I never finished the last few seasons of Doctor Who, but I know this is better. It's definitely not perfect, but it's the start of something better. The beginning was a little rushed and weirdly done. There were a couple scenes that were VERY on the nose with the gender aspects, but I think that'll get toned down as the episodes go on as it was an introduction (hopefully..). I did love the new theme song, it feels very fitting for the new era. For me the standouts of the episode were Donna and her mom. There was a nice buildup of Donna getting her memories back. Obviously there are definitely some tweaks that should be made, to make the viewing experience nicer (and a little less cringy), but I'm happy with the shows return.
122 Reviews
Finally back, and it was a fun, sentimental ride.
Sleepin_Dragon25 November 2023
He's back, and so is Donna, they're brought together to help The Meep, a creature that's landed on Earth.
Fair play, you have to credit Doctor Who fans, we've all waited a long time for this, and I'm sure millions will tune in for nostalgia and curiosity, wanting to see if the show has changed.
Tennant and Tate, it's almost as though a Genie answered my wishes, and brought the two of them back to us, but the question was always going to be whether this episode was as good as the hype, everything possible has been done to rejuvenate the show.
Bonkers good fun, I really did enjoy it, it was like stepping back fifteen years. I can't say it's a classic, but it was an entertaining, action packed sci fi romp, and it was great to see so many familiar faces, and some new.
The story was decent, the character play was magical. I think there's more to come in the next few episodes.
I liked Rose, I liked the way the character was introduced and the way in which Russell handled the trans issue, no preaching.
Miriam Margolyes was a joy as The Meep, about time she featured on the show, I really liked The Meep.
Two questions I had going in, why is this incarnation of The Doctor back, and would Donna suffer coming back into contact with her old travelling companion? I exit this episode with more questions than answers, who's the boss?
Tennant, what can you say, The Doctor is back, he's lost none of the energy, none of the polish, none of the presence, great to have him back.
Donna Noble, I adore you! Tate stepped straight back in with ease, please let her return in years to come.
8/10.
Fair play, you have to credit Doctor Who fans, we've all waited a long time for this, and I'm sure millions will tune in for nostalgia and curiosity, wanting to see if the show has changed.
Tennant and Tate, it's almost as though a Genie answered my wishes, and brought the two of them back to us, but the question was always going to be whether this episode was as good as the hype, everything possible has been done to rejuvenate the show.
Bonkers good fun, I really did enjoy it, it was like stepping back fifteen years. I can't say it's a classic, but it was an entertaining, action packed sci fi romp, and it was great to see so many familiar faces, and some new.
The story was decent, the character play was magical. I think there's more to come in the next few episodes.
I liked Rose, I liked the way the character was introduced and the way in which Russell handled the trans issue, no preaching.
Miriam Margolyes was a joy as The Meep, about time she featured on the show, I really liked The Meep.
Two questions I had going in, why is this incarnation of The Doctor back, and would Donna suffer coming back into contact with her old travelling companion? I exit this episode with more questions than answers, who's the boss?
Tennant, what can you say, The Doctor is back, he's lost none of the energy, none of the polish, none of the presence, great to have him back.
Donna Noble, I adore you! Tate stepped straight back in with ease, please let her return in years to come.
8/10.
A great re-introduction and throwback to one of the best doctor who duos
Chi-C-Dawg26 November 2023
This episode wastes no time in jumping back in with reconnecting with two of new doctor whose favorite pairings. The episode moves at a great clip, has some real heartfelt and also funny moments, and ultimately is a refreshing and enjoyable classic romp. As a 60th anniversary special it doesn't really cover anything grandiose like you might expect (no Daleks versus cybermen versus autons) but I think ultimately that's a smart move. We get a "new" monster (only having appeared in comics and audio adventure) and get to focus on our reteamed duo of Donna and Doctor. Her family storyline is meaningful and welcome and is also welcomingly modern. I imagine some conservatives will be complaining about the identity politics, but let them cry. It's a great return to doctor who and also the start of a new era. All in all I would say it's a very good success.
A Disappointing Return
lukawelchman26 November 2023
Warning: Spoilers
Well, that was a little disappointing!
I may have sey my expectations too high after the travesty that was Chibnall's era, but RTD's return certainly misses the bar set by his first stint as showrunner.
One of the main issues I had, was the casting of Rose. I don't care that she is transgender, it has no impact on me at all and all representation is welcome in my eyes, however I feel like they could've at least hired someone younger? I find it hard to suspend my disbelief that Finney is supposed to be at most 14 years old, when she definitely looks her actual age (18 at the time of filming).
The plot of this episode was also quite cookie-cutter, it didn't feel like an RTD creation. The plot twist wasn't super unexpected and it was handled pretty regularly. It's also completely stupid that the "dagger drive" on the Meep's ship respects Human infrastructure, like why the hell is it only cracking through roads??? Is the floor below houses somehow indestructible??? And why or how the hell would it fix the roads if the process of refuelling is interrupted?
The revelation that Donna survived the metacrisis through her daughter was very cool, it was probably the best and easiest way to write that wall out, but the declaration that Rose was non-binary is just stupid. Trans still fits in a binary!!! I get that you can be both at the same time (if you really want to) but I don't believe that is what's happening in this case. Also, the doctor failing to understand that they could just "shake off the metacrisis" because he is male-presenting is so daft. He was literally a woman barely an hour before this scene takes place, and 13 constantly forgot that she wasn't a man demonstrating that Time Lords really don't have a thing for a clear gendered binary.
