| Philippe Torreton | ... | Charles | |
| Ayanat Ksenbai | ... | Ulzhan | |
| David Bennent | ... | Shakuni | |
| reste de la distribution par ordre alphabétique: | |||
| Zhaina Abdieva | ... | Kazakh woman | |
| Vladimir Aryskin | ... | Painter | |
| Tanyrbergen Berdongarov | ... | Patron | |
| Marek Brodzki | ... | Manager | |
| Zhaksybek Kurmanbekov | ... | Men Shaman | |
| Olga Landina | ... | Olga | |
| Shamshagui Mendiyarova | ... | Woman Shaman | |
| Maximilien Muller | ... | Eric | |
| Andrei Passagenikov | ... | Photographer | |
| Turakhan Sadykova | ... | Grand-mother | |
| Marhabat Sarkitpueva | ... | Fashion show commentator | |
| Serguey Urimtchev | ... | Geologist | |
Réalisé par | |||
| Volker Schlöndorff | |||
Scénaristes(in alphabetical order) | ||
| Jean-Claude Carrière | writer | |
| Regis Ghezelbash | original idea | |
Produit par | |||
| Sergei Azimov | .... | co-producer | |
| Sergei Azimov | .... | executive producer | |
| Shinar Borebayeva | .... | line producer: Kazakhstan | |
| Jean-Marie Cambacérès | .... | associate producer | |
| Gaëtan Deodato | .... | associate co-producer | |
| Regis Ghezelbash | .... | delegate producer | |
| Regis Ghezelbash | .... | producer | |
| Tasbolat Merecenov | .... | executive co-producer | |
| Svetlana Novak | .... | line producer: France | |
| Volker Schlöndorff | .... | co-producer | |
| Jean-Christophe Sibelya | .... | associate producer | |
| Angelika Stute | .... | line producer: Germany | |
| Paul Villemagne | .... | associate co-producer | |
Musique originale | |||
| Bruno Coulais | |||
| Kuat Shildebayev | |||
Image | |||
| Tom Fährmann | |||
Montage | |||
| Peter R. Adam | |||
| Beatrice Pettovich | |||
Distribution des rôles | |||
| Makhabat Sarkitpeva | |||
Décorateur de plateau | |||
| Aleksandr Rorokin | |||
Maquillage | |||
| Bakhitul Kasimjanova | .... | makeup supervisor | |
Directeur de production | |||
| Shinar Borebayeva | .... | assistant unit manager | |
| Asen Kanchev | .... | music production manager | |
| Pierre-Mathieu Strube | .... | production manager | |
| Angelika Stute | .... | assistant unit manager | |
Assistant réalisateur | |||
| Marek Brodzki | .... | first assistant director | |
Art Department | |||
| Ruslan Adchiranov | .... | ripper | |
| Cholpan Alimhanova | .... | dresser | |
| Vladimir Chaouiski | .... | chief constructor | |
| Oleg Chein | .... | special effects property master | |
| Valentina Girekova | .... | construction team | |
| Aleksandr Iskhanov | .... | chief constructor | |
| Erjan Kipraiev | .... | ripper | |
| Akhmet Kojavekov | .... | construction team | |
| Aleksandr Kourtiakov | .... | construction team | |
| Sacha Kuvshinov | .... | assistant set decorator | |
| Erseit Manapov | .... | property manager | |
| Kanat Saourambekov | .... | construction team | |
| Helena Serdienko | .... | construction team | |
| Klysh Tchurin | .... | assistant set decorator | |
Technicien du son | |||
| Hubert Bartholomae | .... | chief sound editor | |
| Hubert Bartholomae | .... | sound designer | |
| Samuel Beaucamps | .... | post-synch engineer | |
| Vladislav Boyadjiev | .... | sound recordist | |
| Laurent Cazot | .... | sound engineer | |
| Gautier de Faultrier | .... | post-synchro assistant | |
| Julien D'Esposito | .... | boom operator | |
| Pit Kuhlmann | .... | sound editor | |
| Philippe Mouisset | .... | chief sound engineer | |
| Jörn Poetzl | .... | foley artist | |
Effets spéciaux | |||
| Lutz Lemke | .... | digital special effects | |
| Christian Littmann | .... | lab supervisor | |
| Markus Mastaller | .... | revival operator | |
| Josef Reidinger | .... | post production & laboratory manager | |
| Daniel Schwerdtfeger | .... | rushes calibration | |
| Bianca Stumpf | .... | laboratory calibration | |
| Andreas Thomas | .... | rushes coordinator | |
| Beate Trathnigg | .... | laboratory coordinator | |
Visual Effects | |||
| Christopher Berg | .... | visual effects producer | |
| Christopher Chaber | .... | assistant digital colourist | |
| Willy Delgado | .... | Arriscan film scanning | |
| Geoffrey Grafwallner | .... | digital supervisor | |
| Kathie Klippe | .... | Arrilaser film recording | |
| David Laubsch | .... | digital compositor | |
| Traudl Nicholson | .... | digital colourist | |
| Daniel Plappert | .... | Arriscan film scanning | |
| Henning Raedlein | .... | visual effects | |
