
- Variety Film + TV
Anyone wanting signs that film production is alive and kicking in some parts of the world – and not only the most obvious – need go no further than Locarno’s Match Me!
A networking event, expanded this year from 24 to 32 producers and fortified by the first-time presence of France, Match Me! focuses on emerging producers.
Featuring new projects from tracked auteurs – Lithuania’s Ignas Jonynas, India’s Payal Kapadia and Mexico’s Francisco Vargas – and winners at Cannes, San Sebastian and other major meets, many producers look only a title or two from full emergence.
If the fulsome slates of some producers are anything to go by – Dr’s Leticia Brea, Estonia’s Tallifornia and Kask Films, for instance – production is a going concern in countries outside traditional production centers..
Out of necessity or ambition, producers are scaling up, pushing ever more into genre and reaching out to production partners and talent from around the world.
A networking event, expanded this year from 24 to 32 producers and fortified by the first-time presence of France, Match Me! focuses on emerging producers.
Featuring new projects from tracked auteurs – Lithuania’s Ignas Jonynas, India’s Payal Kapadia and Mexico’s Francisco Vargas – and winners at Cannes, San Sebastian and other major meets, many producers look only a title or two from full emergence.
If the fulsome slates of some producers are anything to go by – Dr’s Leticia Brea, Estonia’s Tallifornia and Kask Films, for instance – production is a going concern in countries outside traditional production centers..
Out of necessity or ambition, producers are scaling up, pushing ever more into genre and reaching out to production partners and talent from around the world.
- 8/5/2022
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
Up until a few short years ago, French scripted dramas offered terrestrial viewers and international buyers the same steady promise: Be they criminal investigators or 17th-century dukes, rarely would a series’ cast skew too young.
“Traditional French broadcasters served a somewhat older set of viewers,” says Series Mania artistic director Frederic Lavigne. “And they oriented their programming toward that public. The characters were more or less the age of the audience.”
But for the occasional historical re-creation, most scripted offerings — stemming from both pay TV and free-to-air broadcasters — tended to fall into more procedural models. Indeed, if viewed from afar, France might have seemed home to more middle-age inspectors than any other demographic.
“Under the traditional model, [public] broadcasters couldn’t take as many risks because they were targeting so many million viewers per night,” Lavigne says. Public broadcasters including France Television “are still very limited. They cannot broadcast anything...
“Traditional French broadcasters served a somewhat older set of viewers,” says Series Mania artistic director Frederic Lavigne. “And they oriented their programming toward that public. The characters were more or less the age of the audience.”
But for the occasional historical re-creation, most scripted offerings — stemming from both pay TV and free-to-air broadcasters — tended to fall into more procedural models. Indeed, if viewed from afar, France might have seemed home to more middle-age inspectors than any other demographic.
“Under the traditional model, [public] broadcasters couldn’t take as many risks because they were targeting so many million viewers per night,” Lavigne says. Public broadcasters including France Television “are still very limited. They cannot broadcast anything...
- 4/1/2022
- by Ben Croll
- Variety Film + TV
Rémi Chayé’s “Fleur,” Claude Barras’ “You’re Not the One I Expected” and Alberto Vázquez’s “Unicorn Wars” are some of the multiple potential standouts at the 24th edition of Cartoon Movie, Europe’s leading animated movie co-production event.
Scheduled to take place in Bordeaux, France, over March 8-10, the 2022 Cartoon Movie lineup features 57 projects, 15 hail from France, which is seven fewer than last year as animation grows in the rest of Europe but still marks its predominance in Europe as a producer of arthouse and crossover animated movies.
For the third year running, Spain has the second largest presence at Cartoon Movie with eight titles, a sign of its build as a significant animation producer and host of animation events such as Cartoon Springboard, confirmed last week, Cartoon Business and the Quirino Awards.
“You’re Not the One I Expected” marks the new project from Switzerland’s Claude Barras,...
Scheduled to take place in Bordeaux, France, over March 8-10, the 2022 Cartoon Movie lineup features 57 projects, 15 hail from France, which is seven fewer than last year as animation grows in the rest of Europe but still marks its predominance in Europe as a producer of arthouse and crossover animated movies.
For the third year running, Spain has the second largest presence at Cartoon Movie with eight titles, a sign of its build as a significant animation producer and host of animation events such as Cartoon Springboard, confirmed last week, Cartoon Business and the Quirino Awards.
“You’re Not the One I Expected” marks the new project from Switzerland’s Claude Barras,...
- 12/21/2021
- by Emilio Mayorga
- Variety Film + TV
“Stalk,” Simon Bouisson’s timely French show tackling cyber spying and bullying, has lured a flurry of top TV channels across the world.