I may have sey my expectations too high after the travesty that was Chibnall's era, but RTD's return certainly misses the bar set by his first stint as showrunner.
One of the main issues I had, was the casting of Rose. I don't care that she is transgender, it has no impact on me at all and all representation is welcome in my eyes, however I feel like they could've at least hired someone younger? I find it hard to suspend my disbelief that Finney is supposed to be at most 14 years old, when she definitely looks her actual age (18 at the time of filming).
The plot of this episode was also quite cookie-cutter, it didn't feel like an RTD creation. The plot twist wasn't super unexpected and it was handled pretty regularly. It's also completely stupid that the "dagger drive" on the Meep's ship respects Human infrastructure, like why the hell is it only cracking through roads??? Is the floor below houses somehow indestructible??? And why or how the hell would it fix the roads if the process of refuelling is interrupted?
The revelation that Donna survived the metacrisis through her daughter was very cool, it was probably the best and easiest way to write that wall out, but the declaration that Rose was non-binary is just stupid. Trans still fits in a binary!!! I get that you can be both at the same time (if you really want to) but I don't believe that is what's happening in this case. Also, the doctor failing to understand that they could just "shake off the metacrisis" because he is male-presenting is so daft. He was literally a woman barely an hour before this scene takes place, and 13 constantly forgot that she wasn't a man demonstrating that Time Lords really don't have a thing for a clear gendered binary.
Doctor Who is back!
Super_Bob125 November 2023
Was it perfect? Of course not. But it was a breath of fresh air after the previous era, carried heavily by the chemistry between David and Catherine. Tennant fits back into the doctor as if he never left, ultimately a really great and fun episode.
On another note I'd like to praise the production quality, you can clearly see where the budget went. In recent seasons the CGI was becoming very jarring, there's still some iffy stuff in keeping with what we love but it ties everything together so nicely. I especially enjoyed the cinematic framing of the episode, it's doctor who as we've never seen it before.
On another note I'd like to praise the production quality, you can clearly see where the budget went. In recent seasons the CGI was becoming very jarring, there's still some iffy stuff in keeping with what we love but it ties everything together so nicely. I especially enjoyed the cinematic framing of the episode, it's doctor who as we've never seen it before.
It's like they never left...
DanTheMan2150AD25 November 2023
Adapting the 4th Doctor comic of the same name was a bold choice to kickstart Russell T Davies' new era of Doctor Who, it beings back that feeling of child-like imagination and wonder that makes the future of the Whoniverse look brighter than ever before.
The Doctor is caught in a fight to the death as a spaceship crash-lands in London. But as the battle wreaks havoc, destiny is converging on the Doctor's old friend, Donna...
After the past 5 years, getting a coherent and beautifully directed episode feels like a godsend. Bringing back Rachel Talalay was a stroke of genius on Russell's behalf, she cooked here, bringing to life the art of Dave Gibbons. The episode wastes no time getting stuck into the action, just when you think it's going to be a quiet little character building start, a spaceship crash-lands and it's all business as usual.
Tennant and Tate slip effortlessly back into their old routine, mile-a-minute chatter and wounding one-liners matching each other all the way. Tennant absolutely steals the show but Tate isn't very far behind, their enthusiasm and chemistry never wavers leaving me with a goofy smile I couldn't wipe from my face.
Granted there's a really badly timed joke on behalf of the late Bernard Cribbins but he gets a loving little tribute and cameo by journey's end which really made me well up with happiness. On the other hand though, Yasmin Finney's Rose adds nothing to the story that couldn't have been filled by Sharon in the original source material, but then again we wouldn't have gotten to experience such extremely lukewarm acting from Finney... Beep the Meep, however, is brilliantly realised. The genocidal fluffball has always been a fan favourite and he's done a great service by Miriam Margolyes' understated brilliance.
Murray Gold's return left me with mixed feelings but he brings back many of his classic themes from his last tenure while adding something new giving the story the dramatic weight it needed.
Despite my misgivings, with plenty of narrative hand-waving, goofy dialogue and telegraphed twists you can spot a mile off, The Star Beast is real return to form that we deserved. Silly, sincere and jam-packed with plenty of wibbly-wobbly timey-wimey shenanigans that lays loving tribute to 60 years of Doctor Who whilst teasing a tantalising new era for the show... and the best part? It feels like the best is left to come. Allons-y!
The Doctor is caught in a fight to the death as a spaceship crash-lands in London. But as the battle wreaks havoc, destiny is converging on the Doctor's old friend, Donna...
After the past 5 years, getting a coherent and beautifully directed episode feels like a godsend. Bringing back Rachel Talalay was a stroke of genius on Russell's behalf, she cooked here, bringing to life the art of Dave Gibbons. The episode wastes no time getting stuck into the action, just when you think it's going to be a quiet little character building start, a spaceship crash-lands and it's all business as usual.
Tennant and Tate slip effortlessly back into their old routine, mile-a-minute chatter and wounding one-liners matching each other all the way. Tennant absolutely steals the show but Tate isn't very far behind, their enthusiasm and chemistry never wavers leaving me with a goofy smile I couldn't wipe from my face.
Granted there's a really badly timed joke on behalf of the late Bernard Cribbins but he gets a loving little tribute and cameo by journey's end which really made me well up with happiness. On the other hand though, Yasmin Finney's Rose adds nothing to the story that couldn't have been filled by Sharon in the original source material, but then again we wouldn't have gotten to experience such extremely lukewarm acting from Finney... Beep the Meep, however, is brilliantly realised. The genocidal fluffball has always been a fan favourite and he's done a great service by Miriam Margolyes' understated brilliance.
