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Albert Torres (written by)
29 août 2008 (South Africa) suite
Changing his attitude will take a miracle.
Henry Poole moves in to a house in his old neighborhood, to spend what he believes are his remaining days alone. The discovery of a "miracle" by a nosy neighbor ruptures his solitude and restores his faith in life. full summary | add synopsis
Beautiful, inspirational, moving ... plus de (55 total)
| Luke Wilson | ... | Henry Poole | |
| Radha Mitchell | ... | Dawn | |
| Adriana Barraza | ... | Esperanza | |
| George Lopez | ... | Father Salazar | |
| Cheryl Hines | ... | Meg | |
| Richard Benjamin | ... | Dr. Fancher | |
| Morgan Lily | ... | Millie Stupek | |
| Rachel Seiferth | ... | Patience | |
| Beth Grant | ... | Josie | |
| reste de la distribution par ordre alphabétique: | |||
| Dan Callahan | |||
| Earl Carroll | ... | Mr. Lawrence | |
| Noah Dahl | ... | Young Henry Poole | |
| Nick Dash | ... | Security Guard | |
| Gizza Elizondo | ... | Cancer Survivor | |
| Elaine Anne Furst | ... | Supermarket Shopper | |
| Gloria Garayua | ... | Female Worshipper | |
| Molly Hagan | ... | Pediatrician | |
| Marcus Maria Jung | ... | Mortician | |
| Michelle Krusiec | ... | Young Nurse | |
| Stephanie Mace | |||
| Kate Mulligan | ... | Waitress | |
| Andrew Santino | ... | Orderly | |
| Don Smith | ... | Supermarket Shopper | |
Réalisé par | |||
| Mark Pellington | |||
Scénaristes(WGA) | ||
| Albert Torres | (written by) | |
Produit par | |||
| Michael Aguilar | .... | executive producer | |
| Beth DePatie | .... | co-producer | |
| Gary Gilbert | .... | producer | |
| David Kern | .... | co-producer | |
| Tom Lassally | .... | producer | |
| Gary Lucchesi | .... | producer | |
| Eric Reid | .... | executive producer | |
| Norman Reiss | .... | executive producer | |
| Tom Rosenberg | .... | producer | |
| Richard S. Wright | .... | producer | |
Musique originale | |||
| John Frizzell | |||
Image | |||
| Eric Schmidt | |||
Montage | |||
| Lisa Zeno Churgin | |||
Distribution des rôles | |||
| Deborah Aquila | |||
| Jennifer L. Smith | |||
| Mary Tricia Wood | |||
Création des décors | |||
| Richard Hoover | |||
Direction artistique | |||
| Karen Steward | |||
Décorateur de plateau | |||
| Susan Lynch | |||
Création des costumes | |||
| Wendy Chuck | |||
Maquillage | |||
| Veronica Lorenz | .... | makeup artist | |
| Deborah Patino | .... | makeup department head | |
| Don Rutherford | .... | key makeup artist | |
| Colette Slattery | .... | hair stylist | |
| Solina Tabrizi | .... | department head hair stylist | |
| Elizabeth Villamarin | .... | makeup artist | |
Directeur de production | |||
| Terra Abroms | .... | post-production supervisor | |
| Jennifer Campbell | .... | production supervisor | |
| Beth DePatie | .... | production manager | |
Département Art | |||
| Aaron Becker | .... | main title design: prologue | |
| Brian S. Childs | .... | propmaker | |
| Randy L. Childs | .... | co-construction coordinator | |
| David Corral | .... | greensman | |
| Guillaume DeLouche | .... | property master | |
| John Fox | .... | storyboard artist | |
| Ursula Glaviano | .... | set dresser | |
| Karen Higgins | .... | construction coordinator | |
| Mike Horn | .... | set dresser | |
| Steven Kissick | .... | general foreman | |
| James P. Meehan | .... | assistant property master | |
| Nancy Nathan | .... | buyer | |
| Eric Rood | .... | key on-set dresser | |
| Abigail Sheiner | .... | art coordinator | |
| Hans Soto | .... | greensmen | |
| Michael Voelker | .... | set dresser | |
| Shelley A. Wallace | .... | set designer | |
Technicien du son | |||
| Michael Babcock | .... | sound designer | |
| Michael Babcock | .... | sound re-recording mixer | |
| Michael Babcock | .... | supervising sound editor | |
| Benjamin Beardwood | .... | dialogue editor | |
