Directed by
| Joseph Daly | ||
Writing Credits (in alphabetical order)
| Stuart Armstrong | ... | (screenplay by) |
| Joseph Daly | ... | (screenplay by) |
| Bill Sutton | ... | (screenplay by) |
Cast (in credits order)
 |
Christopher Brown | ... | Thomas Fowler |
| Annabelle Lanyon | ... | The Mother In-Law | |
|
|
Hannah Munroe | ... | Fowler's Wife (voice) |
Produced by
| Stuart Armstrong | ... | producer |
| Kieran Nolan Jones | ... | executive producer |
Music by
| Dave Malkin | ... | (music by) |
| Tom Moore | ... | (music by) |
Cinematography by
| Sabina Claici | ||
Editing by
| Stuart Armstrong | ||
| Joseph Daly | ||
Production Design by
| Stuart Armstrong | ||
Costume Design by
| Eve Oakley | ||
Makeup Department
| Amelia Hodgkinson | ... | makeup artist |
Art Department
| Christine Cave | ... | set designer |
| Sophie Earthroll | ... | production buyer |
| Seth Sutton | ... | prop maker |
Sound Department
| Tom Moore | ... | ADR editor |
| Lee Viesnik | ... | sound recordist |
| Paul Williams | ... | sound designer |
| Tom Woolnough | ... | ADR editor / sound recordist |
Special Effects by
| Paddy Hornby | ... | creature fx |
Camera and Electrical Department
| Ben Alder | ... | gaffer |
| Nicholas Celano | ... | camera trainee |
| Owen Diplock | ... | focus puller |
| Kiloran McLaren | ... | steadicam operator |
| Sofia Rasmussen | ... | first assistant camera |
| Bill Sutton | ... | second assistant camera |
Editorial Department
| Ona Bartrolí | ... | assistant rough cut editor |
| Lewis Crossfield | ... | colourist |
| Gardar Thor Thorkelsson | ... | rough cut editor |
Additional Crew
| Simon Roper | ... | dialect coach |