Murray Gold's return left me with mixed feelings but he brings back many of his classic themes from his last tenure while adding something new giving the story the dramatic weight it needed.
Despite my misgivings, with plenty of narrative hand-waving, goofy dialogue and telegraphed twists you can spot a mile off, The Star Beast is real return to form that we deserved. Silly, sincere and jam-packed with plenty of wibbly-wobbly timey-wimey shenanigans that lays loving tribute to 60 years of Doctor Who whilst teasing a tantalising new era for the show... and the best part? It feels like the best is left to come. Allons-y!
The Messaging is Still Far Too Heavyhanded
nargon28 November 2023
While it is good seeing David Tennant's Doctor and my personal favorite companion back together, hearing Murray Gold's beautiful score, and enjoying some wonderfully composed shots from director Rachel Talalay, the episode unfortunately commits many of the missteps I was hoping they would avoid, but suspected they wouldn't. Despite still having a talent for writing excellent prose, and being able to write characters who (mostly) talk like normal people, the writer of this episode was saddled with having to establish a great deal in fifty odd minutes, leading to a quite clunky opener to this anniversary three-parter. This is, of course, excusable. What is less excusable is the treatment of the main character by the other characters. The Doctor, fresh from regenerating from his previous, female self, is openly mocked by several of the supporting characters for no other reason than his gender. While I have no issue with the Doctor having been a woman, and I have no problem with Donna insulting the Doctor to a degree (her argumentative nature being a core part of their prior relationship), the Doctor is made to feel degraded and humiliated for not understanding the frankly unintelligible ending of the story, which is, of course, put down to him being a man instead of a woman.
While the Doctor should never be portrayed as perfect, something most incarnations have no issue with achieving, he should also not be told to his face that he is stupid and it is because of his physical makeup, for the sake of a cheap laugh. The Doctor, after all he has done for the universe, deserves a lot more respect. Apart from that, the general messaging throughout the episode still evokes much of the eye rolling moral-lessons-without-substance-to-cushion-it that pushed many fans away from the franchise during Capaldi's era. While it is not wrong to have messaging, indeed, morals and messages have always been an important part of Doctor Who, the story should never work it so hard as to be inescapable, or integral to the plot. Doctor Who has always been at it's best when the message is secondary to the main story.
To that point, I have hopes that the second episode, without the baggage of reintroductions and establishing, very clearly, it's virtues, will be a better experience. We''ll see if that instinct is correct. Doctor Who has a lot of bad will to overcome from the fanbase, here's hoping there is more to it's supposed "return to form" than some familiar faces and unearned lectures.
While the Doctor should never be portrayed as perfect, something most incarnations have no issue with achieving, he should also not be told to his face that he is stupid and it is because of his physical makeup, for the sake of a cheap laugh. The Doctor, after all he has done for the universe, deserves a lot more respect. Apart from that, the general messaging throughout the episode still evokes much of the eye rolling moral-lessons-without-substance-to-cushion-it that pushed many fans away from the franchise during Capaldi's era. While it is not wrong to have messaging, indeed, morals and messages have always been an important part of Doctor Who, the story should never work it so hard as to be inescapable, or integral to the plot. Doctor Who has always been at it's best when the message is secondary to the main story.
To that point, I have hopes that the second episode, without the baggage of reintroductions and establishing, very clearly, it's virtues, will be a better experience. We''ll see if that instinct is correct. Doctor Who has a lot of bad will to overcome from the fanbase, here's hoping there is more to it's supposed "return to form" than some familiar faces and unearned lectures.
The Psychedelic Ferret...
Xstal26 November 2023
The desecration of The Doctor's been curtailed, recent mishaps can be cloaked, forgot and veiled - business as usual is resumed, with a tried and trusted broom, and an episode, that's well and truly nailed. As our hero bumps into one Donna Noble, a past companion who can be quite loud and vocal, with a memory that's erased, she can't recall the golden days, it's a thread her Time Lord friend's, afraid to pull. Although a spacecraft and The Meep cause consternation, as do pursuers with bug-eyes in confrontation, there's a twist, a turn, a crisis - a new Tardis not to be missed, more than enough, to merit, acclamation.
I mean, it was okay.
silvertardis27 November 2023
Warning: Spoilers
There were things I loved, and things that rubbed me the wrong way. I loved David Tennant in his role, and the actor who played Shaun really got a chance to shine. Sylvia Noble was just as insufferable as ever (which is good), and Shirley was instantly admirable as UNIT's new scientific advisor
I think Rose had a LOT of potential as a character, and I found myself wanting to learn more about her and her story. Unfortunately I feel like they threw away that potential with the lackluster resolution of the metacrisis. I wouldn't have had a problem with it if the reason the metacrisis resolved was simply because Rose inherited some of the Doctor/Donna that made it too much for Donna to handle. They could have left it at that and been done with it.
I still have no idea why gender had anything to do with resolving any of it, especially since Donna repeating "binary" from Journey's End was clearly a way to show that her brain was being destroyed by the metacrisis as opposed to anything pertaining to gender.
But apparently that's the route we're on now... Which is fine, but from a lore perspective, everyone in-universe is like "yeah, that makes sense", whereas we as the audience are left perplexed.
My rating may change as the subsequent specials come out and the full story is completed, but right now, it's enjoyable, but not a very cohesive story.