| Onnalee Blank | .... | sound designer: temp | |
| Richard Bullock Jr. | .... | utility sound | |
| Carmen Flores De Tanis | .... | assistant sound editor | |
| Craig Dollinger | .... | boom operator | |
| David Farmer | .... | additional sound effects designer | |
| Tim Gedemer | .... | sound effects editor | |
| Robin Harlan | .... | foley artist | |
| Ian Herzon | .... | sound effects editor | |
| Bryan Jerden | .... | sound effects editor | |
| Brian Magerkurth | .... | sound mix technician | |
| Sarah Monat | .... | foley artist | |
| Steven Morrow | .... | sound mixer | |
| Ralph Osborn | .... | dialogue editor | |
| Steve Pederson | .... | sound re-recording mixer | |
| Frank Smathers | .... | co-supervising sound editor | |
| Chris Trent | .... | foley mixer | |
| Hugo Weng | .... | dialogue editor | |
Effets spéciaux | |||
| Jake Valdez | .... | special effects technician | |
Visual Effects | |||
| Alexandre Cancado | .... | digital effects artist: Luma Pictures | |
| John Cassella | .... | senior fx animator: Luma Pictures | |
| Vincent Cirelli | .... | visual effects supervisor: Luma Pictures | |
| Robert Coquia Jr. | .... | i/o vfx | |
| Daniel Craemer | .... | visual effects | |
| Shiv Dholakia | .... | effects animator: Luma Pictures | |
| A. Michael Dobbs | .... | digital artist: Luma Pictures | |
| Scott Dougherty | .... | visual effects executive producer: Furious FX | |
| Siggy Ferstl | .... | digital intermediate colorist | |
| Anthony Grant | .... | modeler | |
| Steve Griffith | .... | visual effects producer: Luma Pictures | |
| John R. Hazzard | .... | technical director: Luma Pictures | |
| Justin Johnson | .... | digital effects supervisor | |
| Thomas Kernan | .... | digital modeler | |
| David Lingenfelser | .... | executive visual effects supervisor: Furious Fx | |
| Jason Locke | .... | matchmover | |
| James McQuaide | .... | visual effects supervisor | |
| Juan Melendez | .... | visual effects coordinator | |
| Ben Neall | .... | lead texture artist: Luma Pictures | |
| Gary Oldroyd | .... | visual effects coordinator | |
| Brett Reyenger | .... | digital artist | |
| Marcos Romero | .... | animator: Luma Pictures | |
| Chris Serenil | .... | computer services manager | |
| Mark Shoaf | .... | CG supervisor: Furious FX | |
| Payam Shohadai | .... | executive visual effects supervisor: Luma Pictures | |
| Joey Sila | .... | digital effects artist: Luma Pictures | |
| Jared Simeth | .... | visual effects: Luma Pictures | |
| Thanapoom Siripopungul | .... | character technical director: Luma Pictures | |
| Tiffany Smith | .... | visual effects producer: Furious FX | |
| Safari Sosebee | .... | digital artist | |
| Tracy Takahashi | .... | visual effects producer: Furious FX | |
| Alexander Vegh | .... | previsualization supervisor | |
| James Waterson | .... | digital artist: Luma Pictures | |
| Cary Welton | .... | digital restoration artist: R!OT | |
| Shane Christopher Wicklund | .... | junior compositor: Luma Pictures | |
| Elaine Wu | .... | animator: Luma Pictures | |
| Jimmy Wu | .... | digital artist: Luma Pictures | |
| Michael Boggs | .... | digital scanning supervisor (uncredited) | |
Cascadeur | |||
| Robin Lynn Bonaccorsi | .... | stunt double: Rhada Mitchell | |
| Richard Bucher | .... | stunt double | |
| Richard Bucher | .... | stunt double: Luke Wilson | |
| Monty L. Simons | .... | stunt coordinator | |
Caméra et Département Electrique | |||
| Saeed Adyani | .... | still photographer | |
| Tigran Aguasaryan | .... | grip | |
| Jake Barsha | .... | second assistant camera | |
| Ryan Bradley | .... | grip | |
| J.A. Byerly | .... | rigging gaffer | |
| Mark Carlile | .... | lighting technician | |
| Alan Caudillo | .... | director of photography: second unit | |
| Ted Chu | .... | second director of photography | |
| Craig Cooper | .... | grip | |
