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Réalisé par | |||
| James Gray | |||
Scénaristes(WGA) | ||
| James Gray | (written by) & | |
| Ric Menello | (written by) (as Richard Menello) | |
Produit par | |||
| Marc Butan | .... | executive producer | |
| Mark Cuban | .... | executive producer | |
| Donna Gigliotti | .... | producer | |
| James Gray | .... | producer | |
| Anthony Katagas | .... | producer | |
| Agnès Mentre | .... | executive producer | |
| Couper Samuelson | .... | co-producer | |
| Mike Upton | .... | co-producer | |
| Todd Wagner | .... | executive producer | |
Image | |||
| Joaquín Baca-Asay | |||
Montage | |||
| John Axelrad | |||
Distribution des rôles | |||
| Douglas Aibel | |||
Création des décors | |||
| Happy Massee | |||
Direction artistique | |||
| Marc Benacerraf | |||
| Peter Zumba | |||
Décorateur de plateau | |||
| Carol Silverman | |||
Création des costumes | |||
| Michael Clancy | |||
Maquillage | |||
| LuAnn Claps | .... | makeup department head | |
| Jorjee Douglas | .... | makeup artist: Gwyneth Paltrow | |
| Jorjee Douglas | .... | personal makeup artist | |
Directeur de production | |||
| Anthony Katagas | .... | unit production manager | |
| Jamey Pryde | .... | post production supervisor | |
Assistant réalisateur | |||
| Lauren Guilmartin | .... | second second assistant director | |
| Jason Hightower | .... | dga trainee | |
| Francisco Ortiz | .... | second assistant director | |
| Doug Torres | .... | first assistant director | |
Art Department | |||
| Leni Calas | .... | property master | |
| Gabu Camilo | .... | props | |
| John J. Ciccimarro | .... | construction coordinator | |
| Peter DeCurtis | .... | leadman | |
| Mandie DeMeskey | .... | assistant property master | |
| Edward R. Geller | .... | best boy construction grip | |
| Theresa Gonzalez | .... | scenic industrial | |
| Mario Herrera | .... | charge scenic artist | |
| Michael Kall | .... | key carpenter | |
| Michael Lee Nirenberg | .... | painter | |
| Jaime Phelps | .... | assistant art department coordinator | |
| Heather Prendergast | .... | assistant set decorator | |
| Heather Prendergast | .... | set decorating shopper | |
| Kevin L. Raper | .... | graphic artist | |
Technicien du son | |||
| Gregg Baxter | .... | supervising adr editor | |
| Paul Drenning | .... | adr mixer | |
| Sean England | .... | foley mixer | |
| Will Files | .... | sound effects editor | |
| Kim Foscato | .... | dialogue editor | |
| Ivan Fritz | .... | digital editorial services | |
| Kyle Gray | .... | assistant sound editor | |
| Tom Johnson | .... | sound re-recording mixer | |
| Zach Martin | .... | sound mix technician | |
| Douglas Murray | .... | sound designer | |
| Douglas Murray | .... | supervising sound editor | |
| Tom Nelson | .... | production sound mixer | |
| Egor Panchenko | .... | ProTools playback mixer | |
| Ronald G. Roumas | .... | re-recordist | |
| Kent Sparling | .... | sound re-recording mixer | |
| Dennie Thorpe | .... | foley artist | |
| Tami Treadwell | .... | adr recordist | |
Effets spéciaux | |||
| Andrew Mortelliti | .... | special effects foreman | |
Visual Effects | |||
| J. Cody Baker | .... | digital intermediate assistant (as James Cody Baker) | |
| Michael Boggs | .... | scanning manager | |
Cascadeur | |||
| Chris Barnes | .... | marine coordinator | |
| Bob Colletti | .... | stunt double: Joaquin Phoenix | |
| Roy Farfel | .... | stunt coordinator | |
| Donald John Hewitt | .... | stunts | |
Camera and Electrical Department | |||
| James Boniece | .... | key rigging grip | |
| Paul Candrilli | .... | best boy grip | |
| John Clifford | .... | still photographer | |