I think Rose had a LOT of potential as a character, and I found myself wanting to learn more about her and her story. Unfortunately I feel like they threw away that potential with the lackluster resolution of the metacrisis. I wouldn't have had a problem with it if the reason the metacrisis resolved was simply because Rose inherited some of the Doctor/Donna that made it too much for Donna to handle. They could have left it at that and been done with it.
I still have no idea why gender had anything to do with resolving any of it, especially since Donna repeating "binary" from Journey's End was clearly a way to show that her brain was being destroyed by the metacrisis as opposed to anything pertaining to gender.
But apparently that's the route we're on now... Which is fine, but from a lore perspective, everyone in-universe is like "yeah, that makes sense", whereas we as the audience are left perplexed.
My rating may change as the subsequent specials come out and the full story is completed, but right now, it's enjoyable, but not a very cohesive story.
A spectacular return to form
DVD_Connoisseur25 November 2023
In terms of anticipation, this 60th Anniversary bonanza of three specials has had me on tenterhooks for the best part of two years. The big question was, "Could Russell T. Davies win back a jaded, disenfranchised audience and fanbase?" The answer was loud and clear when the first special, "The Star Beast", landed on the 25th November 2023.
To describe my reaction to this episode as emotional would be an understatement. As a viewer since 1973, I had to mop away tears of joy as this glorious televisual feast unravelled before me on the screen.
Tenant and Tate were always an amazing combination of talent. To see them resume their characters from the New Who Golden Age was like a dream...I loved every second of it.
Having grown up with Doctor Who weekly and the work of Pat Mills and John Wagner, I did wonder if this episode was a fevered dream...could this really be unfolding in reality?
Thank you, Russell T. Davies and the entire cast and crew for reviving this show. This is the ultimate special.
To describe my reaction to this episode as emotional would be an understatement. As a viewer since 1973, I had to mop away tears of joy as this glorious televisual feast unravelled before me on the screen.
Tenant and Tate were always an amazing combination of talent. To see them resume their characters from the New Who Golden Age was like a dream...I loved every second of it.
Having grown up with Doctor Who weekly and the work of Pat Mills and John Wagner, I did wonder if this episode was a fevered dream...could this really be unfolding in reality?
Thank you, Russell T. Davies and the entire cast and crew for reviving this show. This is the ultimate special.
Brilliant
brent-basil25 November 2023
The wait is over. Tennant is back. Tate is back. RTD is back.
First, it is great to see Tennant in the role again! Charisma in spades. It almost seems effortless how he took command of the role again.
And Catherine! She was brilliant, as always. It's nice to see that while Donna has grown in the years, she certainly hasn't lost her edge.
The story feels like the kind of Doctor Who story I'd have expected during the RTD era. Short, sweet, entertaining, and self-contained.
There were a few lines/concepts that felt a little out of place, but not enough to derail the overall plot.
A great way to start off a new (rebooted?) era. I'm gonna soak up Tennant while I can.
First, it is great to see Tennant in the role again! Charisma in spades. It almost seems effortless how he took command of the role again.
And Catherine! She was brilliant, as always. It's nice to see that while Donna has grown in the years, she certainly hasn't lost her edge.
The story feels like the kind of Doctor Who story I'd have expected during the RTD era. Short, sweet, entertaining, and self-contained.
There were a few lines/concepts that felt a little out of place, but not enough to derail the overall plot.
A great way to start off a new (rebooted?) era. I'm gonna soak up Tennant while I can.
A feel-good start that brings memories flooding back!
declantill25 November 2023
Warning: Spoilers
Oh how I've missed Russell T. Davies, Catherine Tate, Murray Gold and of course, David Tennant!
When RTD is flowing there is such gravity about his writing, the scene of the war between the Wraith Warriors and UNIT juxtaposed with The Doctor and the team sneaking through houses was superb, as was the frenetic start to that scene with Donna, Rose, Sylvia, Meep etc. Joyous.
There's so many nods and call backs that are great...Some however do feel a little bit forced, I can't lie. Talking of forced and let me preface this, I can't begin to tell you how safe, respected, valued, accepted and heard I want people of the trans community (and any) to feel but something doesn't sit right with me about the way it was tackled in this episode.
Sure I may get scoffed at and there will be no doubt people who absolutely loved the representation shown on screen - which by the way, Yasmin Finney is spectacular as Rose - but I think going so far to have it central to a story and within some lines of dialogue the way it is, really comes across forced, there's little to no tact about it.
There's a superb scene however between Sylvia and Donna about how to talk to a trans person and highlights the 'they mean well' person who just says the wrong thing. That was real, that was nice. But the whole 'Male presenting doctor/did you assume Meep's pronouns/Binary-Non Binary stuff, to me at least seemed really shoehorned and box ticking, to the point if I was a trans person I'd feel a little bit bereft at how they handled it at certain points. However, I'm not, and as I said above I'm sure many people would have no issues with it, and in all honesty I'm glad to see we are taking strides to represent everyone in meaningful ways, I just wish it was done more with more reality.
Miriam Margolyes is stellar as the space rat Meep and does make you fall head over heels for the creatures' cuteness!
The whole Doctor Donna thing is simultaneously clever, but also a bit underwhelming. It really does feel like, what's the most convoluted way for us to write both her and the 10th doctor back in, the 'just let it go'...As if the doctor wouldn't have thought of that? All the grief? Just to let it go?
Also what's going on with the sonic? It can now render physical shields??
Finally though, with hope, Doctor Who is back, and for the most part appears to be in the hands of a seriously talented and in-touch writer who wants nothing more than the show to receive the popularity it truly deserves.
