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Guy Maddin (written by) and
George Toles (dialogue writer)
4 juillet 2008 (UK) suite
A personal portrait of filmmaker Guy Maddin's hometown of Winnipeg, Manitoba. | add synopsis
3 wins & 1 nomination suite
Funny enough to make Winnipeg seem charming plus de (22 total)
| Ann Savage | ... | Mother | |
| Louis Negin | ... | Mayor Cornish | |
| Amy Stewart | ... | Janet Maddin | |
| Darcy Fehr | ... | Guy Maddin | |
| Brendan Cade | ... | Cameron Maddin | |
| Wesley Cade | ... | Ross Maddin | |
| Lou Profeta | ... | Himself | |
| Fred Dunsmore | ... | Himself | |
| Kate Yacula | ... | Citizen Girl | |
| Jacelyn Lobay | ... | Gwenyth Lloyd | |
| Eric Nipp | ... | Viscount Gort | |
| Jennifer Palichuk | ... | Althea Cornish | |
| Deborah Carlson | |||
| Kevin Harris | |||
| Scott Hamel | |||
| Wayne Hamel | |||
| Althea Cornish | |||
| Olie Alto | |||
| Jeremy Dangerfield | |||
| Daniel Hussey | |||
| Tim Kiriluk | |||
| Lee Major | |||
| Roy Trumpour | |||
| Chris Turyk | |||
| John Warkentin | |||
| Will Woytowich | ... | Con Johanesson | |
| Brett Donahue | |||
| Guy Maddin | ... | Narrator (voice) | |
| reste de la distribution par ordre alphabétique: | |||
| Kalyn Bomback | ... | Sleepwalker | |
| Cory Cassidy | ... | Russian Bolshevik | |
| Aaron Hughes | ... | If Day Nazi | |
| Joyce Krenz | ... | Auntie | |
| Mel Marginet | ... | Paddlewheel Woman | |
| Bronwyn Ring | ... | Girl At The Paddlewheel (uncredited) | |
Réalisé par | |||
| Guy Maddin | |||
Scénaristes | ||
| Guy Maddin | (written by) | |
| George Toles | dialogue writer | |
Produit par | |||
| Michael Burns | .... | executive producer | |
| Phyllis Laing | .... | producer | |
| Guy Maddin | .... | producer | |
| Jody Shapiro | .... | producer | |
Image | |||
| Jody Shapiro | |||
Montage | |||
| John Gurdebeke | |||
Création des décors | |||
| Réjean Labrie | |||
Direction artistique | |||
| Katharina Stieffenhofer | |||
Décorateur de plateau | |||
| Chad Giesbrecht | |||
| John Jennissen | |||
| Alexis Labra | |||
| Bill MacInnis | |||
Création des costumes | |||
| Meg McMillan | |||
Maquillage | |||
| Ediena Hawkes | .... | key hair stylist | |
| Brianne Lewin | .... | key makeup artist | |
Directeur de production | |||
| Shelly-Anne Hays | .... | production manager (as Shelly Hays-Novakowski) | |
Département Art | |||
| Brian Barnhart | .... | props | |
| Jefferson Bruyere | .... | scenic artist | |
| Denis Duguay | .... | construction coordinator | |
| Walter Forsberg | .... | scenic artist | |
| Jason Gibbs | .... | property master | |
| Sharon Johnson | .... | key scenic artist | |
| Ross Maddin | .... | model maker | |
| Conor McGoey | .... | construction crew | |
| Allan McGowan | .... | set dresser | |
| Farrah Okolita | .... | painter | |
| Matthew Rankin | .... | laborer | |
| Michelle Realba | .... | art department trainee | |
| Bill Sinosich | .... | construction coordinator: train sequence | |
| Julie Slessor | .... | painter | |
| Suzie Smith | .... | art department trainee | |
| Sharon Johnson | .... | horse head construction (uncredited) | |
Technicien du son | |||
| Michel Germain | .... | voiceover recording engineer | |
| Martin Lee | .... | sound re-recording mixer | |
| Cameron Maddin | .... | sound sculpture | |
| David McCallum | .... | sound | |
| Steve Medeiros | .... | sound editor | |
| Joe Morrow | .... | sound re-recording assistant | |
| Jordan Pede | .... | boom operator | |
| Marvin Polanski | .... | production sound mixer | |
| David Rose | .... | sound | |
| Jane Tattersall | .... | sound editor | |
Effets spéciaux | |||
| Tim J. Langevin | .... | special effects assistant | |
Caméra et Département Electrique | |||
| Jim Campbell | .... | generator operator | |
| John Clarke | .... | gaffer | |
| John Clarke | .... | lighting director | |
| Michael Drabot | .... | lighting director | |
| Noam Gonick | .... | additional camera operator | |
| Wes Grycki | .... | grip | |
| Lindsay Hamel | .... | additional camera operator | |
| Jason Heke | .... | second assistant camera | |
| Joao Holowka | .... | lighting technician | |
| Evan Johnson | .... | additional camera operator | |
