The team of Nippon Connection has announced the full program for the 11th edition of the Japanese film festival. Despite the current events in Japan, the festival will take place in Frankfurt from April 27th to Mai 1st.
Currently the program isn’t available on the festival’s website, so here’s a quick peek taken from the press release:
A Night in Nude: Salvation (Nudo no yoru: Ai wa oshiminaku ubau), R: Takashi Ishii, J 2010
Abraxas (Aburakusasu no matsuri), R: Naoki Kato, J 2010
Anpo, R: Linda Hoaglund, J 2010
Arrietty (Karigurashi no Arrietty), R: Hiromasa Yonebayashi, J 2010
Beautiful Method (Utsukushii sube), R: Takamasa Ooe, J 2009
Cage, R: Shinsuke Kurimoto, J 2010
Cold Fish (Tsumetai nettaigyo), R: Sion Sono, J 2010
Colorful, R: Keiichi Hara, J 2010
Coming Future (Sinka), R: Kyuya Nakagawa, J 2010
Devil Has Come (Akuma ga kita), R: Shun Sakaida, J 2010
Doman Seman (Horikawa nakatachiuri), R: Go Shibata, J 2010
Door to...
Currently the program isn’t available on the festival’s website, so here’s a quick peek taken from the press release:
A Night in Nude: Salvation (Nudo no yoru: Ai wa oshiminaku ubau), R: Takashi Ishii, J 2010
Abraxas (Aburakusasu no matsuri), R: Naoki Kato, J 2010
Anpo, R: Linda Hoaglund, J 2010
Arrietty (Karigurashi no Arrietty), R: Hiromasa Yonebayashi, J 2010
Beautiful Method (Utsukushii sube), R: Takamasa Ooe, J 2009
Cage, R: Shinsuke Kurimoto, J 2010
Cold Fish (Tsumetai nettaigyo), R: Sion Sono, J 2010
Colorful, R: Keiichi Hara, J 2010
Coming Future (Sinka), R: Kyuya Nakagawa, J 2010
Devil Has Come (Akuma ga kita), R: Shun Sakaida, J 2010
Doman Seman (Horikawa nakatachiuri), R: Go Shibata, J 2010
Door to...
- 3/16/2011
- by Ulrik
- Affenheimtheater
The team of Nippon Connection has announced the full program for the 11th edition of the Japanese film festival. Despite the current events in Japan, the festival will take place in Frankfurt from April 27th to Mai 1st.
Currently the program isn’t available on the festival’s website, so here’s a quick peek taken from the press release:
A Night in Nude: Salvation (Nudo no yoru: Ai wa oshiminaku ubau), R: Takashi Ishii, J 2010
Abraxas (Aburakusasu no matsuri), R: Naoki Kato, J 2010
Anpo, R: Linda Hoaglund, J 2010
Arrietty (Karigurashi no Arrietty), R: Hiromasa Yonebayashi, J 2010
Beautiful Method (Utsukushii sube), R: Takamasa Ooe, J 2009
Cage, R: Shinsuke Kurimoto, J 2010
Cold Fish (Tsumetai nettaigyo), R: Sion Sono, J 2010
Colorful, R: Keiichi Hara, J 2010
Coming Future (Sinka), R: Kyuya Nakagawa, J 2010
Devil Has Come (Akuma ga kita), R: Shun Sakaida, J 2010
Doman Seman (Horikawa nakatachiuri), R: Go Shibata, J 2010
Door to...
Currently the program isn’t available on the festival’s website, so here’s a quick peek taken from the press release:
A Night in Nude: Salvation (Nudo no yoru: Ai wa oshiminaku ubau), R: Takashi Ishii, J 2010
Abraxas (Aburakusasu no matsuri), R: Naoki Kato, J 2010
Anpo, R: Linda Hoaglund, J 2010
Arrietty (Karigurashi no Arrietty), R: Hiromasa Yonebayashi, J 2010
Beautiful Method (Utsukushii sube), R: Takamasa Ooe, J 2009
Cage, R: Shinsuke Kurimoto, J 2010
Cold Fish (Tsumetai nettaigyo), R: Sion Sono, J 2010
Colorful, R: Keiichi Hara, J 2010
Coming Future (Sinka), R: Kyuya Nakagawa, J 2010
Devil Has Come (Akuma ga kita), R: Shun Sakaida, J 2010
Doman Seman (Horikawa nakatachiuri), R: Go Shibata, J 2010
Door to...