When RTD is flowing there is such gravity about his writing, the scene of the war between the Wraith Warriors and UNIT juxtaposed with The Doctor and the team sneaking through houses was superb, as was the frenetic start to that scene with Donna, Rose, Sylvia, Meep etc. Joyous.
There's so many nods and call backs that are great...Some however do feel a little bit forced, I can't lie. Talking of forced and let me preface this, I can't begin to tell you how safe, respected, valued, accepted and heard I want people of the trans community (and any) to feel but something doesn't sit right with me about the way it was tackled in this episode.
Sure I may get scoffed at and there will be no doubt people who absolutely loved the representation shown on screen - which by the way, Yasmin Finney is spectacular as Rose - but I think going so far to have it central to a story and within some lines of dialogue the way it is, really comes across forced, there's little to no tact about it.
There's a superb scene however between Sylvia and Donna about how to talk to a trans person and highlights the 'they mean well' person who just says the wrong thing. That was real, that was nice. But the whole 'Male presenting doctor/did you assume Meep's pronouns/Binary-Non Binary stuff, to me at least seemed really shoehorned and box ticking, to the point if I was a trans person I'd feel a little bit bereft at how they handled it at certain points. However, I'm not, and as I said above I'm sure many people would have no issues with it, and in all honesty I'm glad to see we are taking strides to represent everyone in meaningful ways, I just wish it was done more with more reality.
Miriam Margolyes is stellar as the space rat Meep and does make you fall head over heels for the creatures' cuteness!
The whole Doctor Donna thing is simultaneously clever, but also a bit underwhelming. It really does feel like, what's the most convoluted way for us to write both her and the 10th doctor back in, the 'just let it go'...As if the doctor wouldn't have thought of that? All the grief? Just to let it go?
Also what's going on with the sonic? It can now render physical shields??
Finally though, with hope, Doctor Who is back, and for the most part appears to be in the hands of a seriously talented and in-touch writer who wants nothing more than the show to receive the popularity it truly deserves.
Actions NEED Consequences; Even for the Doctor
turnerwb27 November 2023
Warning: Spoilers
Much ink has already been spilled over this special, and I suspect much more will be spilled going forward. It's not, per se, bad, but it raises serious questions about the assumption that Moffat and Chibnall are responsible for the drop in quality for the last two seasons.
Broadly, what works best is the stuff that *feels* like classic RTD. The crisis happening in the midst of a London neighborhood, the relationship between the doctor and Donna, David Tennant's mannerisms. All of these are glimpses of what the show once was and, perhaps even, could be again.
The episode's biggest failure, in my opinion, is how they reopen Donna's story. Donna's metacrisis is resolved like it was never really a problem at all, just in a way that "a male-presenting Doctor wouldn't understand" (an ironic statement considering that in-universe the Doctor was a woman so recently that his psychic paper uses 'mistress' instead of 'master'). If this were the case could Jodie have spun by and saved the Doctors "best friend in the whole wide universe" this entire time? The entire thread seems like a cheap excuse to dredge up a character for nostalgia. Ending the metacrisis has no cost, no pain, no price. One of the most poignant story threads in New Who, wrapped up with a wink and a shrug. A show so lore intensive as Doctor Who cannot survive if it's willing to undo it's most difficult decisions with little impact. You can't expect viewers to care about the lore of a show whose show runners don't even treat it with respect.
This behavior is again exemplified by the further degradation of the sonic screwdriver into a deus ex machina. How many episodes could have played out differently if the sonic screwdriver could have made a short-term barrier to projectiles. Well now it can! Making the sonic screwdriver too versatile means that the classic creativity and witty solutions to sticky problems that was a hallmark of Eccleston and Tennant's tenures is no longer a requirement.
Now: That out of the way, let's talk about Rose (Donna's daughter). Rose is... fine, but she's a 1D character. It seems like she was written for two reasons: 1) To serve as the plot contrivance that saves Donna 2) To land a handful of 'clever' one-liners that even the show doesn't seem to be convinced were actually all that clever (e.g. Asking the pronouns of the alien, 'binary and non-binary', etc.) Many viewers are going to be put-off by Rose's transness, but much of this comes down to 2) above. Had Rose been an interesting character who happened to be trans, I think she could have received a warmer welcome (a la Captain Jack as a bi character), but as it is, I can't help but feel that she represents a missed opportunity.
Is the series doomed? No, not yet. Am I optimistic? Much less so than I was before I watched the special. They can still solve my biggest complaint by having some sort of delayed consequence for resolving the metacrisis. Many of the other complaints boil down to 'write better', and there's evidence that RTD can, but he has a small window to execute before those of us who fell away during the Capaldi and Whittaker years fall away again. Here's to hoping they figure it out over the next few weeks and this represents a rocky start to a new renaissance.
Broadly, what works best is the stuff that *feels* like classic RTD. The crisis happening in the midst of a London neighborhood, the relationship between the doctor and Donna, David Tennant's mannerisms. All of these are glimpses of what the show once was and, perhaps even, could be again.
The episode's biggest failure, in my opinion, is how they reopen Donna's story. Donna's metacrisis is resolved like it was never really a problem at all, just in a way that "a male-presenting Doctor wouldn't understand" (an ironic statement considering that in-universe the Doctor was a woman so recently that his psychic paper uses 'mistress' instead of 'master'). If this were the case could Jodie have spun by and saved the Doctors "best friend in the whole wide universe" this entire time? The entire thread seems like a cheap excuse to dredge up a character for nostalgia. Ending the metacrisis has no cost, no pain, no price. One of the most poignant story threads in New Who, wrapped up with a wink and a shrug. A show so lore intensive as Doctor Who cannot survive if it's willing to undo it's most difficult decisions with little impact. You can't expect viewers to care about the lore of a show whose show runners don't even treat it with respect.
