| Photos (Voir toutes les 3 | Diaporama) | Videos (see all 10 NOUVEAU) |
| Steve Evets | ... | Eric Bishop | |
| Eric Cantona | ... | Eric | |
| Stephanie Bishop | ... | Lily | |
| Gerard Kearns | ... | Ryan | |
| Stefan Gumbs | ... | Jess | |
| Lucy-Jo Hudson | ... | Sam | |
| Cole Williams | ... | Daisy | |
| Dylan Williams | ... | Daisy | |
| Matthew McNulty | ... | Young Eric | |
| Laura Ainsworth | ... | Young Lily | |
| Max Beesley | ... | Eric's Father (as Maxton Beesley) | |
| Kelly Bowland | ... | Ryan's Girlfriend | |
| Julie Brown | ... | Nurse | |
| John Henshaw | ... | Meatballs | |
| Justin Moorhouse | ... | Spleen | |
| Des Sharples | ... | Jack | |
| Greg Cook | ... | Monk | |
| Mick Ferry | ... | Judge | |
| Smug Roberts | ... | Smug | |
| Johnny Travis | ... | Travis | |
| Steve Marsh | ... | Zac | |
| Cleveland Campbell | ... | Buzz | |
| Ryan Pope | ... | Fenner | |
| reste de la distribution par ordre alphabétique: | |||
| Ciaran Clancy | ... | Jess's Mate | |
| Adam Beresford | ... | Postman (uncredited) | |
Réalisé par | |||
| Ken Loach | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Paul Laverty | screenplay | |
Produit par | |||
| Tim Cole | .... | line producer | |
| Rebecca O'Brien | .... | producer | |
Image | |||
| Barry Ackroyd | |||
Distribution des rôles | |||
| Kahleen Crawford | |||
Création des décors | |||
| Fergus Clegg | |||
Direction artistique | |||
| Julie Ann Horan | |||
Assistant réalisateur | |||
| Julie Heskin | .... | third assistant director | |
Département Art | |||
| Anita Gupta | .... | production buyer | |
| Nicholas Henderson | .... | assistant art director | |
| Colin Mutch | .... | property master | |
| Mark Reynolds | .... | props | |
| Anthony Rutter | .... | stand-by props | |
| Danny Sumsion | .... | construction manager | |
Technicien du son | |||
| Ray Beckett | .... | sound mixer | |
| Ben Brazier | .... | dialogue editor | |
| Kevin Brazier | .... | supervising sound editor | |
| Robert Brazier | .... | sound editor | |
| Ben Collinson | .... | sound assist | |
| James Doyle | .... | sound re-recording mixer | |
| Sue Harding | .... | foley artist | |
| Ian Tapp | .... | sound re-recording mixer | |
| Rowena Wilkinson | .... | foley artist | |
Cascadeur | |||
| Paul Heasman | .... | stunt coordinator | |
Caméra et Département Electrique | |||
| David Ashby | .... | grip | |
| Lee Howarth | .... | stand-by rigger | |
| Joachim Philippe | .... | second assistant camera | |
| Laurent VanEijs | .... | electrician | |
Département Costume et garde-Robe | |||
| Nicky Barron | .... | wardrobe assistant | |
Dpartement Editorial | |||
| Mark Wright | .... | negative cutter | |
Département Musique | |||
| Isobel Griffiths | .... | orchestra contractor | |
| Steve Price | .... | music recording engineer | |
Divers | |||
| Ella Brookes | .... | production assistant | |
| Chris Cavanagh | .... | additional floor runner | |
| Eimhear McMahon | .... | production coordinator | |
| Tina Shadick | .... | production accountant | |
| Emma Woodcock | .... | location manager | |
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| Bend It Like Beckham | Cry-Baby | Across the Universe | 8½ | Joyeux Noël |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Comedie section | IMDb UK section | Add this title to MyMovies |
Man Utd fans will obviously love this and I'm not a Utd fan. However i have to say this is the most entertaining film of Ken Loach's since Bread & Roses nearly a decade ago. It has a good story and is realistically acted by a cast of unknowns and semi-familiar faces. For a film about a legendary and iconic footballer it doesn't ram football down the throats of the non-fans. What the film does do is bring up just how important football is for many people, the way it can unite and connect them in a way that has otherwise disappeared in Britain.
I won't give any of the story away but this film drags you down to a point where you wonder how the protagonist will get out of a very dire dilemma. Yet the ending is so well written you are guaranteed to come out of the cinema smiling at the way just desserts are dished out. The film is brutal in places and the language strong yet the excellent acting keeps it watchable and Monsieur Cantona himself seems very comfortable in front of a film camera (although sometimes his accent makes his dialog a little hard to understand). Cantona plays with his image wonderfully, being both self important and yet always likable and sometimes quite happy to deflate his own ego, being respectful about how lucky he was to have had such a memorable and legendary career without ever being truly arrogant (a fact a certain Mr C Ronaldo could do well to absorb) and acknowledging the role of the fans in his career. Lets put it another way, King Eric will always be remembered and respected in this country by all supporters for his great ability and the respect he had for the game and his club. Ronaldo will just be remembered as a talented but greedy young man who left probably the biggest club in the world for a larger pay packet.
Its difficult for me to say any more without giving away the plot but lets just say this is a film about never giving up hope when all seems lost because sometimes help will come from the most unexpected sources.