- 3/16/2011
- by Ulrik
- Affenheimtheater
The 49th annual Ann Arbor Film Festival is an epic celebration of experimental media that runs for six days on March 22-27. There’s so much great stuff screening this year, it makes one wonder what they’ll have left for their 50th anniversary next year!
A couple of the highlights include the highly anticipated feature-length documentary The Ballad of Genesis and Lady Jaye by Marie Losier, which chronicles the pandrogynous love story between industrial music pioneer Genesis P-Orridge and his late wife. The film already made a big splash at the Berlinale earlier in the year and looks to be a major hit on the festival circuit this year.
Also not to be missed is a special retrospective of one of this year’s festival jury members, Vanessa Renwick, a longtime favorite on Bad Lit: The Journal of Underground Film. Renwick will screen 10 of her quirky and artistic documentary portraits,...
A couple of the highlights include the highly anticipated feature-length documentary The Ballad of Genesis and Lady Jaye by Marie Losier, which chronicles the pandrogynous love story between industrial music pioneer Genesis P-Orridge and his late wife. The film already made a big splash at the Berlinale earlier in the year and looks to be a major hit on the festival circuit this year.
Also not to be missed is a special retrospective of one of this year’s festival jury members, Vanessa Renwick, a longtime favorite on Bad Lit: The Journal of Underground Film. Renwick will screen 10 of her quirky and artistic documentary portraits,...
- 3/7/2011
- by Mike Everleth
- Underground Film Journal
The Ann Arbor Film Festival has announced their series of special programs that will run at their 49th annual event on March 22-27 in Ann Arbor, Michigan. The four programs include new experimental media work from some very groundbreaking artists, many of whom have had works screened at Aaff in the past.
The first program will include the North American premiere of the latest piece by the audiovisual collective Telcosystems, which is comprised of artists Gideon Kiers, David Kiers and Lucas van der Velden. The group specializes in live performances featuring “real-time, self-structuring, generative processes” created by their own software, as well as the interaction with such processes. Their work is described as an “ongoing search for an own language of non-referential image and sound.”
In addition, Telcosystems will screen their 2009 Aaff Best Experimental Award winning Loudthings; and both Lucas van der Velden and Gideon Kiers will present an entirely...
The first program will include the North American premiere of the latest piece by the audiovisual collective Telcosystems, which is comprised of artists Gideon Kiers, David Kiers and Lucas van der Velden. The group specializes in live performances featuring “real-time, self-structuring, generative processes” created by their own software, as well as the interaction with such processes. Their work is described as an “ongoing search for an own language of non-referential image and sound.”
In addition, Telcosystems will screen their 2009 Aaff Best Experimental Award winning Loudthings; and both Lucas van der Velden and Gideon Kiers will present an entirely...
- 2/8/2011
- by Mike Everleth
- Underground Film Journal
[Our thanks to Kier-La Janisse for the following.]
Another Ottawa International Festival of Animation has wrapped, and a recent move to the vicinity has finally allowed me to attend the legendary event, the largest in Canada of its kind, and renowned internationally as a launching pad for many up-and-coming animators. The industry section of the festival alone - a robust conference that facilitates interaction between animation studios, schools and budding talent - makes the festival unique, but at the head of it all is Artistic Director Chris Robinson, eccentric animation scholar whose curatorial preference for underdog animation ensures that Oiaf stays vital and exciting.
Going through last year's schedule, I was a bit worried that the programming was going mainstream, but any doubts were allayed by this year's feature competition (which forewent some obvious choices - the new Svankmajer, for example - in favour of more personal, low budget productions) and various indie-focused retrospectives.
Winnipeg animator Mike Maryniuk...
Another Ottawa International Festival of Animation has wrapped, and a recent move to the vicinity has finally allowed me to attend the legendary event, the largest in Canada of its kind, and renowned internationally as a launching pad for many up-and-coming animators. The industry section of the festival alone - a robust conference that facilitates interaction between animation studios, schools and budding talent - makes the festival unique, but at the head of it all is Artistic Director Chris Robinson, eccentric animation scholar whose curatorial preference for underdog animation ensures that Oiaf stays vital and exciting.
Going through last year's schedule, I was a bit worried that the programming was going mainstream, but any doubts were allayed by this year's feature competition (which forewent some obvious choices - the new Svankmajer, for example - in favour of more personal, low budget productions) and various indie-focused retrospectives.
Winnipeg animator Mike Maryniuk...
- 10/27/2010
- Screen Anarchy
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