This behavior is again exemplified by the further degradation of the sonic screwdriver into a deus ex machina. How many episodes could have played out differently if the sonic screwdriver could have made a short-term barrier to projectiles. Well now it can! Making the sonic screwdriver too versatile means that the classic creativity and witty solutions to sticky problems that was a hallmark of Eccleston and Tennant's tenures is no longer a requirement.
Now: That out of the way, let's talk about Rose (Donna's daughter). Rose is... fine, but she's a 1D character. It seems like she was written for two reasons: 1) To serve as the plot contrivance that saves Donna 2) To land a handful of 'clever' one-liners that even the show doesn't seem to be convinced were actually all that clever (e.g. Asking the pronouns of the alien, 'binary and non-binary', etc.) Many viewers are going to be put-off by Rose's transness, but much of this comes down to 2) above. Had Rose been an interesting character who happened to be trans, I think she could have received a warmer welcome (a la Captain Jack as a bi character), but as it is, I can't help but feel that she represents a missed opportunity.
Is the series doomed? No, not yet. Am I optimistic? Much less so than I was before I watched the special. They can still solve my biggest complaint by having some sort of delayed consequence for resolving the metacrisis. Many of the other complaints boil down to 'write better', and there's evidence that RTD can, but he has a small window to execute before those of us who fell away during the Capaldi and Whittaker years fall away again. Here's to hoping they figure it out over the next few weeks and this represents a rocky start to a new renaissance.
The Star Beast
Prismark1025 November 2023
And just like that, they're back. Doctor Who circa 2005 to 2010.
The old band has reunited. Both front of house and the back as well. David Tennant and Catherine Tate return as the Doctor and Donna Noble.
RTD is back on writing duties with his original producers. This is also a new age. Disney money and the BBC has brought in outside producers in Bad Wolf. The company named after a Doctor Who episode.
Like other series openers from RTD. This was fun and frothy. Something for everyone.
The story was inspired by a comic strip for Doctor Who Magazine from 1980. It was written by Pat Mills and John Wagner (the latter is the creator of Judge Dredd.) No wonder a major character was judged by the Doctor!
Beep the Meep lands on Earth. He is pursued by the Wraith Warriors. The cuddly Beep seeks help from Rose. The daughter of Donna Noble.
The newly regenerated Doctor wonders why he has a familiar face. He immediately sees Donna Noble. The universe draws them together again.
There was a good twist in the middle. Some pointers to the rest of the specials. The console reveal was amazing, very much a nod to the Tardis interior but a lot bigger.
The old band has reunited. Both front of house and the back as well. David Tennant and Catherine Tate return as the Doctor and Donna Noble.
RTD is back on writing duties with his original producers. This is also a new age. Disney money and the BBC has brought in outside producers in Bad Wolf. The company named after a Doctor Who episode.
Like other series openers from RTD. This was fun and frothy. Something for everyone.
The story was inspired by a comic strip for Doctor Who Magazine from 1980. It was written by Pat Mills and John Wagner (the latter is the creator of Judge Dredd.) No wonder a major character was judged by the Doctor!
Beep the Meep lands on Earth. He is pursued by the Wraith Warriors. The cuddly Beep seeks help from Rose. The daughter of Donna Noble.
The newly regenerated Doctor wonders why he has a familiar face. He immediately sees Donna Noble. The universe draws them together again.
There was a good twist in the middle. Some pointers to the rest of the specials. The console reveal was amazing, very much a nod to the Tardis interior but a lot bigger.
I had so hoped for this to be good
MyRegardsToTheDodo4 January 2024
I made it 30 minutes or so into the special until I switched off, this time for good, I think. I haven't even watched the last Chibnall season and I am so annoyed how much they destroyed the first female Doctor (which was a good premise) and discarded probably the only good idea the Chibnall run had almost immediately (seriously, the Lone Cyberman was great). And I wanted this new special to be good, but man, did it suck. The first WTF moment was Donna's daughter (Rose, sure, yea), who is supposed to be 12 or 13 years old, but looks like mid-20s. One of the worst casting choices I've seen in a long time and I still don't know what they thought when casting that actress. David Tennant looks like he doesn't care and just wants this to be over with, so he can cash in his paycheck. All in all this was such a massive letdown.
Amazing, Intense, thrilling, atmospheric, and above all else an amazing sci-fi show that's stood the test of time for 60 years!, it will NEVER be topped!
rohanumpleby-3405725 November 2023
The amazing duo is back, David Tennant and Catherine Tate. And in my eyes they had the best siries of new who which was series 4. And this episode continues the success of that series. So why is it the best? You ask, well let me tell you. The best episodes of the show are very creative, "Blink" and "Heaven Sent" which are the best examples of this. They are brilliantly written and creative. Much like series 4, where we had great writing. The duo were always funny, and they always had great chemistry. Add to that some of the most creative episodes in the entire show. Like "Silence in the Library/Forest of the Dead" a great episode that's well written and very creative. "Planet of the ood", "Unicorn and the Wasp", "Doctors Daughter", "Turn Left", "Midnight" and the Finale. Also a mention does have to go to "The Sontaren stratagem/Poison Sky" which led to the Pilot of Series 2 for the Sarah Jane Adventures, and for those who don't know, it is the spin-off from Doctor Who. And this episode is clever, witty and has great writing. Very creative too, all things that made there Series the best to begin with.
