| Videos (see all 4 NOUVEAU) |
| Alexandra Boyarskaya | ... | Herself | |
| Danielle McLeod | ... | Herself | |
| Olivia Trench | ... | Herself | |
| Chris Waitt | ... | Himself | |
| Hilary Waitt | ... | Herself |
Réalisé par | |||
| Chris Waitt | |||
Produit par | |||
| Mary Burke | .... | producer | |
| Peter Carlton | .... | executive producer | |
| Will Clarke | .... | executive producer | |
| Antonia Davies | .... | line producer | |
| Lizzie Francke | .... | executive producer | |
| Robin Gutch | .... | producer | |
| Hugo Heppell | .... | executive producer | |
| Mark Herbert | .... | producer | |
| Clare Slessor | .... | co-producer | |
| Henry Trotter | .... | producer | |
Musique originale | |||
| Chris Waitt | |||
Image | |||
| Steven Mochrie | |||
Montage | |||
| Mark Atkins | |||
| Chris Dickens | |||
Directeur de production | |||
| Layla Blackman | .... | post-production supervisor (as Layla Evans) | |
| Antonia Davies | .... | production manager | |
Technicien du son | |||
| Thom Berryman | .... | sound transfer engineer | |
| Stuart Burroughs | .... | sound recordist | |
| Ben Cross | .... | dialogue editor | |
| Ben Harvey | .... | sound editor | |
| Tom Hutchings | .... | dialogue editor | |
| Gareth Llewellyn | .... | assistant sound re-recording mixer | |
| Greg Marshall | .... | supervising sound editor | |
| Cameron Mercer | .... | sound recordist | |
| Richard Paterson | .... | sound recordist | |
| Ben Squires | .... | senior dialogue editor | |
| Andrew Stirk | .... | sound re-recording mixer | |
Visual Effects | |||
| Matt Clarke | .... | online editor | |
| Sharon Lock | .... | title design | |
| Simon Whalley | .... | post-production producer | |
| Mike Woods | .... | post production line producer | |
Caméra et Département Electrique | |||
| Edward Edwards | .... | camera operator | |
| Dean Rogers | .... | still photographer | |
Dpartement Editorial | |||
| Matthew Streatfield | .... | assistant editor | |
Département Musique | |||
| Phil Canning | .... | music supervisor | |
Divers | |||
| Leonard Crooks | .... | head of New Cinema Fund: UK Film Council | |
| Anna Harrington | .... | production accountant | |
| Barry Ryan | .... | head of production | |
| Claire Warnes | .... | senior business affairs executive | |
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| Paper Heart | Roger Dodger | Kurt & Courtney | City Rats | Lonesome Jim |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Documentaire section | IMDb UK section | Add this title to MyMovies |
Regardless of how much of this 'documentary' is fake and how much of it is real, it is still about a complete and utter lunatic. Chris Waitt, who also directed the film, can't seriously be wondering why all these girls dumped him and why his sex life is a failure, I thought to myself. It's a surprise that he even got that many people to go out on dates with him. When Chris eventually accused several of his ex-girlfriends of being psychopaths, things got even more frustrating. Then we have to endure more than 20 minutes of penis and erection jokes, several of which are obviously staged. Still, I can't say I hated the film, when Chris stopped being so utterly self-obsessed and defensive in tone, and allowed us a clear look at his ex-girlfriends, I genuinely felt some emotion and connection with a lot of them. Ultimately the movie is not bad, but not good either, held afloat by some funny moments, the encounter with his one girlfriend that he'd been with for many years, that he genuinely seemed to love, and a bizarre scene in which he goes out on the street and asks multiple women to sleep with him. I've always wanted to do that, but never had the guts. Above all else the film genuinely cheered me up, made me realize that while I haven't made a semi-successful film, my problems still pale in comparison to Waitt's, and it's not like he exists in almost an alien reality, in total poverty or something, he's not too far off from how I live, and while the film really isn't a success ultimately, it did succeed in making me laugh occasionally and also reconsider my attitude towards women. If the events in the film are real, I do at least admire Waitt's courage in turning the camera on himself and, no matter how stubborn he often is, ultimately admitting how many of his failures were his own fault.