Cloverfield (2008)

Réalisateur:

Matt Reeves

Scénariste (WGA):

Drew Goddard (written by)

Release Date:

18 janvier 2008 (USA)

Genre:

Action | Mystery | Sci-Fi | Thriller

Accroche:

Some Thing Has Found Us

Plot:

Revolves around a monster attack in New York as told from the point of view of a small group of people.

Plot Keywords:

Grass | Fluorescent Lamp | Crushed Car | Surprise Party | Old Flame

Awards:

1 win & 6 nominations

Avis des utilisateurs:

Tremendous thrills!

Ensemble

Lizzy Caplan	...	Marlena
Jessica Lucas	...	Lily
T.J. Miller	...	Hud
Michael Stahl-David	...	Rob Hawkins
Mike Vogel	...	Jason Hawkins
Odette Yustman	...	Beth McIntyre
Anjul Nigam	...	Bodega Cashier
Margot Farley	...	Jenn
Theo Rossi	...	Antonio
Brian Klugman	...	Charlie
Kelvin Yu	...	Clark
Liza Lapira	...	Heather
Lili Mirojnick	...	Lei
Ben Feldman	...	Travis
Elena Caruso	...	Party Goer

Autre(s) titre(s) :

1-18-08 (USA) (promotional title)
Cheese (USA) (fake working title)
Clover (USA) (fake working title)
Monstrous (USA) (promotional title)
Slusho (USA) (fake working title)
Untitled J.J. Abrams Project (USA) (working title)
Cloverfield (Canada: French title) (France) [fr]
06-02-08 (France) (promotional title) [fr]

MPAA:

Rated PG-13 for violence, terror and disturbing images.

Durée:

85 min

Pays:

USA

Langue:

Anglais | Russe

Couleur:

Couleur

Aspect Ratio:

1.85 : 1

Son:

DTS | Dolby Digital | SDDS

Classification:

Peru:14 | UK:15 | South Korea:15 | USA:PG-13 (certificate #44015) | Taiwan:PG-12 | Canada:13+ (Québec) | Philippines:PG-13 (MTRCB) | Hong Kong:IIA | Malaysia:U | Australia:M | Argentina:16 | Finland:K-13 | Czech Republic:15 | South Africa:13V (13LV) | Sweden:15 | Netherlands:16 | Austria:14 | France:U (with warning) | Denmark:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Canada:PG (Ontario) | Ireland:15A | Norway:15 | Singapore:PG | Japan:PG-12 | New Zealand:M | Canada:14A (Alberta/British Columbia/Manitoba) | Germany:12 | Iceland:14 | Brazil:14

Emplacements De Pelliculage:

Bloomingdale's Department Store, Manhattan, New York City, New York, USA

Company:

Bad Robot

Anecdotes:

The crossfire sequence was shot in one night on the Warner Brothers New York Street lot in Burbank. The extras playing soldiers fired real blanks from their weapons for the first couple of takes until 10:00 pm, when noise ordinances forced them to use quiet flash bulb alternatives.

Goofs:

Continuity: During the subway tunnel scenes, Rob's shirt seems to clean itself. At first it is dirty and sweat stained, then it is relatively clean, and then it is dirty again.

Guillemet:

[first lines]
Rob Hawkins: It's 6:42 AM. Beth's dad's place. He's out of town. And it's already a good day.

Connexions De Film:

References Little Big Man (1970)

Soundtrack:

Going Up?

Tremendous thrills!

Some people have derisively compared this film to The Blair Witch Project because it was all told from the point of view of someone's shaking camera. Unless you have motion sickness, I don't think that's a bad thing. What matters is who's in front of the camera. While The Blair Witch Project featured annoying people screaming at each other, this movie actually made me care about the characters. In fact if it had continued with the romantic drama tone established during the first half hour, I STILL think it would have been worth watching and that's the biggest compliment I can give it.

Of course people will be watching this movie for the visceral pleasure and Colverfield delivers. Many thrilling visual and sound effects wowed me (there were a few times I yelled out in shock at a sudden scare). Any horror film will also benefit from a sense of entrapment and this movie pulls off the seemingly impossible feat of making New York City seem claustrophobic because there was seemingly nowhere to hide from the monster.

What is the monster? Whatever it is clearly is meant to be an allegory for the carnage 9/11 inflicted on New York, much the same way Godzilla was meant to be an allegory for the damage inflicted on Japan by the atom bomb. There are moments seemingly recreating the documentary footage from 9/11, and they give the film verisimilitude. Touching upon real life horror, plus creating characters that we can relate to and care about, and assaulting our senses with incredible sights and sounds leads to entertainment worth watching many times over. Perhaps the 80 minute run time will bother some people, but on the other hand I think that's better than a film wearing out its welcome. Great job J.J. Abrams and company!