The Episode starts out with a little speech from are 2 main characters. Then the amazing title sequence pops up. Which Is stunning visually and in terms of effects it is incredible. The shine underneath the Tardis, is absolutely wonderful, I loved that scene. And right after this. We immediately see are duo, which is great. Its a quick start, with a Spaceship crashing down on Earth, Hillarious how Donna completely misses it. And we find out how the Alien is running away, running from the Monsters. Which leads to some atmospheric scenes and tension, the many explosions and attacks makes for an entertaining watch. The Doctor dressing up, is also Hillarious. And is cleverly brought into the episode, when it does lead us to some history, just like the mark of the show, that's been on the air for 60 years.
Donna and Rose (her daughter) saves the world, and I love the scene with the Doctor and Donna on the Spaceship working together and figuring things out, which is an exact replica of Series 4. With the bubbly personalities to make it light hearted to watch. And the word "Binary" which also cross references Series 4. And the interior design is probably the best of new who. The flashing lights and the bundle of colours leads to so much possibilities it's just amazing. The changing of lights, a Coffee machine, I mean wow. Very good and impressive. And I like how the Interior of the Tardis reminds me alittle bit of old who, with it being white. Which is also extremely clever in the way that they've done that. With superb Visuals and special effects. So all in all a 10/10. Now time for the Verdict.
Verdict,
10/10 The Best Duo, a great fun story. Celebrates the 60th anniversary in style!
The Episode starts out with a little speech from are 2 main characters. Then the amazing title sequence pops up. Which Is stunning visually and in terms of effects it is incredible. The shine underneath the Tardis, is absolutely wonderful, I loved that scene. And right after this. We immediately see are duo, which is great. Its a quick start, with a Spaceship crashing down on Earth, Hillarious how Donna completely misses it. And we find out how the Alien is running away, running from the Monsters. Which leads to some atmospheric scenes and tension, the many explosions and attacks makes for an entertaining watch. The Doctor dressing up, is also Hillarious. And is cleverly brought into the episode, when it does lead us to some history, just like the mark of the show, that's been on the air for 60 years.
Donna and Rose (her daughter) saves the world, and I love the scene with the Doctor and Donna on the Spaceship working together and figuring things out, which is an exact replica of Series 4. With the bubbly personalities to make it light hearted to watch. And the word "Binary" which also cross references Series 4. And the interior design is probably the best of new who. The flashing lights and the bundle of colours leads to so much possibilities it's just amazing. The changing of lights, a Coffee machine, I mean wow. Very good and impressive. And I like how the Interior of the Tardis reminds me alittle bit of old who, with it being white. Which is also extremely clever in the way that they've done that. With superb Visuals and special effects. So all in all a 10/10. Now time for the Verdict.
Verdict,
10/10 The Best Duo, a great fun story. Celebrates the 60th anniversary in style!
Spot on
gabrielpilot25 November 2023
Warning: Spoilers
I couldn't catch it live unfortunately, so i watched it in my sheets at nighttime. One has to admit The Star Beast is far from the best episode of Doctor Who. It's (too) fast paced, really cheesy in some places, its music overstays its welcome one too many times. The twist villain isn't all that twisty, the sonic screwdriver really serves as an all-powerful mcguffin. But it's also thrilling from beginning to end, funny, action-packed, heartfelt, and a promising glimpse into things to come. Most importantly, it is making me go to sleep dreaming of stars and travel. That hasn't happened in a long time. So thank you Doctor Who. Damn, you did it again.
The return of the greats
lkcphd25 November 2023
It's been a rough few years for Whovians, but all is well again. The incomparable R. T. Davies is back in the showrunner's seat. I never imagined it possible, but he is even better than he was when he brought the TARDIS out of moth balls. This episode has all of the cheeky humor I loved in his prior run. The writing is as sharp as ever, intricately woven for hardcore Whovians and new viewers in equal measure. He brought Tennant and Tate burst back into our lives with all of the quirky, delicious repartee I loved in series 4. Seeing Jacqueline King again is like meeting an old friend, and I couldn't get enough of her dogged determination to protect Donna from her memories. The newcomer, Yasmin Finney, has the quick wit and authenticity of her TV mom. I couldn't get enough of her! And we finally get some time with Karl Collins's Shaun Temple, and he's a perfect fit for the joyously unconventional Nobles.
I'm personally thrilled beyond measure for the return of the phenomenal Murray Gold. Even without the gorgeous sets and special effects, Gold's soundtrack is the embodiment of the excitement and frivolity of this episode. I don't know that I've ever felt such overwhelming joy from one episode of TV. If you've never watched Doctor Who, or if you stopped watching in recent years, give it 57 minutes. You will be a Whovian forever.
I'm personally thrilled beyond measure for the return of the phenomenal Murray Gold. Even without the gorgeous sets and special effects, Gold's soundtrack is the embodiment of the excitement and frivolity of this episode. I don't know that I've ever felt such overwhelming joy from one episode of TV. If you've never watched Doctor Who, or if you stopped watching in recent years, give it 57 minutes. You will be a Whovian forever.
Best thing I've seen since the 50th
weatherladykatie25 November 2023
I will do my best to avoid spoilers but I will say, Doctor Who is officially back on track.
RTD came out swinging with the return of David Tennant as the Doctor, and he wastes no time in accidentally running into Donna Noble. It's clear the show has had some upgrades in terms of budget. Great improvements in special effects, the acting is brilliant as ever from David and Catherine Tate, and the story has a few unexpected twists. Anyone who has seen Donna Noble's exit from the show will wonder how it can work, but he makes it all make sense.
