IMDb > Vals Im Bashir (2008)
Vals Im Bashir
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Vals Im Bashir (2008) Plus avec IMDbPro »

Photos (Voir toutes les 24 | Diaporama) Videos (see all 13 NOUVEAU)
Vals Im Bashir (2008) -- This is the theatrical trailer for Waltz with Bashir, directed by  Ari Folman.
Vals Im Bashir (2008) -- Trailer for this animated film set during the 1982 invasion of Lebanon
Vals Im Bashir (2008) -- One night at a bar, an old friend tells director Ari about a recurring nightmare in which he is chased by 26 vicious dogs...
Vals Im Bashir (2008) -- ZuGuide.com - Trailer (Flash)
Vals Im Bashir (2008) -- Sinematurk - Trailer (Flash)

Vue d'ensemble

Note Générale:
8,0/10   13 905 votes
MOVIEmeter: ?
Down 2% in popularity this week. See why on IMDbPro.
Réalisateur:
Ari Folman
Scénariste:
Ari Folman (writer)
Contact:
View company contact information for Waltz with Bashir on IMDbPro.
Date de sortie:
12 juin 2008 (Israel) suite
Intrigue:
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict. full summary | add synopsis
Plot Keywords:
suite
Récompenses:
Nominated for Oscar. Another 23 wins & 23 nominations suite
Avis des utilisateurs:
Great, personal film about the horrors of war plus de (109 total)

Ensemble

  (Interprètes principaux)
Ron Ben-Yishai ... Himself (voice)
Ronny Dayag ... Himself (voice)
Ari Folman ... Himself (voice)
Dror Harazi ... Himself (voice)

Yehezkel Lazarov ... Carmi Cna'an (voice)
Mickey Leon ... Boaz Rein-Buskila (voice)
Ori Sivan ... Himself (voice)
Zahava Solomon ... Herself (voice)
suite
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Détails supplémentaires

Autre(s) titre(s):
Waltz with Bashir (International: English title) (UK) (USA)
Valse avec Bachir (France)
Walzer mit Bashir (Germany)
suite
MPAA:
Rated R for some disturbing images of atrocities, strong violence, brief nudity and a scene of graphic sexual content.
Durée:
90 min
Couleur:
Couleur
Rapport de forme:
1,85 : 1 suite

Curiosités

Anecdotes:
Artist David Polonsky is right handed, but did most of the illustration for this film with his left hand, as he felt that his original drawing were 'too pretty.' suite
Goofs:
Anachronismes: The song used in the film, "This Is Not A Love Song" by Public Image Ltd, came out in 1983, even though the war and the massacres depicted in the film happened in 1982. suite
Guillemet:
Anonymous soldier: What to do? What to do? why don't you tell us what to do?
Ari Folman: Shoot!
Anonymous soldier: On who?
Ari Folman: How should I know on who? just shoot!
Anonymous soldier: Isn't it better to pray?
Ari Folman: Pray and shoot!
suite
Connexions:
Références Defender (1980) (VG) suite
Bande son:
Enola gay suite

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37 internautes sur 40 ont trouvé ce commentaire utile
Great, personal film about the horrors of war, 12 janvier 2009
9/10
Auteur : GHCool de Studio City, CA, USA

I saw this film at the AFI Film Festival a couple of months ago and it stayed with me since then. This is not your typical war movie, nor is it your typical animated film. I'd say its kind of a cross between Waking Life and Grave of the Fireflies.

The film takes place in the present. The film's director, Ari Folman, comes to the realization that he cannot remember anything from the time he served in the Israeli army during the 1982 Lebanon War. The bulk of the movie are his interviews with his old army friends where he asks them what they remember from that time. Folman tries to see in their memories something in himself that has been missing, deadened, or dulled. Like Waking Life, there is no "plot." The filmmaker prefers a more interview-based film. This is an "idea film," a poetic film, and traditional narrative style takes a back seat.

Like Grave of the Fireflies, the animation in Waltz With Bashir shows the horror of war and its effect on individuals in ways that a live action recreation could never replicate. The film's themes of human memory and its elasticity are served well by this technique. Rather than a soldier escaping death by hiding in the sea, we get the larger-than-life memory of a soldier escaping death that would look too "real" in a live action reenactment.

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