Directed by
| Aimiende Negbenebor Sela | ||
Writing Credits (in alphabetical order)
| Rebecca A. Bloom | ... | (adaptation) |
| Alexandra Olivia Engelson | ... | (adaptation) |
| Constance Nicole Frierson | ... | (original story) |
Cast
Produced by
| Jill Asher | ... | executive producer (credit only) |
| Rebecca A. Bloom | ... | producer |
| Alexandra Olivia Engelson | ... | producer |
| Margaret French-Isaac | ... | associate producer (credit only) |
| Constance Nicole Frierson | ... | producer |
| Philip W Hinds | ... | associate producer |
| Kathy Malaney | ... | associate producer (credit only) |
| Stefania Pomponi | ... | executive producer (credit only) |
| Ann Stockwell | ... | associate producer (credit only) |
| Joe Stockwell | ... | associate producer (credit only) |
| Pamela Weiss | ... | executive producer / producer |
| Jacquelyn Woodard | ... | credit only (credit only) |
| Yhá Mourhia Wright | ... | producer |
Cinematography by
| Alexxiss Jackson | ... | director of photography |
Editing by
| Cureha Mitchell | ||
Casting By
| Sura Tewolde | ||
Production Design by
| Johanes Gomez | ||
Art Direction by
| Sasha Green | ||
Set Decoration by
| Sabrina Ghidossi | ... | (set dresser) |
Costume Design by
| Ariel Mei | ||
Makeup Department
| Carla Grace Fajardo | ... | key makeup artist |
| Keayoni Whittaker | ... | key hair stylist |
Second Unit Director or Assistant Director
| Orlando Torres | ... | second assistant director |
| Laurel Wong | ... | first assistant director |
Sound Department
| Brian Baker | ... | sound mixer |
| Tristan Curbishley | ... | post-production sound |
| Pablo Rivera | ... | boom operator |
Visual Effects by
| Zeke Faust | ... | visual effects artist |
Camera and Electrical Department
| Alex Ajayi | ... | gaffer |
| Eddie Akaba | ... | Steadicam |
| Marcus Champion-Raines | ... | key grip |
| Kavin Chan | ... | first assistant camera |
| Kevin Mar | ... | second assistant camera |
| Bryce Myrah | ... | Swing |
| Tori Repole | ... | still photographer |
Costume and Wardrobe Department
| Chelsea-Mari Swain | ... | assistant costume designer |
Editorial Department
| Aj Francois | ... | colorist |
Music Department
| Charlie Peacock | ... | songs |
| Stacey Powells | ... | Music Supervisor |
Script and Continuity Department
| Gabrielle McNell | ... | script supervisor |
Additional Crew
| Ashley Baize | ... | set mama |
| Joy DeMichelle | ... | intimacy coordinator |
| Becky Maher | ... | covid compliance officer/set medic |
| Ebonie Marie | ... | key production assistant |
| Josue Perez | ... | production assistant |
| Glafira Sheveleva | ... | production assistant |
| Zeta Weiss | ... | producer assistant |
Thanks
| Ann Arora | ... | special thanks |
| Peter Byck | ... | special thanks |
| Silver Heart Co | ... | special thanks |
| Peets Coffee | ... | special thanks |
| Ange Duncan | ... | special thanks |
| Get Human | ... | special thanks |
| Cassandra Lauters | ... | special thanks |
| Willows Market | ... | special thanks |
| Charlie Peacock | ... | the producers wish to thank |
| Palo Alto Players | ... | special thanks |
| Gloria Principe | ... | special thanks |
| Brandie Puls | ... | special thanks |
| Michael Sheih | ... | special thanks |
| Elizabeth Stromer | ... | special thanks |
| Callie Turk | ... | special thanks |
| Dawn Valler | ... | special thanks |
| Cami Vineyards | ... | special thanks |