"Inspector Lewis" The Dead of Winter (TV Episode 2010) Poster

(TV Series)

(2010)

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9/10
Hathaway takes the lead
Tweekums4 May 2010
This episode opened with two apparently unconnected incidents; first somebody is wounded when shot by a musket during a re-enactment of a civil war skirmish and secondly a man is found dead on a tour bus and the body may have been put there while people were watching the re-enactment. It turns out that the bus had stopped at the stately home where the enactment took place. Matters are made more interesting when it emerges that Sgt. Hathaway grew up on the estate and knows many of the suspects. There are many possible motives ranging from sexual jealousy to buried treasure.

The story went along as a fairly slow pace but I don't think this mattered as it gave us a chance to get to know the characters better, especially Sgt. Hathaway who took the lead in this episode and gets rather close to Scarlett, his childhood friend and daughter of the estate's owner. The acting was good, from both regular and guest characters. Often murder mysteries ignore the consequences of death but here they didn't gloss over it when a teenager lost her father and was effectively orphaned as her mother had disappeared some time before.
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7/10
Continuation of Lewis character
blanche-29 September 2010
Anyone who remembers the great John Thaw as Inspector Morse can recall that magnificent voice of his saying "Lewis" when addressing his mild-mannered partner (Kevin Whately).

There is no bringing back the late Thaw or anything resembling the Inspector Morse series, but the Inspector Lewis series has revived Lewis for those of us who want some connection to Morse.

This is my first foray into the Lewis series. As Lewis was never a flashy character, at least this one, "Dead of Winter" has the focus on his partner, Hathaway. Hathaway (Laurence Fox) is a young and attractive man who here tackles an investigation that leads him into his past.

"Dead of Winter" concerns a shooting during a civil war re-enactment, and a man found dead on a tour bus, both of which lead Hathaway to an estate where he grew up. Therefore, he knows some of the suspects. The story becomes quite complicated, involving buried treasure and other elements - adultery for one.

One thing, true in the Morse series and true in this, is that you have to pay attention. During a Morse episode once, I completely lost track of what was going on and called a friend of mine to ask whodunit. My friend called me back and said, "I not only don't know whodunit, I don't know who was killed." "Dead of Winter" isn't quite that abstract, and the story is pretty good, though I figured some of it out. I liked both the Lewis and Hathaway characters and will definitely look into some other episodes. Worth seeing.
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9/10
Sheer quality.
Sleepin_Dragon13 May 2020
This is a fantastic episode, it's a great mystery, it boasts some wonderful characters, and it's a great story for the crime investigating duo.

I hope I don't upset anyone when I say I adore Lewis, but as a character he's often overshadowed by his charismatic colleague, this however is Lewis at his best, Whateley is outstanding in this particular episode, it's one of his best. A very strong story for Hathaway also, always unlucky in love.

Great guest performances, particularly from Richard Johnson, he's fantastic. Nathaniel Parker does a good line in getting fired at.

Whateley steals the show in this excellent episode. 9/10.
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8/10
Hathaway's Loneliness
Hitchcoc12 February 2018
Sergeant Hathaway is a complex figure. He is so intellectually astute in so many disciplines. He is sensitive and aware. But he must play second fiddle to Lewis and cotton to his needs. Here a love from the past appears and Hathaway tries to rekindle things. But she has secrets and is also engaged and Hathaway is a man of honor. But Scarlett keeps putting the moves on, pulling him back in. She is rich and her nuptials are based on marrying a guy who fits her socioeconomic situation. He can't understand this and Scarlett can't see anything else. But there is blackness below the surface and it will be revealed. So many players carry secrets and the "mere" policeman that Hathaway is could only ever be a plaything.
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8/10
Hathaway crosses the line
safenoe6 October 2020
Warning: Spoilers
It's not just about the murder (as important as it is). It's about the psyche of the detectives, and here Hathaway is front and center as he crosses the line (well, it's implied) by having sex with a person of interest. Wonderful to see Nathaniel Parker, two years after his series Inspector Lynley was unjustifiably axed.

Still, two questions remain after watching this compelling episode. It's not clear who murdered Ralph Grahame. Also, it's unclear how the corpse of Dr Stephen Black was placed on the City Sightseeing Oxford in full view of the driver and passengers.
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8/10
A 'Lewis' episode where Hathaway is the lead
TheLittleSongbird11 June 2017
Hearing about 'Lewis' for the first time when it first started, there was a big touch of excitement seeing as 'Inspector Morse' was and still is one of my favourites but also a little intrepidation, wondering whether the series would be as good. The good news is, like the prequel series 'Endeavour', 'Lewis' is every bit as good as 'Inspector Morse' and stands very well on its own two feet as a detective mystery and show in general.