| Guy Maddin | .... | additional camera operator | |
| Ross Maddin | .... | additional camera operator | |
| Mark Motoch | .... | electrician | |
| Len Peterson | .... | additional camera operator | |
| Nicolas Phillips | .... | electrician | |
| Stephan Recksiedler | .... | additional camera operator | |
| Robert Thomson | .... | additional camera operator | |
| Robert Thomson | .... | key grip | |
| Shauna Townley | .... | additional camera operator | |
| Shauna Townley | .... | first assistant camera | |
| Jason Tuesday | .... | grip | |
| Charles Venzon | .... | additional camera operator | |
| Charles Venzon | .... | second assistant camera | |
Departement Animation | |||
| Andy Smetanka | .... | animation | |
Département Casting | |||
| Jim Heber | .... | casting | |
| Patricia Kress | .... | extras casting | |
Département Costume et garde-Robe | |||
| Angela Wells | .... | wardrobe assistant | |
Dpartement Editorial | |||
| Louis Casado | .... | color timer | |
| Pat Duchesne | .... | digital imaging project manager | |
| Jim Fleming | .... | colorist | |
| Lindsay Hamel | .... | post-production coordinator | |
| Matthew Hannam | .... | additional editor | |
| Ryan McKenna | .... | assistant editor | |
| Colin Moore | .... | colorist | |
| Eric Myles | .... | digital film supervisor | |
| Andrew Pascoe | .... | digital film technician | |
| Brian Reid | .... | manager of digital imaging | |
Département Transport | |||
| Blaine Laschuk | .... | transportation coordinator | |
Merci | |||
| Kent Adamson | .... | special thanks | |
| Paul Butler | .... | special thanks | |
| Owen Clark | .... | special thanks | |
| Jonah Corne | .... | special thanks | |
| Noah Cowan | .... | special thanks | |
| Jim Foote | .... | special thanks | |
| Gisele Gordon | .... | special thanks | |
| Andrei Gravelle | .... | special thanks | |
| Steve Gravestock | .... | special thanks | |
| Michael Harris | .... | special thanks | |
| Erin Hershberg | .... | special thanks | |
| Thomas Kodros | .... | special thanks | |
| Jilian Maddin | .... | special thanks | |
| Dan Messing | .... | special thanks | |
| Laura Michalchyshyn | .... | special thanks | |
| Charlotte Mickie | .... | special thanks | |
| Carole Vivier | .... | special thanks | |
| Sarah Whitehouse | .... | special thanks | |
Argentina:80 min | Canada:80 min (Toronto International Film Festival)
1,33 : 1 suite
Canada:14A (Alberta/Manitoba/Ontario) | Canada:PG (British Columbia) | Canada:G (Québec) | Australia:M | Argentina:13
Wonderful Winnipeg suite
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| The Assassination of Jesse James by the Coward Robert Ford | Ladybird Ladybird | The Station Agent | Zerkalo | Palindromes |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb Canada section | Add this title to MyMovies |
Guy Maddin described My Winnipeg as 'docutasia' and that's probably more accurate than any other description I could give of it. The film is a very personal, light-hearted, but informative, look at Winnipeg through the eyes of her native son Guy Maddin. The film is shot in black and white, combining stock archival footage (including private home videos) with some new freshly shot material. The film follows a young Guy Maddin (played by Darcy Fehr) on a train trying to escape from 'sleepy, snowing, Winnipeg' and its mystic pull. To affect his escape Maddin must, through the course of the film, come to terms with everything that binds him to the city (family, home, community, and history). Held together by the barest narrative thread, the film is most like Berlin: Symphony of a Great City, though being Canadian it's much funnier and self-deprecating. The film is narrated by Guy Maddin himself, and despite the fact that he seemed to have many reservations about using his own voice, he does a great job (ranging from the fiery sermon of charged propagandist to the soft relaxing repetition of an experienced hypnotist). Made for the documentary channel, with a TV audience in mind, the film is accessible enough for anyone and funny enough to make even Winnipeg charming. While I don't know if it's feature film material, definitely watch if you can catch it on the tube.