His filmography actually dates back to being a script supervisor on masterwork 4 Months, 3 Weeks and 2 Days, so Romanian filmmaker Alexandru Belc has had the opportunity to witness the burgeoning national cinema and new wave of filmmakers explore contemporary and Ceaușescu era issues in what would have been the early naughts and now it’s his turn to vividly depict the type of pervasive paranoia of life in a communist dictatorship. In Metronom, (selected for Un Certain Regard section of 2022 – where Belc won the Directing Prize) we go back in time to what it looks (and sounds) like when communism and the idea of a different future collide.…...
- 11/1/2023
- by Eric Lavallée
- IONCINEMA.com
In the late 20th century, a system of categorizing personalities into “Type A” and “Type B” gained mainstream pop-psychological traction. The theory may have since fallen out of favor, but sometimes it’s hard not to be reminded of it, like when watching Selman Nacar’s sober, stressful second feature, “Hesitation Wound.” Defense attorney Canan is competitive, status-conscious, ambitious and impatient to the point of work addiction. In other words, she’s the Type A-est Type A to ever have had a very hard day.
Nacar, who studied law himself, has written a screenplay that piles incident on incident, and moral quandary on moral quandary, each bumping into the rear of the next like a knock-on collision in rush hour traffic. But he directs with a spontaneity that means the drama never seems contrived, especially as conveyed in the considered realism of Tudor Panduru’s cinematography. Panduru, who has been...
Nacar, who studied law himself, has written a screenplay that piles incident on incident, and moral quandary on moral quandary, each bumping into the rear of the next like a knock-on collision in rush hour traffic. But he directs with a spontaneity that means the drama never seems contrived, especially as conveyed in the considered realism of Tudor Panduru’s cinematography. Panduru, who has been...
- 9/18/2023
- by Jessica Kiang
- Variety Film + TV
Last year’s Un Certain Regard was a vintage year. A trio of films in Return to Seoul, Corsage and Godland could have easily been selected in competition for the Palme. The section gave us the Camera d’Or winner in Riley Keough and Gina Gammell’s War Pony. There were small gems in Saim Sadiq’s Joyland and Alexandru Belc’s Metronom while the big winner (Les Pires) with plenty of heart launched the film careers for Lise Akoka and Romane Gueret. The quality level could be just as solid this year. With the Cannes Premiere section hogging screening times at the Debussy, we don’t see an increase from a 20 film line-up.…...
- 3/23/2023
- by Eric Lavallée
- IONCINEMA.com
A new year means a new New Directors/New Films lineup.
The 2023 festival, presented by the Museum of Modern Art and Film at Lincoln Center, is set to take place from March 29 through April 9 and boasts films from 41 directors. The 52nd edition of the festival kicks off with Savannah Leaf’s A24 drama “Earth Mama” and concludes with Vuk Lungulov-Klotz’s trans coming-of-age story “Mutt.” Both premiered at Sundance to acclaim.
In total, the festival boasts 27 features and 11 short films, with screenings taking place at theaters both at MoMA and Flc. Nations represented range from Argentina to Angola, Nigeria to Ukraine.
“This geographically diverse lineup brings together new directors from all over the world presenting works that make bold and creative statements on everything from identity and family to political repression and postcolonial discourse,” MoMA film curator and 2023 Nd/Nf co-chair La Frances Hui said in a press statement. “The...
The 2023 festival, presented by the Museum of Modern Art and Film at Lincoln Center, is set to take place from March 29 through April 9 and boasts films from 41 directors. The 52nd edition of the festival kicks off with Savannah Leaf’s A24 drama “Earth Mama” and concludes with Vuk Lungulov-Klotz’s trans coming-of-age story “Mutt.” Both premiered at Sundance to acclaim.
In total, the festival boasts 27 features and 11 short films, with screenings taking place at theaters both at MoMA and Flc. Nations represented range from Argentina to Angola, Nigeria to Ukraine.
“This geographically diverse lineup brings together new directors from all over the world presenting works that make bold and creative statements on everything from identity and family to political repression and postcolonial discourse,” MoMA film curator and 2023 Nd/Nf co-chair La Frances Hui said in a press statement. “The...
- 2/28/2023
- by Samantha Bergeson
- Indiewire
Film at Lincoln Center and the Museum of Modern Art have set Savanah Leaf’s Earth Mama and Vuk Lungulov-Klotz’s Sundance Special Jury Award winner Mutt, both debut features, as opening and closing film at the 52st edition of their collaboration, New Directors/New Films, running March 29–April 9 in NYC.