As said a number of times already, 'Lewis' started off very promising with the pilot and Season 1. It was with Season 2 where 'Lewis' hit its stride with things generally feeling more settled. Season 3 was a more mixed bag, started disappointing "Allegory of Love" (though to me it was not a bad episode), before getting better with "The Quality of Mercy" and finishing well. "The Dead of Winter" is a well done start to Season 4.

My only complaints are some less than tight pacing, even for a deliberately paced episode, and the somewhat rushed and overstuffed ending.

On the other hand, the acting is fine, anchored by Kevin Whately and Laurence Fox. Whately is again very good and carries the episode with aplomb, advantaged by that Lewis is much more developed and as said he has more development. Clare Holman adds a lot. Fox is a breath of fresh air in a great contrasting role that reminds one of a more intelligent Lewis in his younger days and his sparkling sparring chemistry with Whately is a big part of the episode's, and show's, appeal. He is more the lead here, or the more prominent role, and his subplot is interesting and movingly personal.

Production values are of very high quality. It's beautifully shot (some of the best of the show at this point), and Oxford not only looks exquisite but is like a supporting character in itself. Barrington Pheloung returns as composer, and does a first-rate job. The theme tune, while not as iconic or quite as clever as Morse's, is very pleasant to listen to, the episode is charmingly and hauntingly scored and the use of pre-existing music is very well-incorporated.

There is some fun and thought-provoking writing, especially between Lewis and Hathaway, the chemistry between Hathaway and Scarlett is charming too. The support acting is solid.

On the whole, a solid start to Season 4. 8/10 Bethany Cox
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9/10
"You've never seen anything like it"
ny-258-4857524 November 2020
One of my favourite episodes, love the little Brideshead reference at the beginning with Hooper and Hathaway,
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7/10
Involvement with a Suspect Amid Secrets of Crevecourt Hall
WeatherViolet5 September 2010
Warning: Spoilers
In the back-story, Richard Mortmaigne, a wealthy landowner had hidden a treasure upon his Oxford-area estate during the English Civil War (1642–1651). Ever since, no one seems to have uncovered the treasure, but Mortmaigne descendants have sponsored an annual Civil War costume re-enactment upon "the farm," as they call it. This time around, however, a participant is wounded when a perpetrator secretly substitutes live ammunition into the muzzle of a musket.

Meanwhile, after Bus Driver (Alex Knight) discovers a body lying across a seat in his vehicle, he alerts Oxfordshire law enforcement officers.

Detective Inspector Robert Lewis (Kevin Whately) and Doctor Laura Hobson (Clare Holman) respond to the discovery of the victim on the bus, while Detective Sergeant James Hathaway (Laurence Fox) and Detective Constable Hooper (Gerard Horan) respond to the incident at Crevecourt Hall, a.k.a. the Mortmaigne estate, or "the farm." Chief Superintendent Innocent (Rebecca Front) oversees the investigations, as additional bodies begin to surface.

Detective Constable Hooper, referred to as "D.C. Hopper," has neither a very strong rapport with Hathaway nor Lewis, who addresses him as "small in mind and big in mouth." Inspector Lewis' investigation of a Doctor Stephen Black (no actor credited), an Oxford History Professor, leads him to develop an amicable acquaintance with Black's associate, Frances Woodville (Stella Gonet), a fellow Oxford History Instructor, who had left a return call message for Stephen.

Lewis discovers that Black borrowed Professor Woodville's research material to earn his Doctorate, while Doctor Hobson discovers that the bus victim has been bludgeoned with a candlestick, before Sergeant Hathaway discovers the candlestick wrapped within a current newspaper and hidden in a sack in the Chapel at Crevecourt Hall.

Residents at Crevecourt Hall include Augustus Mortmaigne (Richard Johnson), a former banker, who has lost much of his wealth after the financial economy falters; Selina Mortmaigne (Juliet Aubrey), Augustus' gracious young wife; Scarlett Mortmaigne (Camilla Arfwedson), Augustus' daughter by his late wife; and Titus Mortmaigne (Jonathan Bailey), Selina and Augusts' young adult son. Philip Coleman (Nathaniel Parker), addressed as "Colonel," a nephew of Mr. Mortmaign, was born to Augustus' sister.