| Chris Drechsler | .... | lighting technician | |
| David Elwell | .... | lighting technician | |
| Craig Haagensen | .... | camera operator | |
| David Knox | .... | underwater director of photography | |
| Mitchell Andrew Lillian | .... | key grip | |
| Nathan Gabriel Lopez | .... | additional camera loader | |
| Kevin Lowry | .... | grip | |
| William MacGhee | .... | generator operator: basecamp | |
| Rick Marroquin | .... | dolly grip | |
| Sean McCardell | .... | lighting technician | |
| Michael A. McFadden | .... | rigging grip best boy | |
| Doug Meils | .... | additional rigging electric | |
| Wayne Paull | .... | camera operator: "b" camera | |
| Edward Read | .... | light board programmer | |
| Lance Rieck | .... | scorpio head technician | |
| Frank Rinato | .... | assistant camera | |
| Andrew D. Schwartz | .... | still photographer | |
| Fernando Vallejo | .... | assistant to director of photography | |
| John Velez | .... | gaffer | |
Casting Department | |||
| Henry Russell Bergstein | .... | casting associate | |
| Sophia M. Costas | .... | extras casting | |
| Barbara Harris | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Barrett Hong | .... | key costumer | |
| Alethea McElroy | .... | additional costumer | |
| Cassidy Mosher | .... | set costumer | |
| Laura Steinman | .... | costume supervisor | |
| Eli Weiss | .... | wardrobe production assistant | |
Editorial Department | |||
| Tom Cross | .... | additional editor | |
| Jim Eberle | .... | digital intermediate on-line editor | |
| Dan Goslee | .... | digital intermediate assistant | |
| Lee Haugen | .... | apprentice editor | |
| Erik Rogers | .... | digital intermediate producer | |
| Kurt Smith | .... | color timer | |
| Jimmy Tom | .... | digital intermediate colorist | |
| Ian Turpen | .... | digital intermediate scanner: Company 3 (uncredited) | |
Music Department | |||
| Todd Bozung | .... | music editor | |
| Angie Rubin | .... | music editor | |
| Dana Sano | .... | music supervisor | |
| Libby Umstead | .... | music coordinator | |
Thanks | |||
| Mike Spera | .... | thanks | |
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| Big Fish | Everyone Says I Love You | From Here to Eternity | The Bodyguard | Knocked Up |
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Bravely wearing his heart on his sleeve, James Gray directs the tender and terrific Two Lovers as an antidote to the virus of hip. Forget the setting in modern Brooklyn. You watch Joaquin Phoenix yearn for Gwyneth Paltrow, the blond goddess-next-door, and it could be Marlon Brando putting his first tentative moves on Eva Marie Saint in 1954's On the Waterfront. This is delicate business, the kind of lost art that usually gets crushed under the jackboots of the trendy. Phoenix, in one of his best performances (let's hope his decision to quit acting is an empty threat), finds the bruised romantic in Leonard Kraditor. The bipolar man-child has retreated to the Brighton Beach apartment of his parents (Isabella Rossellini and Moni Moshonov) and a nowhere job. He sparks when Sandra (the lovely Vinessa Shaw), the daughter of a family friend, shows an interest. But when his eyes lock on Michelle (Paltrow), he's a goner. Never mind that Michelle is being screwed and supported by a married jerk (Elias Koteas) with kids. The film's secrets unfold slowly, allowing Phoenix and Paltrow a luminous fusion of grace and grit to build a relationship in full. The script, by Gray and Richard Menello, is inspired by Dostoevsky's White Nights. But Gray, moving far from the crime scenes of Little Odessa, The Yards and We Own the Night, offers his own acute vision of love as a battle with loneliness. It'll get to you.