The festival will introduce will showcase 27 features and 11 shorts from 41 directors at theaters in both venues.
Mutt star Lio Mehial was awarded a U.S. Special Jury Award for acting at Sundance Film festival for their portrayal of Feña, a twentysomething trans man contending with an onslaught of aggravation, surprise encounters and emotional choices over the course of a single hectic day in New York City. “We were charmed, seduced, and compelled by this fresh new performer as we watched them navigating the intimate complexities of their everyday life and relationships in his search for acceptance,” the jury citation said.
The festival will introduce will showcase 27 features and 11 shorts from 41 directors at theaters in both venues.
Mutt star Lio Mehial was awarded a U.S. Special Jury Award for acting at Sundance Film festival for their portrayal of Feña, a twentysomething trans man contending with an onslaught of aggravation, surprise encounters and emotional choices over the course of a single hectic day in New York City. “We were charmed, seduced, and compelled by this fresh new performer as we watched them navigating the intimate complexities of their everyday life and relationships in his search for acceptance,” the jury citation said.
- 2/28/2023
- by Jill Goldsmith
- Deadline Film + TV
Ulrich Seidl took top honors Saturday for “Rimini” at Spain’s 60th Gijón-Xixón Film Festival, having hit back at German magazine Der Spiegel’s allegations of impropriety and child exploitation on the set of “Sparta,” “Rimini’s” companion piece.
World premiering at the Berlin Festival, “Rimini,” a “riveting, upsetting Ulrich Seidl slow-burn electrified by a stunning central turn,” said Variety, follows washed up crooner Richie Bravo (Michael Thomas) who is suddenly opportune for money by his estranged daughter.
“Sparta” focuses on Richie’s wayward brother, Eward, who buys an abandoned school in Romania’s Transylvania, converting it into a compound called Sparta where he teaches young children self-defence. That provides a chance for him to photograph them in undress.
Also Germany’s biggest news website, Der Spiegel alleged that Seidl did not reveal “Sparta’s” focus on pedophilia to its young non-pro actors, aged 9-16, nor to their guardians, and...
World premiering at the Berlin Festival, “Rimini,” a “riveting, upsetting Ulrich Seidl slow-burn electrified by a stunning central turn,” said Variety, follows washed up crooner Richie Bravo (Michael Thomas) who is suddenly opportune for money by his estranged daughter.
“Sparta” focuses on Richie’s wayward brother, Eward, who buys an abandoned school in Romania’s Transylvania, converting it into a compound called Sparta where he teaches young children self-defence. That provides a chance for him to photograph them in undress.
Also Germany’s biggest news website, Der Spiegel alleged that Seidl did not reveal “Sparta’s” focus on pedophilia to its young non-pro actors, aged 9-16, nor to their guardians, and...
- 11/20/2022
- by Pablo Sandoval
- Variety Film + TV
Festival runs October 12-23.
Jafar Panahi’s No Bears, Alice Diop’s Saint Omer, and Sergei Loznitsa’s The Natural History Of Destruction are among the international competitions line-up at the 58th Chicago International Film Festival next month.
This year’s competitions include 10 films receiving their North American premiere and 17 getting their US premiere as the entries vie for the festival’s Gold Hugo award in the categories of international feature, international documentary, and new directors.
The festival runs October 12-23. The full international competition line-ups are below.
Playing in International Feature Competition are: The Beasts (Sp-Fr), Rodrigo Sorogoyen, US premiere; Before,...
Jafar Panahi’s No Bears, Alice Diop’s Saint Omer, and Sergei Loznitsa’s The Natural History Of Destruction are among the international competitions line-up at the 58th Chicago International Film Festival next month.
This year’s competitions include 10 films receiving their North American premiere and 17 getting their US premiere as the entries vie for the festival’s Gold Hugo award in the categories of international feature, international documentary, and new directors.
The festival runs October 12-23. The full international competition line-ups are below.
Playing in International Feature Competition are: The Beasts (Sp-Fr), Rodrigo Sorogoyen, US premiere; Before,...
- 9/16/2022
- by Jeremy Kay
- ScreenDaily
Indonesian thriller ‘Autobiography’ and Mexican documentary ‘Sanson And Me’ among line-up.