Ralph Grahame (Jonty Stephens) serves as Crevecourt Hall Stage Manager and organizes the re-enactment; Briony Grahame (Georgia Groome), Ralph's daughter, serves as loyal Crevecourt Hall maid and shares an interest with Titus. Paul Hopkiss (Pip Carter), serves as loyal butler at Crevecourt Hall. Father Jasper (Hugh O'Conor), a Jesuit Priest, serves as Chaplain of the Crevecourt Hall premises. Professor Pelham (Guy Henry), an Oxford Art Historian, has been hired by Augustus to uncover additions to an oil painting from the Mortmaigne collection.

Tarek Shimali (Richard Saade), the son of a Lebanese banker, and fiancé of Scarlett Mortmaigne, arrives at Crevecourt Hall for their engagement celebration, with his parents, Sariah and Dior Shimali (each uncredited).

While residents and staff maintain many secrets, James Hathaway also has a past at Crevecourt Hall, for his father had served as Stage Manager, and so James had resided at the estate until he turned twelve. Now, he is reacquainted with his childhood friend Paul Hopkiss, who hasn't seen James in twenty years, and with Scarlett Mortmaigne, whom James continues to admire for her grace and beauty.

But when Briony stumbles across another body, the victim of gunfire, Lewis and Hathaway attempt to link the murders with the shooting at the re-enactment, plus the disappearance of Linda Grahame, Briony's mother, and the cold case vehicular homicide of a teenage Freddy Randall (uncredited) in Oxford years earlier.

Inspector Lewis concentrates upon a residence in Shue de Crescent, at which he discovers a collection of old love letters, along with a cat, for whom he acts as caregiver, while Sergeant Hathaway concentrates upon Crevecourt Hall and begins to share rekindled feelings with Scarlett, to Lewis' disdain and threats of suspension from the Department.

Well, the altered painting represents a clue, which leads Lewis and Hathaway back to Crevecourt Hall, to study astrological symbols engraved in a tower pointing to the Millennium sculpture, which Hathaway points out as new since his tenure at the estate, and also a missing Chapel key leads to another revelation, but by now, Lewis and Hathaway are on the outs, and investigate separately.

Because Scarlett has invited Hathaway to her lavish engagement party, he attends reluctantly, during which time, Doctor Hobson gives Lewis another clue, which leads to his sudden realization as to how the murders connect, while Hathaway, too, suddenly realizes additional evidence, leading guests to the climactic showdown, another shooting, and the discovery of yet another body.

Comment: Juliet Aubrey adds an extra depth of tender emotion to character, as also do Camilla Arfwedson, Pip Carter, and Hugh O'Conor to theirs. But Laurence Fox stands out in a compelling performance as the Sergeant trying to resolve many differences between his past and his exacting career.

What points its stars gain for fine performances may be lost on a sloppily, inexplicably misfit screen-story ending, which doesn't seem to work very well in comparison to other "Inspector Lewis" series' episodes.
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6/10
Okay, but contains many of the Lewis (and Morse) weaknesses
grantss20 October 2022
A man is found dead on a bus, murdered. Lewis and Hathaway's investigations lead them to Crevecoeur Hall, stately home of Lord Augustus Mortmaigne. The place has some fond memories for Hathaway as he lived there until he was 12. It also contains some familiar faces.

An interesting enough episode of Lewis. Decent enough mystery and some engaging sub-plots.

However, far from perfect. On display are the three worst aspects of the show (and Morse): the seemingly unfathomable murder that rushes from unsolvable to solved in the last 10 minutes of the episode, (allied with this) the absurd complexity of the plot that makes it feel twisty for twists' sake and one of the detectives getting involved with a prime suspect. The latter is becoming so predictable that when one of them does start a relationship you know that person is guilty or at least somehow in on it.
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5/10
Bad aspects bring down an interesting story.
vitoscotti11 January 2024
A very sappy, soap opera like heavy episode where crime investigation is secondary. The Hathaway (Laurence Fox) state of mental conflict is a rough sell given how bland he can be normally. Hathaway's convenient miraculous memorization of literature just at the right time to help introduce clues needed to solve the case is being over used.

An interesting story but many components were British detective mystery staples pieced together. The arrogant upperclass family, robotically loyal servant, dirty family secret, dead body on a bus, stained clothing reveals a clue, buried body under their nose, and so on.

Not unwatchable but a big dropoff from stellar previous episodes. Kevin Whately appears in his third different (most natural) style toupee with his own hairline in the previous episode mix.
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