Fais-moi plaisir! (2009)

Note Générale:

7,5/10   

Réalisateur:

Emmanuel Mouret

Scénariste:

Emmanuel Mouret (screenplay)

Date de sortie:

24 juin 2009 (Belgium)

Genre:

Comedie

Plot Keywords:

Imperative In Title | Digicode | Reading In Bed | Apartment | Underpass

Avis des utilisateurs:

Kissing in Parisian boudoirs, Mouret's latest comedy

Ensemble

Emmanuel Mouret	...	Jean-Jacques
Judith Godrèche	...	Elisabeth
Déborah François	...	Aneth
Frédérique Bel	...	Ariane
Jacques Weber	...	Le père d'Elisabeth
Dany Brillant	...	Rudolph
Mikaël Gaudin-Lech	...	Grégoire
Frédéric Epaud	...	Le séducteur (as Fred Epaud)
Frédéric Niedermayer	...	Jean-Paul
Karine Ventalon	...	La femme du train
Olivier Galfione	...	Thomas
Jean-François Fagour	...	Le vigile
Yongsou Cho	...	L'ambassadeur (as Young Soo Cho)
Akihiko Nishida	...	Le ministre des Affaires Etrangères (as Akihiro Nishida)
Philippe Sol	...	Franck
Teresa Ovídio	...	Invitée canapé
Zara Prassinot	...	Soeur Aneth 1
Laura Boujenah	...	Soeur Aneth 2
Audrey DeWilder	...	Soeur Aneth 3 (as Audrey Dewilder)
Juliet Lemonnier	...	Soeur Aneth 4
Hélène Milano	...	La policière
Aurélie Bouix	...	Marianne

Réalisé par
Emmanuel Mouret

Scénaristes (dans l'ordre alphabétique)
Emmanuel Mouret		screenplay

Produit par
Philippe Martin	....	co-producer
Frédéric Niedermayer	....	producer

Image
Laurent Desmet

Montage
Martial Salomon

Distribution des rôles
Aurélie Bouix
Asaka Furukata		(as Asako Furukata)

Création des décors
David Faivre

Création des costumes
Marie-Laure Pinsard

Maquillage
François André	....	hairstylist: Jacques Weber
Olivia Carron	....	makeup artist
Sylvy Ferrus	....	key makeup artist
Rachel Levieux	....	key hair stylist

Directeur de production
Yann Aïm	....	trainee unit manager
Audrey Amann	....	unit manager
Aurélia De Sambi	....	assistant unit manager
Benoît De Sambi	....	trainee unit manager
Thomas de Sambi	....	assistant unit manager
Tania El Khoury	....	post-production supervisor
Fanny Gauchery	....	unit production manager
Gaëtane Josse	....	production manager
Philippe Le Forestier	....	trainee unit manager
Mahdi Luizza	....	trainee unit manager
Adrien Mendoza	....	trainee unit manager
Clara Tran Dinh	....	assistant unit manager
Vincent Trémel	....	trainee unit manager
Thierry Trion	....	assistant unit manager

Assistant réalisateur
Michael Berreby	....	second assistant director (as Michaël Berreby)
Hélène Serra	....	trainee assistant director
Pierrick Vautier	....	first assistant director

Département Art
Pauline Janand	....	assistant art director
Elodie Juvin	....	painter
Thomas Kramkimel	....	carpenter
Claire Massard	....	first assistant production designer
Anne-Karin Mordos	....	set dresser (as Anne-Karine Faivre-Mordos)
Thibaud Ponce	....	assistant art director
Samuel Raimondi	....	set builder
Christian Roudil	....	property master
Isabelle Vellard	....	chief painter

Technicien du son
Annabel Acquaviva	....	sound assistant
Ludovic Delzenne	....	recordist
Geraldine Falieu	....	dialogue editor
Maxime Gavaudan	....	sound
Eric Grattepain	....	foley artist
Séverine Laumesfeld	....	recordist
François Méreu	....	sound editor
Mélissa Petitjean	....	sound mixer
Matthieu Sibony	....	supervising sound editor
Florian Thiebaux	....	recordist

