CinemaIn ‘Natchathiram Nagargiradhu’, Pa Ranjith has shredded the plot and characters of ‘Minsara Kanavu’ to derive a more assertive narrative about love.It has been one year since Natchathiram Nagargiradhu released in cinemas worldwide. While some have enthusiastically appreciated Pa Ranjith’s attempt at addressing a range of contemporary socio-political topics, others have called it an experiment gone sour. Most commentators, however, agree that this movie saw the filmmaker flexing a novel story-telling muscle to communicate abstract yet progressive ideas. There is one fine detail that most reviewers and critics seem to have missed. Natchathiram Nagargiradhu has not emerged from a blank canvas. Instead, it artfully continues a conversation that was set in motion long ago. In the groundbreaking BBC docu series Ways of Seeing (1972), Marxist art critic John Berger says, “Remember that I am controlling and using for my own purposes the means of reproduction needed for these programmes … As with all programmes,...
- 8/31/2023
- by AjayR
- The News Minute
At the height of Umberto Eco’s popularity, it may have been tempting to dismiss the Italian scholar and novelist as too representative of his own time, a purveyor of entertainments for hip intellectuals with a poststructuralist bent. His obsessions with semiotics and fakes, conspiracy theories and heretical Christian sects of the late Middle Ages, seemed quirky, meta, and all in good fun. But in the years since his death in 2016, they’ve turned out to be uncannily prescient, as Davide Ferrario’s Umberto Eco: A Library of the World aims to prove.
This biographical documentary isn’t a peek behind the curtain into a public intellectual’s private life. Rather, it’s a reframing of the preoccupations of a thinker who’s no longer very fashionable. In the process, it becomes a timely epistemological rumination on the difference between knowledge and information, the relationship between memory and technology.
In...
This biographical documentary isn’t a peek behind the curtain into a public intellectual’s private life. Rather, it’s a reframing of the preoccupations of a thinker who’s no longer very fashionable. In the process, it becomes a timely epistemological rumination on the difference between knowledge and information, the relationship between memory and technology.
In...
- 6/25/2023
- by William Repass
- Slant Magazine
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