Horror is really the only genre that has entries that, while “good,” may not necessarily mean “recommended.” So, how does that affect what is “definitive?” A recent conversation brought up the nightmare of a movie A Serbian Film (great review here from Justine) which, by all accounts, is a horror film. But, while everyone in film circles knows about the film (many have even seen it), I can’t imagine anyone actually recommending it. It’s made impact, sure. But at what cost? The best horror films aren’t simply there to scare and disgust viewers. They’re there to serve as metaphors for other issues, however big or small. But the best ones are those that do it in a way that, while still may scare and disgust you, will also make you think and reevaluate your situation.
40. À l’intérieur (2007)
English Title: Inside
Directed by: Alexandre Bustillo, Julien Maury...
40. À l’intérieur (2007)
English Title: Inside
Directed by: Alexandre Bustillo, Julien Maury...
- 7/12/2014
- by Joshua Gaul
- SoundOnSight
Villains are an essential part of genre cinema. Though scores of filmmakers have attempted to create truly great villains throughout the history of film, only a few have succeeded in achieving this difficult goal.
This article will take a look at the great film villains of the 2000’s.
The criteria for this article is the same as my previous articles Cinema’s Greatest Villains: The 1970’s, Cinema’s Greatest Villains: The 1980’s and Cinema’s Greatest Villains: The 1990’s: the villains must be from live-action films only, and must pose some type of direct or indirect lethal threat. The villains can be either individuals or small groups that act as one unit. The villains must be human or human in appearance. Also, individuals who are the central protagonists/antiheroes of their respective films were excluded.
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Ben Kingsley as Don Logan in Sexy Beast (Jonathan Glazer, 2000): Kingsley rightfully received an...
This article will take a look at the great film villains of the 2000’s.
The criteria for this article is the same as my previous articles Cinema’s Greatest Villains: The 1970’s, Cinema’s Greatest Villains: The 1980’s and Cinema’s Greatest Villains: The 1990’s: the villains must be from live-action films only, and must pose some type of direct or indirect lethal threat. The villains can be either individuals or small groups that act as one unit. The villains must be human or human in appearance. Also, individuals who are the central protagonists/antiheroes of their respective films were excluded.
****
Ben Kingsley as Don Logan in Sexy Beast (Jonathan Glazer, 2000): Kingsley rightfully received an...
- 8/29/2013
- by Terek Puckett
- SoundOnSight
DVD Playhouse: May 2011
By
Allen Gardner
Blow Out (Criterion) Brian De Palma’s greatest Hitchcock homage, with a dash of Antonioni thrown in for good measure. John Travolta gives one of his best turns as a sound-effects engineer who unwittingly records a political assassination, then finds himself hunted by a ruthless hitman (John Lithgow, a memorably creepy psycho) after saving the life of the kindly, albeit dim-witted call girl (Nancy Allen, excellent) who was with the deceased. Terrific blend of suspense and very black humor, perhaps De Palma’s finest hour as an auteur. Beautifully shot by Vilmos Zsigmond. Also available on Blu-ray disc. Bonuses: Interviews with De Palma, Allen, cameraman Garrett Brown; Photo gallery; De Palma’s 1967 feature Murder a la Mod; Trailer. Widescreen. Dolby and DTS-hd 2.0 surround.
Kes (Criterion) Ken Loach’s landmark 1970 film is both a heart-rending portrait of adolescence, and a pointed socio-political commentary on life in the North of England.
By
Allen Gardner
Blow Out (Criterion) Brian De Palma’s greatest Hitchcock homage, with a dash of Antonioni thrown in for good measure. John Travolta gives one of his best turns as a sound-effects engineer who unwittingly records a political assassination, then finds himself hunted by a ruthless hitman (John Lithgow, a memorably creepy psycho) after saving the life of the kindly, albeit dim-witted call girl (Nancy Allen, excellent) who was with the deceased. Terrific blend of suspense and very black humor, perhaps De Palma’s finest hour as an auteur. Beautifully shot by Vilmos Zsigmond. Also available on Blu-ray disc. Bonuses: Interviews with De Palma, Allen, cameraman Garrett Brown; Photo gallery; De Palma’s 1967 feature Murder a la Mod; Trailer. Widescreen. Dolby and DTS-hd 2.0 surround.
Kes (Criterion) Ken Loach’s landmark 1970 film is both a heart-rending portrait of adolescence, and a pointed socio-political commentary on life in the North of England.
- 5/9/2011
- by The Hollywood Interview.com
- The Hollywood Interview
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