| Erin Franklyn | .... | additional grip | |
| Mary Funsten | .... | additional "b" camera first assistant camera | |
| Tim Gillis | .... | lighting technician | |
| Bryan Haigh | .... | key second assistant camera | |
| Greg Karamov | .... | key grip | |
| Kyle Klutz | .... | loader | |
| Tom Lohmann | .... | camera operator | |
| Robert Lowe | .... | electrician | |
| Dominic Mainl | .... | additional first assistant camera | |
| Jacqueline J. Nivens | .... | additional second assistant camera | |
| Tom Petrushevich | .... | rigging grip | |
| Conrad Sigurdson | .... | best boy electric | |
| Taj J. Teffaha | .... | additional camera operator | |
| Bela Trutz | .... | additional steadicam operator | |
| Michael Woolaway | .... | gaffer | |
Departement Animation | |||
| Pimentel A. Raphael | .... | animation supervisor | |
Département Casting | |||
| Samantha Finkler | .... | casting associate | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Catherine Petra Villalobos | .... | casting assistant | |
Département Costume et garde-Robe | |||
| Carrie Grace | .... | costumer | |
| Kim M. Holly | .... | costume supervisor | |
| Linda Thayer | .... | set costumer | |
Dpartement Editorial | |||
| Ron Barr | .... | digital intermediate editor | |
| Don Broida | .... | associate editor | |
| Devin Sterling | .... | digital intermediate producer | |
| Ian Turpen | .... | digital intermediate scanner: Company 3 (uncredited) | |
Département Musique | |||
| Eric Craig | .... | music supervisor | |
| Jerome Leroy | .... | orchestra recording supervisor | |
| Brian McNelis | .... | music supervisor | |
| Curt Sobel | .... | preview music editor | |
| Frederik Wiedmann | .... | score mixer | |
| Mark Jan Wlodarkiewicz | .... | music editor | |
| Hyesu Yang | .... | orchestrator | |
| Laurent Ziliani | .... | orchestrator | |
Département Transport | |||
| Mike Belt | .... | mechanic | |
| Neil Chisholm | .... | driver: production van | |
| Mark Dobkousky | .... | driver | |
| Chris Haynes | .... | driver | |
| Hugh Kelly | .... | driver | |
| Hardy Ophuls | .... | transportation co-captain | |
| Marty Osborne | .... | picture car coordinator | |
| John Pellegrino | .... | transportation | |
| Adam Pinkstaff | .... | transportation co-captain | |
| John F. Teeple | .... | driver | |
| John Yarbrough | .... | driver: cast | |
Rated PG for thematic elements and some language.
99 min
2,35 : 1 suite
SDDS | Dolby Digital | DTS
USA:PG (certificate #44201) | Finland:K-3 | Netherlands:6 | Singapore:PG | Argentina:Atp
Continuité: In the scene in the backyard where Henry tries to catch the little girl, he falls. While lying on the ground, he takes a sip of his beverage which is almost empty. When he gets up, the drink is half full and a lime has appeared in it. suite
figure dans "Siskel & Ebert & the Movies: (2008-08-16)" (2008) suite
On An Ocean suite
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| Across the Universe | The Station Agent | The Blue Hour | Die Mörder sind unter uns | Ben-Hur |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Comedie section | IMDb USA section | Add this title to MyMovies |
Why is everybody reviewing this wonderful film saying they did not like it because they do not like how it depicts a supposed miracle from a supposed god? I myself am a profound atheist. Hell, i'm even an anti-Christian. I'm not even baptised and I never went to church once in my life. I'm just happy that way :) But does that make this a bad movie? No it doesn't. The actors are absolutely brilliant and feel real-life. The camera-work pulls you right in. The story is simple yet powerful. The music is well-chosen, touching and stands on it's own in little moments of self-reflection. It had been long since I was this moved by a movie. Just watch it ... without presumptions ... without thinking ... and maybe you too will be moved.