Australia’s Adelaide Film Festival (Oct 19-30) has unveiled its first line-up since shifting from a biennial to an annual event, including 12 titles in competition.
This year’s event comprises 129 films, of which 22 world premieres, from more than 40 countries.
The competition features include Indonesian thriller Autobiography, which scooped a Fipresci prize at the weekend after playing in the Horizons strand of the Venice Film Festival. The debut feature of film critic-turned-director Makbul Mubarak is about a young man who keeps house for a retired general, finding himself torn between...
Australia’s Adelaide Film Festival (Oct 19-30) has unveiled its first line-up since shifting from a biennial to an annual event, including 12 titles in competition.
This year’s event comprises 129 films, of which 22 world premieres, from more than 40 countries.
The competition features include Indonesian thriller Autobiography, which scooped a Fipresci prize at the weekend after playing in the Horizons strand of the Venice Film Festival. The debut feature of film critic-turned-director Makbul Mubarak is about a young man who keeps house for a retired general, finding himself torn between...
- 9/12/2022
- by Sandy George
- ScreenDaily
The festival runs July 21-31.
Alexandru Belc’s Metronom has picked up the award for best international film at the 39th edition of the Jerusalem Film Festival (Jff) this week.
The Romanian film was selected from 11 international titles, which included Park Chan-wook’s Decision To Leave and Mia Hansen-Løve’s One Fine Morning. It centres around a teenage couple spending their last few days together in 1972. Belc also won the best director award when the film played in Cannes’ Un Certain Regard selection earlier this year.
Berlinale managing director Mariette Rissenbeek, Hungarian filmmaker László Nemes and Icelandic director Rúnar Rúnarsson comprised the jury.
Alexandru Belc’s Metronom has picked up the award for best international film at the 39th edition of the Jerusalem Film Festival (Jff) this week.
The Romanian film was selected from 11 international titles, which included Park Chan-wook’s Decision To Leave and Mia Hansen-Løve’s One Fine Morning. It centres around a teenage couple spending their last few days together in 1972. Belc also won the best director award when the film played in Cannes’ Un Certain Regard selection earlier this year.
Berlinale managing director Mariette Rissenbeek, Hungarian filmmaker László Nemes and Icelandic director Rúnar Rúnarsson comprised the jury.
- 7/29/2022
- by Ellie Calnan
- ScreenDaily
It is 1972, in Bucharest. Ceaușescu has been in power for seven years, and the fabric of ordinary life has been steeped long enough in his regime’s corrosively oppressive mandate that it has begun to fray. Yet against this backdrop of gathering gloom, bright, fresh first love is blossoming. This is already a fertile setup for an atmospheric, doomed romance, but Alexandru Belc’s slow, stylish, richly imagined feature debut is much more than a Romanian riff on Romeo and Juliet. A metronome keeps time for musicians; “Metronom” describes how insidiously even the young — those most inclined toward rebellion and optimistic self-expression in any society — can be made to fall in step with authoritarianism’s joyless, frogmarching beat.
With this story of individual relationships stressed by systemic fearmongering, writer-director Belc — who previously worked with Cristian Mungiu and Corneliu Porumboiu, and picked up the directing award in this year’s Un...
With this story of individual relationships stressed by systemic fearmongering, writer-director Belc — who previously worked with Cristian Mungiu and Corneliu Porumboiu, and picked up the directing award in this year’s Un...
- 5/30/2022
- by Jessica Kiang
- Variety Film + TV
Other prize winners in the section include Joyland, Metronom and Mediterranean Fever.
The Worst Ones, from French directors Lise Akoka and Romane Gueret, has won the top prize in the Un Certain Regard section of this year’s Cannes Film Festival.
Also awarded honours by the section’s jury were Joyland, Metronom and Mediterranean Fever.
The Worst Ones (Les Pires) is the debut feature from Akoka and Gueret, who also wrote the script with Elénore Gurrey. The story of a group of young people recruited for a film shoot, the film was produced by Frédéric Jouve and Marine Alaric for Les Films Velvet.
The Worst Ones, from French directors Lise Akoka and Romane Gueret, has won the top prize in the Un Certain Regard section of this year’s Cannes Film Festival.
Also awarded honours by the section’s jury were Joyland, Metronom and Mediterranean Fever.
