| Jean-Robert Bourdage | ... | Le propriétaire | |
| Gouchy Boy | ... | Bingo | |
| Benoît Brière | ... | Alix | |
| Paul Cagelet | ... | Antoine | |
| Cali | ... | Baptiste | |
| Antoine Duléry | ... | Auguste | |
| Louis Dussol | ... | Tommy | |
| Rachel Gauthier | ... | Libellule | |
| Marie Gillain | ... | Betty | |
| Holly O'Brien | ... | Alice | |
| Marcel Sabourin | ... | Dr. Klebs |
Réalisé par | |||
| Philippe Muyl | |||
Produit par | |||
| Jean-Yves Asselin | .... | executive producer | |
| Daniel Marquet | .... | associate producer | |
| Maxime Rémillard | .... | producer | |
Image | |||
| Pierre Gill | |||
Montage | |||
| Richard Comeau | |||
Distribution des rôles | |||
| Juliette Denis | |||
| Bruno Rosato | |||
Direction artistique | |||
| Martin Tessier | |||
Décorateur de plateau | |||
| Roger Martin | |||
Maquillage | |||
| Brigitte Bilodeau | .... | key makeup artist | |
Directeur de production | |||
| Danny Rossner | .... | production manager | |
Assistant réalisateur | |||
| Pierre Magny | .... | first assistant director | |
| Thomas Parkinson | .... | second assistant director | |
Art Department | |||
| Jean-Andre Carriere | .... | set designer | |
| Jerry Thevenet | .... | storyboard artist | |
Technicien du son | |||
| Stéphane Bergeron | .... | sound re-recording mixer | |
| Jocelyn Caron | .... | adr and foley recordist | |
| Dominique Delguste | .... | adr mixer | |
| Guy Francoeur | .... | foley artist | |
| Benoit Leduc | .... | adr recordist | |
| Isabelle Lussier | .... | assistant sound re-recording mixer | |
| Gabor Vadnay | .... | sound recordist | |
Effets spéciaux | |||
| Carmelle Beaudoin | .... | special effects technician | |
| Jacques Godbout | .... | special effects supervisor | |
Visual Effects | |||
| Manon Barriault | .... | visual effects line producer: Mokko Studio | |
| Danny Bergeron | .... | visual effects executive producer: Mokko Studio | |
| Arnaud Brisebois | .... | matte painter | |
| Geneviève Labelle | .... | digital compositor: Mokko Studio | |
| Alain Lachance | .... | lead compositor: Mokko Studio | |
| Alain Lachance | .... | visual effects supervisor: MOKKO Studio | |
| Yann Laliberte | .... | digital compositor: Mokko Studio | |
| Benjamin Ribière | .... | flame compositor | |
| Charles Richer | .... | digital compositor: Mokko Studio | |
| Charles Richer | .... | on-set supervisor: Mokko Studio | |
| Marc A. Rousseau | .... | visual effects producer: Mokko Studio | |
| Strob | .... | digital effects artist | |
Camera and Electrical Department | |||
| Alain Dahan | .... | epk cinematographer | |
| Stephen Wells | .... | key grip | |
Casting Department | |||
| Adriana Caroli | .... | casting associate: New York | |
| Mike Migliara | .... | casting associate | |
| Stephanie Patrick | .... | casting assistant | |
Music Department | |||
| Valérie Lindon | .... | music supervisor | |
| Bruno Mercere | .... | music recording mixer | |
Divers | |||
| Phaedra Charlton | .... | production accountant | |
| Alain Dahan | .... | epk director | |
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| Jubilo, Jr. | La totale! | Across the Universe | Giant | Secondhand Lions |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedie section | Add this title to MyMovies |
I shall have wanted to write these words over instant, in peak of emotions, when the heart writhes, that hands tremble and that eyes close up to avoid crying. But I could not. First of all because you would have understood nothing in what I would have tried to say to you, then because I had no means of it. Today I have it, so I express myself.What made me leave the room backwards? Why have I the vague impression that this film changed me? I do not succeed in coming out to it of the head. What potion, which filter, which magical dust? Let us try to be clear: "Magical" is the nicest film which I have never seen, though say about it criticisms. I shall have wanted never it to finish.Landscapes to take off splendid, plans are so well turned that they imagine continuously in a dream, music rocks us, attracts us tears and smiles. Never I had so much cordiality as actors. Perhaps because they were full of sincerity and cordiality too. They did not play for us, but with us. Louis Dussol is simply marvelous; so true, so engaging!I who am not fan of Cali, I completely discovered it in this film. It is of exuberant feelings and natural sometimes disturbing. Perhaps it is for this reason that I liked this film: it does not resemble a film. It is a dream which they introduce us apparently, in that they give the beginning but no end. No, the dream is perpetuated.Mary Gillain, whom I did not know, brings in "Magical" a favor, innocent to be unthinking. It is the incarnation of soul ready to devote itself entirely by love, of this prisoner soul, however, of a too big space, a too deep loneliness.Antoine Délury, finally, and all the others are simply magical as much by the role as they represent that by their interpretation. They make us all forget the hostilities of this world, in the space of one hour and a half. They make it us other one discover, than each hits in the heart. They comb us the world of brotherhood, of sincèrité, freedom and love. The world of dream all in all, the magical world Not only your film delighted me but it persuaded me on top of that of a thing: magic is everywhere where they want to see it, where they take the trouble to see it. No, there is only the naive teenagers as me who believe in it. It is for everybody. Magic it is love, or the opposite, and we have the right to it. The poem of your film proved it to me.To finish, I shall like to ask you to thank the actors of the film sincerely for me. And in special note for you: I shall like that my texts have one day the same magic as your's. Congratulations!Go on, I ask you, to make about us so dream. Continue giving hope to those who are continuously on the point of losing it. Continue giving in sensitive souls force and creed in the better world. Thanks to "Magical", I am definitely persuaded of the goodness of the Men, still it is necessary to search it.