Produced by Priscilla Bertin and Judith Nora at Silex Films, the half-hour psychological thriller series was a big hit on France Televisions’s platform Slash and later aired on the broadcaster’s linear channel France 2 in the slot following “Call My Agent! The second season, which won best half-hour series and best music (for Paul Sabin) at La Rochelle TV Festival, recently premiered.
FranceTV Distribution, the commercial arm of the broadcaster, has sold the first two seasons to HB0 Latin America, Gsn in Russia and Shahid in the Middle East. South Korea’s Navel picked up season one, while the second season has been picked up by Wdr and Sony in Germany, Rai Play in Italy and Ici tou.tv in Canada.
Bouisson, who previously helmed the...
Produced by Priscilla Bertin and Judith Nora at Silex Films, the half-hour psychological thriller series was a big hit on France Televisions’s platform Slash and later aired on the broadcaster’s linear channel France 2 in the slot following “Call My Agent! The second season, which won best half-hour series and best music (for Paul Sabin) at La Rochelle TV Festival, recently premiered.
FranceTV Distribution, the commercial arm of the broadcaster, has sold the first two seasons to HB0 Latin America, Gsn in Russia and Shahid in the Middle East. South Korea’s Navel picked up season one, while the second season has been picked up by Wdr and Sony in Germany, Rai Play in Italy and Ici tou.tv in Canada.
Bouisson, who previously helmed the...
- 11/30/2021
- by Elsa Keslassy
- Variety Film + TV
Stars: Brooke Butler, Ashley Doris, Andy Cohen, Sydney Carvill, Lisa Roumain, Skip Howland, Robbie Allen | Written and Directed by Justin Lareau
“Urban Legends are everywhere” the text at the beginning of Lantern’s Lane tells us, before adding “But some are real”. And writer/director Justin Lareau (A Demon Within) based his script on a legend from his hometown of Watseka Illinois, but somehow in the retelling, it went from a ghost story to a slasher.
Layla left home to attend college, and like many young people never went back. Now, at the invitation of her old friend Missy she’s coming back for a visit.
She meets up with Missy and another old friend, plus a new addition to the group Shana (Sydney Carvill) at a bar. Drinks and reminiscing lead to the group heading out to the town’s haunted street, Lantern’s Lane. But there’s something a...
“Urban Legends are everywhere” the text at the beginning of Lantern’s Lane tells us, before adding “But some are real”. And writer/director Justin Lareau (A Demon Within) based his script on a legend from his hometown of Watseka Illinois, but somehow in the retelling, it went from a ghost story to a slasher.
Layla left home to attend college, and like many young people never went back. Now, at the invitation of her old friend Missy she’s coming back for a visit.
She meets up with Missy and another old friend, plus a new addition to the group Shana (Sydney Carvill) at a bar. Drinks and reminiscing lead to the group heading out to the town’s haunted street, Lantern’s Lane. But there’s something a...
- 11/12/2021
- by Jim Morazzini
- Nerdly
Switzerland’s Rita Productions, producer of Academy Award-nominated “My Life as a Courgette,” is re-teaming with France’s Silex Films, the company behind France Televisions’ Slash hit series “Stalk,” to develop “Witch!” (“Sorciere!”).
Aiming to rehabilitate the figure of the witch in contemporary society, doc-feature “Witch!” is based on the bestselling essay by Mona Chollet, “Witches, the Undefeated Power of Women.” The essay should hit English-language bookstores later this year.
The doc-feature is being written by TV creator Thalia Rebinsky whose “Nina” is now in its sixth season on France 2, and documentarian Eve Minault, director for French-German public broadcaster Arte of the prescient “Crash: Are You Ready for the Next Crisis?”
Pauline Gygax, Judith Nora, Max Karli and Priscilla Bertin will produce. Minault, Rebinsky and Gygax will present the project on Saturday April 25 as part of an Rts Prize: Documentary Perspectives showcase, organized by the French-language broadcaster at Swiss film festival Visions du Réél,...
Aiming to rehabilitate the figure of the witch in contemporary society, doc-feature “Witch!” is based on the bestselling essay by Mona Chollet, “Witches, the Undefeated Power of Women.” The essay should hit English-language bookstores later this year.
The doc-feature is being written by TV creator Thalia Rebinsky whose “Nina” is now in its sixth season on France 2, and documentarian Eve Minault, director for French-German public broadcaster Arte of the prescient “Crash: Are You Ready for the Next Crisis?”
Pauline Gygax, Judith Nora, Max Karli and Priscilla Bertin will produce. Minault, Rebinsky and Gygax will present the project on Saturday April 25 as part of an Rts Prize: Documentary Perspectives showcase, organized by the French-language broadcaster at Swiss film festival Visions du Réél,...
- 4/21/2020
- by John Hopewell
- Variety Film + TV
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