The Worst Ones (Les Pires) is the debut feature from Akoka and Gueret, who also wrote the script with Elénore Gurrey. The story of a group of young people recruited for a film shoot, the film was produced by Frédéric Jouve and Marine Alaric for Les Films Velvet.
- 5/27/2022
- by John Hazelton
- ScreenDaily
The Cannes Film Festival’s Un Certain Regard sidebar handed out its prizes tonight with top honors going to Lise Akoka and Romane Gueret’s The Worst Ones (Les Pires). The Jury Prize was awarded to Saim Sadig’s Joyland, the first Pakistani movie ever in official selection at Cannes.
The Worst Ones is a drama about a film within a film that sees a crew hit a working class French town. Deadline’s review said it hit “with thought-provoking and sometimes darkly funny results.”
Joyland for its part, centers on a married man who falls for a trans woman. Deadline called it an “atmospheric” title that “explores a whole family, presenting a picture of a clan torn between modernity and tradition in contemporary Lahore.”
Meanwhile, as had been expected, Vicky Krieps took the Best Actor award for her performance in Marie Kreutzer’s Corsage. She shared the honor with Adam Bessa from Harka.
The Worst Ones is a drama about a film within a film that sees a crew hit a working class French town. Deadline’s review said it hit “with thought-provoking and sometimes darkly funny results.”
Joyland for its part, centers on a married man who falls for a trans woman. Deadline called it an “atmospheric” title that “explores a whole family, presenting a picture of a clan torn between modernity and tradition in contemporary Lahore.”
Meanwhile, as had been expected, Vicky Krieps took the Best Actor award for her performance in Marie Kreutzer’s Corsage. She shared the honor with Adam Bessa from Harka.
- 5/27/2022
- by Nancy Tartaglione
- Deadline Film + TV
With the Cannes Film Festival wrapping up, the awards portion of the world’s most prestigious film festival is officially underway. While fans will have to wait until tomorrow to see the festival’s main jury award its top prizes, including the Palme d’Or, the winners in the Un Certain Regard category have been announced. Italian actress and director Valeria Golino oversaw the jury for Un Certain Regard, which runs parallel to the Main Competition and awards films with particularly unique styles or points of view. And even by the category’s bold standards, some of this year’s winners were likely surprising to the festival’s attendees.
“The Worst Ones,” Lise Akoka and Romane Gueret’s French movie about a film crew shooting in a working-class town, took the top prize, while “Joyland,” Saim Sadiq’s Pakistani transgender love story, won the Jury Prize. Alexandru Belc won Best Director for “Metronom,...
“The Worst Ones,” Lise Akoka and Romane Gueret’s French movie about a film crew shooting in a working-class town, took the top prize, while “Joyland,” Saim Sadiq’s Pakistani transgender love story, won the Jury Prize. Alexandru Belc won Best Director for “Metronom,...
- 5/27/2022
- by Christian Zilko
- Indiewire
Predicting winners is always a fool’s errand in the Un Certain Regard section (the second-most prestigious competition of the Cannes Film Festival) and so it proved tonight, as the little-heralded French entry “The Worst Ones” (“Les Pires”), a debut feature from female directing duo Lise Akoka and Romane Gueret, was handed the top prize by jury president Valeria Golino — one of four first films to be recognized at the ceremony.
A playful film-within-a-film about the challenges and perils of street casting — following a film crew seeking out local non-professional actors for a shoot in a working-class French town — “The Worst Ones” surged past a number of buzzier critical favorites and hot distribution prospects to claim the award.
It’s the second consecutive female-directed feature to be named best in show: last year’s Prix Un Certain Regard went to Russian director Kira Kovalenko’s gritty coming-of-age drama “Unclenching the Fists.
A playful film-within-a-film about the challenges and perils of street casting — following a film crew seeking out local non-professional actors for a shoot in a working-class French town — “The Worst Ones” surged past a number of buzzier critical favorites and hot distribution prospects to claim the award.
It’s the second consecutive female-directed feature to be named best in show: last year’s Prix Un Certain Regard went to Russian director Kira Kovalenko’s gritty coming-of-age drama “Unclenching the Fists.
- 5/27/2022
- by Guy Lodge
- Variety Film + TV
Yesterday we took a look at Nicholas Bell’s top 5 most anticipated films for Cannes 2022. Now it’s my turn.
Competition:
R.M.N.