| Angela Reedwisch | .... | key account manager: ARRI | |
| Sascha Stiller | .... | Arrilaser film recording | |
| Steven Stueart | .... | Arriscan film scanning | |
| Manuel Voss | .... | digital compositor | |
| Tobias Wiesner | .... | compositor | |
Camera and Electrical Department | |||
| Galim Abetov | .... | third assistant camera | |
| Simon Arevalo Saint-Jean | .... | second assistant camera | |
| Kuat Bacembinov | .... | grip and electric production assistant | |
| Sergey Bolgar | .... | grip and electric production assistant | |
| Ludwig Brunnshofer | .... | electrician | |
| Hartmut Doering | .... | chief electrician | |
| Wolfgang Krautter | .... | electrician | |
| Dobrian Pavel | .... | grip and electric production assistant | |
| Sacha Roubanov | .... | camera operator: second unit | |
| Oliver Rudolf | .... | first assistant camera | |
| Anton Rykov | .... | camera crew translator | |
| Serik Samlev | .... | grip assistant | |
| Hannes Staehle | .... | key grip | |
| Aleksandr Zaicev | .... | second assistant camera | |
Casting Department | |||
| Irina Balzhanova | .... | casting: fashion show | |
Costume and Wardrobe Department | |||
| Kuat Tleubaev | .... | costumer | |
Editorial Department | |||
| Christopher Berg | .... | digital intermediate producer | |
Music Department | |||
| The Bulgarian Symphony Orchestra | .... | orchestra | |
| Philippe Laffont | .... | music mixer | |
| Maxime Lefevre | .... | music mixer | |
| Delan Pavlov | .... | conductor: orchestra | |
| Slim Pezin | .... | music supervisor | |
| Slim Pezin | .... | musician: guitar/lap steel | |
| Erian Sabitov | .... | musician: kobyz | |
| Christo Tanev | .... | musician: cello | |
Transportation Department | |||
| Iva Groza | .... | transportation coordinator | |
Divers | |||
| Maira Abdieva | .... | account manager | |
| Raya Aldyngalieva | .... | production assistant | |
| Svetlana Assenova | .... | medic | |
| Bérengère Barrier | .... | production coordinator | |
| Patricia Chichmanova | .... | stage manager | |
| Kayrbolat Erkasymov | .... | safety and security manager | |
| Goulnara Kalnazarova | .... | production assistant | |
| Meyrim Karbozov | .... | stage manager | |
| Dinara Kashaganova | .... | production secretary | |
| Sakem Khasenov | .... | production assistant | |
| Olga Klashava | .... | production coordinator | |
| Adil Kojabergenov | .... | production assistant | |
| Andrei Kopayev | .... | production coordinator | |
| Feryal Mail | .... | script girl | |
| Rusha Meirmanova | .... | stage manager | |
| Kahytgul Niasgul | .... | production assistant | |
| Dinarah Segay | .... | production assistant | |
| Pierre-Mathieu Strube | .... | production coordinator | |
| Amantai Toharov | .... | stage manager assistant | |
Thanks | |||
| Anne Alvares Correa | .... | thanks | |
| Bolat Atabaev | .... | special thanks | |
| Naïma Cheurfa | .... | thanks | |
| Anne-Marie Durox | .... | thanks | |
| Bauzhan K. Imanallyev | .... | thanks | |
| Frédérique Moidon | .... | thanks | |
| Méline Saint-Marc | .... | thanks | |
| Ahmet U. Salmanov | .... | thanks | |
| Dagmar Schreiber | .... | special thanks | |
| Jérémy Segay | .... | special thanks | |
| Jean-Christophe Sibelya | .... | special thanks | |
| Josée Unal | .... | thanks | |
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| Prince of the Himalayas | Persepolis | La jeune fille et les loups | Vodka Lemon | Into the Wild |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drame section | IMDb Kazakhstan section | Add this title to MyMovies |
Torreton looks like a French Harrison Ford - who confronts adversity with puppy dog eyes and a grimace. The plot is Cold Mountain which is itself I guess the Odyssey - a long journey in the company of others, where a series of encounters take place, each a bit stranger than the next. As others have said *nothing* in this movie objectively makes sense. I can't think of a single scene that could happen the way it is portrayed in real life. Not one. Certainly not the beginning of the movie where the principal character is going to walk across the desert, dressed in somewhat formal clothes carrying a satchel? Or the one where he's arrested by the security folks and then let go with apologies and money? To they guy who sells words, to the girl who just decides to go with him. I don't buy it.