| Photos (see all 13 | slideshow) | Videos (see all 4) |
| Toni Servillo | ... | Giulio Andreotti | |
| Anna Bonaiuto | ... | Livia Danese | |
| Piera Degli Esposti | ... | Signora Enea | |
| Paolo Graziosi | ... | Aldo Moro | |
| Giulio Bosetti | ... | Eugenio Scalfari | |
| Flavio Bucci | ... | Franco Evangelisti | |
| Carlo Buccirosso | ... | Paolo Cirino Pomicino | |
| Giorgio Colangeli | ... | Salvo Lima | |
| Alberto Cracco | ... | Don Mario | |
| Lorenzo Gioielli | ... | Mino Pecorelli | |
| Gianfelice Imparato | ... | Vincenzo Scotti | |
| Massimo Popolizio | ... | Vittorio Sbardella | |
| Aldo Ralli | ... | Giuseppe Ciarrapico | |
| Giovanni Vettorazzo | ... | Magistrato Scarpinato | |
| Cristina Serafini | ... | Caterina Stagno | |
| Achille Brugnini | ... | Fiorenzo Angelini | |
| reste de la distribution par ordre alphabétique: | |||
| Victor Goubanov | ... | Mikhail Gorbachev | |
| Bob Marchese | ... | Senatore | |
| Fanny Ardant | ... | Moglie dell'ambasciatore francese (uncredited) | |
| Beppe Grillo | ... | Himself (voice) (archive footage) (uncredited) | |
| Renato Zero | ... | Himself (archive footage) (uncredited) | |
Réalisé par | |||
| Paolo Sorrentino | |||
Scénaristes(in alphabetical order) | ||
| Paolo Sorrentino | writer | |
Musique originale | |||
| Teho Teardo | |||
Image | |||
| Luca Bigazzi | |||
Montage | |||
| Cristiano Travaglioli | |||
Distribution des rôles | |||
| Anna Maria Sambucco | |||
Création des décors | |||
| Lino Fiorito | |||
Décorateur de plateau | |||
| Alessandra Mura | |||
Création des costumes | |||
| Daniela Ciancio | |||
Maquillage | |||
| Marco Perna | .... | hair stylist | |
| Aldo Signoretti | .... | key hair stylist | |
| Vittorio Sodano | .... | makeup designer | |
| Vittorio Sodano | .... | prosthetic makeup designer | |
Directeur de production | |||
| Carla Altieri | .... | unit manager | |
| Gennaro Formisano | .... | production manager | |
Assistant réalisateur | |||
| Paolo Bartoli | .... | first assistant director | |
| Davide Bertoni | .... | assistant director | |
| Andrea Lodovichetti | .... | assistant director | |
Technicien du son | |||
| Emanuele Cecere | .... | boom operator | |
| Jose A. Manovel | .... | sound re-recording mixer | |
| Silvia Moraes | .... | sound editor | |
| Angelo Raguseo | .... | sound mixer | |
Effets spéciaux | |||
| Leonardo Cruciano | .... | special effects | |
Visual Effects | |||
| Fabio Barretta | .... | visual effects artist: Vision | |
| Luca Della Grotta | .... | digital compositor: Vision | |
| Fathima Feminò | .... | digital compositor: Vision | |
| Rodolfo Migliari | .... | compositing supervisor: Vision | |
| Pablo Mariano Picabea | .... | data management | |
| Pablo Mariano Picabea | .... | scanning & film recording | |
| Nicola Sganga | .... | visual effects supervisor | |
| Paolo Verrucci | .... | digital film colorist | |
Cascadeur | |||
| Massimiliano Bianchi | .... | stunt rigger | |
Music Department | |||
| Keith Clark | .... | conductor | |
| Petri Sakari | .... | conductor | |
| Sinfóníuhljómsveit Íslands | .... | musician | |
| Symfonicky Orchester Slovenského Rozhlasu | .... | musician | |
Divers | |||
| Giuseppe D'Avanzo | .... | script consultant | |
| Vincenzo La Gatta | .... | production secretary | |
| Andrea Leone | .... | production runner | |
| Samantha Natalucci | .... | script supervisor | |
Thanks | |||
| Francesco Rosi | .... | thanks (as Franco Rosi) | |
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| Novecento | Il caimano | I banchieri di Dio | W. | Roma, città aperta |
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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| Full cast and crew | Company credits | External reviews |
| IMDb Biographie section | IMDb Italy section | Add this title to MyMovies |
This ultra-slick, highly stylized account of Giulio Andreotti's Machiavellian schemes during his premiership(s) goes down like butter, but in the final analysis, the pic's a tad too flashy and trivial in its depictions of dirty politics. There's a certain lack of insight, professionally covered up by lots of technical shenanigans and eye-catching performances, above all Toni Servillo's chameleon-like turn in the title role.
It's still worthwhile Italian film-making with the right amount of humour, violence and tragedy to warrant two enjoyable hours.
7 out of 10 sardonic aphorisms