He usually takes about a half decade between features and so this longer than normal gestation period since 2016’s Graduation is nothing to be too concerned about. Recently picked up by the IFC Films folks, Cristian Mungiu commenced shooting on his fifth feature film in late 2022. We can expect more cerebral film realism cinema from this master filmmaker — who reteams with cinematographer Tudor Vladimir Panduru (who also has another film in Cannes with Metronom). His fifth feature film appears to be a tale about unchecked or unresolved feelings raising to the surface — amped up by small village conflict that disrupts the fragile eco-system.…...
Competition:
R.M.N.
He usually takes about a half decade between features and so this longer than normal gestation period since 2016’s Graduation is nothing to be too concerned about. Recently picked up by the IFC Films folks, Cristian Mungiu commenced shooting on his fifth feature film in late 2022. We can expect more cerebral film realism cinema from this master filmmaker — who reteams with cinematographer Tudor Vladimir Panduru (who also has another film in Cannes with Metronom). His fifth feature film appears to be a tale about unchecked or unresolved feelings raising to the surface — amped up by small village conflict that disrupts the fragile eco-system.…...
- 5/18/2022
- by Eric Lavallée
- IONCINEMA.com
Rays of promotional sunshine will highlight 46 European finished and unfinished films at this year’s Marché du Film at the Cannes Film Festival (17–28 May 2022).
‘Triangle of Sadness’ by Ruben Östlund (Sweden, France, Germany, UK/ Coproduction Office)
21 international sales agents are drawing on Film Sales Support (Fss) - totalling €78,000 - to bolster and innovate promotion and marketing campaigns of brand-new films to trigger sales to countries outside of Europe at one of the most prestigious markets of the year. Overseas buyers on-site and off-site will have the fortune to catch sight of a number of new films from Europe premiering at the Croisette.
Amongst the many to be discovered at the Marché are Competition titles, Pacifiction by Albert Serra (Spain, Portugal, Germany/Films Boutique,France), Triangle of Sadness by Ruben Östlund (Sweden, France, Germany, UK/Coproduction Office), Boy from Heaven by Tarik Saleh (Sweden, France, Finland, Denmark/Memento International), Un Certain Regard titles, Metronom by Alexandru Belc (Romania, France/Pyramide International) and Rodeo by Lola Quivoron (France/Les Films du Losange) as well as films in Directors’ Fortnight, Will-o'-the-wisp by Joao Pedro Rodrigues (Portugal, France/ Films Boutique,Germany) and The Super 8 Years by Annie Ernaux & David Ernaux-Briot (France/Totem Films).
For the first time, Fss will also be awarded to a Ukrainian film in solidarity with the country. Indie Sales is the happy recpient for its film Pamfir by Ukrainian director, Dmytro Sukholytkyy-Sobchuk, a multi-coproduction between the Ukraine, Poland, France, Germany, Chile and Luxembourg. By a lucky twist, 3 of Efp’s Producers on the Move and their films will benefit from the support indirectly: Sick of Myself by Kristoffer Borgli (producer Andrea Berentsen Ottmar from Norway/Memento International), The Woodcutter Story by Mikko Myllylahti (producer Derk-Jan Warrink from the Netherlands) and Tel Aviv Beirut by Michale Boganim (producer Janine Teerling from Cyprus/Wt Films).
13 European films in the companies’ line-ups are yet unfinished but ready to be announced and promoted.
**Click here for the full list**
Thanks to Swiss Films, 4 films from Switzerland will similarly receive Fss for the promotion in Cannes: Men Caves by Céline Pernet (Lightdox), Continental Drift by Lionel Baier (Switzerland, France/ Les Films du Losange), 99 Moons by Jan Gassmann (m-appeal world sales) and The Black Spider by Markus Fischer (Switzerland, Hungary/The Playmaker Munich).
Fss is supported by Creative Europe Media and part of Efp’s (European Film Promotion) many activities for the promotion of European films and talent around the world.
get in touch with °efp
Efp European Film Promotion
info@efp-online.com
www.efp-online.com
Efp (European Film Promotion) is an international network of film promotion institutes from 37 countries from throughout Europe, each representing their national films and talent abroad. Under the Efp flag, these organisations team up to jointly promote the diversity and spirit of European films and talent at key film festivals and markets, in particular outside of Europe.