Cascadeur
Dominique Fouassier	....	stunts

Caméra et Département Electrique
Carole Ardoin	....	third assistant camera
Olivier Billard	....	gaffer
Cécile Bodenes	....	first assistant camera
Camille Bonin	....	grip
Michael Jean Bretones	....	gaffer
Arthuis Cécile	....	second assistant camera
Arthur Chamaillard	....	grip
Pascal Chantier	....	still photographer
Etienne Cohet	....	grip
Sébastien Courtain	....	gaffer
Joseph Emiélot	....	grip (as Joseph Emeliot)
Pierre Emily	....	key grip
Eric Fontenelle	....	grip
Didier Larate	....	gaffer (as Didier Laratte)
Guillaume Leturgie	....	gaffer
Claire Nicol	....	still photographer
Olivier Rodriguez	....	gaffer
Olivier Rodriguez	....	grip
Olivier Sargatal	....	electrician

Département Costume et garde-Robe
Virginie Petit	....	costumer

Dpartement Editorial
Gwenaëlle Hubert	....	assistant editor (as Gwen Hubert)
Aurélie Laumont	....	color timer

Divers
Arnaud Bigeard	....	making-of director
Mathieu Laemlé	....	location scout (as Matthieu Laemle)
Marjorie Marramaque	....	location scout
Edith Roux	....	location scout

Companies de production

• Moby Dick Films
• Les Films Pelléas (co-production)
• Banque Postale Image 2 (in association with)
• Canal+ (participation)
• CinéCinéma (participation)
• Région Ile-de-France (support)

Distributeurs

• Archibald (2009) (Italy) (all media)
• Golem Distribución (2009) (Spain) (all media)
• Pyramide Distribution (2009) (France) (all media)

Durée:

90 min

Pays:

France

Langue:

Français

Couleur:

Couleur

Rapport de forme:

1,85 : 1

Son:

Dolby Digital

Lieux de tournage:

Palais de l'Elysée, Rue du Faubourg Saint-Honoré, Paris, France

Société:

Moby Dick Films

Kissing in Parisian boudoirs, Mouret's latest comedy

Jean-Jacques (Emmanuel Mouret himself) and Ariane (Frédèrique Bel) live together happily in their playful world, till the day Jean-Jacques admits to have met another woman. Although he tries to tell her otherwise, Ariane is convinced that he desires this other woman, Elisabeth. With the impending risk of having their relationship end over this supposed desire, she tells him to give in to temptation to quench his desire. Although not wholeheartedly convinced himself, Jean-Jacques none the less goes out to meet the mysterious Elisabeth. It turns out to be a very eventful evening.

Emmanuel Mouret is rapidly establishing himself as a modern master of comedy, theatrical-style, even if he is still perfecting his art. "Fais-Moi Plaisir" stands clearly in line with his previous comedies of "Changement d'adresse" and "Un baisir s'il vous plait", and hopefully not the last either! It is a pity to ruin the thread of unfolding events which take you from one sketch to another, but perhaps an illustration of a -here Jacques Tati style humour- scene:

When Jean-Jacques arrives at Elisabeth's front door, he takes out a piece of paper on which he had written her doorcode and starts punch it in. And it continues… being long enough to be the international phone number of someone in central India. But the door opens. He steps into the hall and into an elevator. Jean-Jacques quickly notices that there are no buttons. Even before the confusion can settle, he hears a voice bidding him welcome into the elevator, and asking him which floor he would like to go to. He replies: "4". The elevator voice asks him to repeat which floor he would like to go to. He says "Eh, fourth floor". The elevator again says that is does not understand, and asks him to repeat. Jean Jacques says: "I'd like to go to the fourth floor… please" and the doors close…

As Jean-Jacques charms all the beautiful ladies surrounding him, we too are swept along through the romantic dreamy world of wide-eyed starlets in hidden corners till our brutal awakening back to earth: the ending. While in itself unremarkable, it still comes along as floodlights in the night. It is a curiosity to leave a comedy unsettled, but the ending is out of character with the film. A blemish on a creative and humorous achievement… but watch it none the less...