| Hend Sabry | ... | Laila | |
| Amr Waked | ... | Youssef | |
| Gamil Ratib | ... | Youssef's Father | |
| Samah Anwar | ... | Marguerite | |
| Bassem Samra | ... | Zakki | |
| Ahmed El Feshawy | ... | Amr (as Ahmed El Fichawy) | |
| Menha Batraoui | ... | Laila's Mother (as Menha El Batraoui) | |
| Tamim Abdou | ... | Samir | |
| Dorra Zarrouk | ... | Marwa | |
| Hamada Kouta | ... | Salwa Mohamed Ali | |
| Tarek Mandour | ... | Asser Yassine | |
| Laila Sami | |||
| Marwa El Sawi | ... | Dounya Massoud | |
| Ezzat Ibrahim | ... | Mohamed Farouk | |
| Nael Ali | ... | Amr Fikry | |
| Ahmed Tewfik | ... | Hany Salem | |
| Yara Goubran | ... | Nihad Aboul Enein | |
| Shirin Mohsen | ... | Riham Ayman | |
| Moony Gala | ... | Hyam El Chorbagui | |
| Habiba El Chaer | ... | Oussama Darwich | |
| Mahmoud El Chaer | ... | Mohamed El Hawwan |
Réalisé par | |||
| Yousry Nasrallah | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Nasser Abdel-Rahmane | writer | |
| Yousry Nasrallah | writer | |
Produit par | |||
| Ihab Ayoub | .... | line producer | |
| Denis Freyd | .... | producer | |
| Gabriel Khoury | .... | producer | |
Musique originale | |||
| Tamer Karawan | |||
Image | |||
| Samir Bahzan | (as Samir Bahsan) | ||
Montage | |||
| Mona Rabei | |||
Création des costumes | |||
| Nahed Nasrallah | |||
Directeur de production | |||
| Thomas Alfandari | .... | post-production manager: France | |
| Mohamed Saad | .... | production manager | |
Assistant réalisateur | |||
| Mona Asaad | .... | assistant director | |
| Rasha El Kordi | .... | first assistant director | |
| Ahmed El Lozy | .... | second assistant director | |
| Mohamed Karim | .... | trainee assistant director | |
| Nadine Khan | .... | second unit director | |
Technicien du son | |||
| Boris Chapelle | .... | sound editor | |
| Ibrahim Desouki | .... | sound recordist | |
| Cyrille Richard | .... | sound editor | |
| Christophe Vingtrinier | .... | sound re-recording mixer | |
Divers | |||
| Rami Gheit | .... | script supervisor | |
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| Heaven | Nuovomondo | Adieu Bonaparte | El Medina | Diarios de motocicleta |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Egypt section | Add this title to MyMovies |
I was one of the "fortunate" people that got the chance to watch this movie on its premier last night...
The main reason why I checked this movie out, despite my lack of fondness towards most of its actors, was to see what Nasrallah had to offer after the fantastic "Bab el-shams", and also to see if he had changed his old ways of weirdness and incomprehensible "artistic views". Also I wanted to see what Abdel-Rahmane is made of after watching his previous works, Chahine's mediocre "Heya fawda" and Khaled's dreadfully terrible "Heena maysara", knowing how these directors slaughter his scripts, I was trying to locate his true identity among the three movies, and I think I found a little glimpse of his potential among them that could blossom if he were to stop being bullied by the directors and made them stick to his original script.
This movie takes a stab at realism with some elements of expressionism, with long useless scenes and silences with some "artistic views" and hidden messages within the details, a blend that quite frankly, didn't work out quite well...
This movie is not for everyone, it will definitely flop at the box office for 2 reasons, one is the cast of the film, non of them appeals to the public, non of them would make you leave the comfort of your couch to go watch it at the theaters, the second reason being the film's quality itself, I doubt anyone who'd watch this movie would go out and recommend it to others, after all, Nasrallah himself said, and I'm quoting, that this film was not made to be comprehended in this lifetime, it'll be appreciated 20 year from now...
The only good thing about this film was the cinematography, which wasn't exactly mind blowing, but it was decent, plus the effort put into trying something new gives it some extra points for the adventurous spirit of the film's crew, and for the obvious skills of Nasrallah as a director.