‘Triangle of Sadness’ by Ruben Östlund (Sweden, France, Germany, UK/ Coproduction Office)
21 international sales agents are drawing on Film Sales Support (Fss) - totalling €78,000 - to bolster and innovate promotion and marketing campaigns of brand-new films to trigger sales to countries outside of Europe at one of the most prestigious markets of the year. Overseas buyers on-site and off-site will have the fortune to catch sight of a number of new films from Europe premiering at the Croisette.
Amongst the many to be discovered at the Marché are Competition titles, Pacifiction by Albert Serra (Spain, Portugal, Germany/Films Boutique,France), Triangle of Sadness by Ruben Östlund (Sweden, France, Germany, UK/Coproduction Office), Boy from Heaven by Tarik Saleh (Sweden, France, Finland, Denmark/Memento International), Un Certain Regard titles, Metronom by Alexandru Belc (Romania, France/Pyramide International) and Rodeo by Lola Quivoron (France/Les Films du Losange) as well as films in Directors’ Fortnight, Will-o'-the-wisp by Joao Pedro Rodrigues (Portugal, France/ Films Boutique,Germany) and The Super 8 Years by Annie Ernaux & David Ernaux-Briot (France/Totem Films).
For the first time, Fss will also be awarded to a Ukrainian film in solidarity with the country. Indie Sales is the happy recpient for its film Pamfir by Ukrainian director, Dmytro Sukholytkyy-Sobchuk, a multi-coproduction between the Ukraine, Poland, France, Germany, Chile and Luxembourg. By a lucky twist, 3 of Efp’s Producers on the Move and their films will benefit from the support indirectly: Sick of Myself by Kristoffer Borgli (producer Andrea Berentsen Ottmar from Norway/Memento International), The Woodcutter Story by Mikko Myllylahti (producer Derk-Jan Warrink from the Netherlands) and Tel Aviv Beirut by Michale Boganim (producer Janine Teerling from Cyprus/Wt Films).
13 European films in the companies’ line-ups are yet unfinished but ready to be announced and promoted.
**Click here for the full list**
Thanks to Swiss Films, 4 films from Switzerland will similarly receive Fss for the promotion in Cannes: Men Caves by Céline Pernet (Lightdox), Continental Drift by Lionel Baier (Switzerland, France/ Les Films du Losange), 99 Moons by Jan Gassmann (m-appeal world sales) and The Black Spider by Markus Fischer (Switzerland, Hungary/The Playmaker Munich).
Fss is supported by Creative Europe Media and part of Efp’s (European Film Promotion) many activities for the promotion of European films and talent around the world.
get in touch with °efp
Efp European Film Promotion
info@efp-online.com
www.efp-online.com
Efp (European Film Promotion) is an international network of film promotion institutes from 37 countries from throughout Europe, each representing their national films and talent abroad. Under the Efp flag, these organisations team up to jointly promote the diversity and spirit of European films and talent at key film festivals and markets, in particular outside of Europe.
- 5/18/2022
- by Sydney
- Sydney's Buzz
Distributor adds to its haul of official selection titles from the Croisette.
Benelux distributor Cinéart has added a trio of Competition titles to its Cannes haul: Ali Abbasi’s Holy Spider from Wild Bunch, Park Chan-Wook’s Decision To Leave from Cj Entertainment, and Tarik Saleh’s Boy From Heaven from Memento.
The Brussels-based outfit came to Cannes with Competition title Tori And Lokita, directed by Jean-Pierre Dardenne and Luc Dardenne
From Un Certain Regard, Cinéart has Maryam Touzani’s The Blue Caftan from Films Boutique, and Patricio Guzmán’s doc My Imaginary Country, a Special Screening, from Pyramide.
Fellow...
Benelux distributor Cinéart has added a trio of Competition titles to its Cannes haul: Ali Abbasi’s Holy Spider from Wild Bunch, Park Chan-Wook’s Decision To Leave from Cj Entertainment, and Tarik Saleh’s Boy From Heaven from Memento.
The Brussels-based outfit came to Cannes with Competition title Tori And Lokita, directed by Jean-Pierre Dardenne and Luc Dardenne
From Un Certain Regard, Cinéart has Maryam Touzani’s The Blue Caftan from Films Boutique, and Patricio Guzmán’s doc My Imaginary Country, a Special Screening, from Pyramide.
Fellow...
- 5/18/2022
- by Geoffrey Macnab
- ScreenDaily
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