RTD, you brilliant bugger, in 60 minutes you've saved 60 years of sci-fi history. It'll be hard to wait another week to see where the TARDIS will take them next!
RTD came out swinging with the return of David Tennant as the Doctor, and he wastes no time in accidentally running into Donna Noble. It's clear the show has had some upgrades in terms of budget. Great improvements in special effects, the acting is brilliant as ever from David and Catherine Tate, and the story has a few unexpected twists. Anyone who has seen Donna Noble's exit from the show will wonder how it can work, but he makes it all make sense.
RTD, you brilliant bugger, in 60 minutes you've saved 60 years of sci-fi history. It'll be hard to wait another week to see where the TARDIS will take them next!
The Doctor Is BACK!!!!!!
hkpublic25 November 2023
This episode is magnificent!!!!! From the amazing characters to the visuals, to the diversity, this episode is truly a work of art.
After a few years of Doctor Who losing its footing (not that I think it deserves the hate it got, but that it was of lower quality), our Doctor has returned!!!! Not only in terms of David Tennant and Catherine Tate returning, but also in the quality and the joy this episode brings.
I'm thrilled by the level of diversity in this episode. The Unit scientific advisor in a wheelchair to the Unit soldier muslim(?) man with the religious headwear (sorry, I'm not familiar with the exact name and don't want to get it incorrect) to Rose as a transgender character.
With these inclusions, I felt incredibly seen, as I'm certain many viewers did too. Having these real life inclusions was fabulous.
The increased budget due to Disney was very evident, from the increased capabilities of the sonic screwdriver, to the better visual effects, to the new Tardis!
I'm so thrilled that it's now on Disney+ allowing for more exposure worldwide to the brillance that is Doctor Who. This episode is definitely a great one to hook new viewers!
I want to gush and gush about how fantastic this episode was, but it's better just to watch it.
After a few years of Doctor Who losing its footing (not that I think it deserves the hate it got, but that it was of lower quality), our Doctor has returned!!!! Not only in terms of David Tennant and Catherine Tate returning, but also in the quality and the joy this episode brings.
I'm thrilled by the level of diversity in this episode. The Unit scientific advisor in a wheelchair to the Unit soldier muslim(?) man with the religious headwear (sorry, I'm not familiar with the exact name and don't want to get it incorrect) to Rose as a transgender character.
With these inclusions, I felt incredibly seen, as I'm certain many viewers did too. Having these real life inclusions was fabulous.
The increased budget due to Disney was very evident, from the increased capabilities of the sonic screwdriver, to the better visual effects, to the new Tardis!
I'm so thrilled that it's now on Disney+ allowing for more exposure worldwide to the brillance that is Doctor Who. This episode is definitely a great one to hook new viewers!
I want to gush and gush about how fantastic this episode was, but it's better just to watch it.
...and we're back!
maxglen25 November 2023
Doctor Who has always been a big part of my life, ever since it returned to screens when I was a wee nipper. I've since watched the original show and delved into the world of the novels and audio dramas and despite loving (almost) every second of it, I've always held Russell's era very closely to my hearts. I was both extremely excited and extremely worried about this fresh run of things: would it be able to capture the charm and atmosphere that made the Davies' era so wonderful? Would it feel like a soulless nostalgia grab? So many questions! But I'm glad to report that I LOVED this first episode. It was everything I had hoped for and more! Brilliant effects, wonderful performances, a tight script, music that hits all the right notes... I could go on. I'm not going to spoil it because it's got more twists and turns than a twisty turny thing but you should go and watch it right now! I imagine that I'll be seeing you back here this time next week, so until then, allons-y!
Welcome back David, Catherine and Russell!
Robsnide26 November 2023
Warning: Spoilers
'Dr. Who' is back, and back with a bang! 'The Star Beast' sees the welcome return of one of the greatest ever Doctors, the brilliant David Tennant, and its as if he's never been away. From the moment he stepped out of the TARDIS, he effortlessly became that that character again. Catherine Tate also returned as the marvellous 'Donna Noble', now married and with a daughter called 'Rose' ( Yasmin Finney ). The plot concerns a cute alien called a Meep ( voiced by Miriam Margolyes ) who claims he is being pursued by Wrarth warriors because of his expensive fur. Some fools have claimed this story is a rip-off of 'E. T' but it cannot be as it is based on a comic-strip published by Marvel UK back in 1980 ( two years before E. T. was made ). Thanks to a new co-production deal with Disney, this looks bigger and better than any Dr. Who since 'The End Of Time' back in 2009. I love the new-look TARDIS! Its white and with lots of ramps for David to run around on.
Dr. Who is still struggling to recover from the disastrous Steven Moffat tenure, but if this episode is anything to go by, the future looks promising. I'm sure Ncuti Gatwa will be a worthy successor to David. Never mind what the naysayers think!
Dr. Who is still struggling to recover from the disastrous Steven Moffat tenure, but if this episode is anything to go by, the future looks promising. I'm sure Ncuti Gatwa will be a worthy successor to David. Never mind what the naysayers think!
"'Member when David Tennant and Russell T Davies drove the Doctor Who ship? Oh, I 'member!"
kelsodude25 November 2023
South Park's Memberberries basically sum up this brand new episode to bring in Doctor Who's 60th Anniversary. While it's nice to see RTD running the show again with David Tennant and Catherine Tate back to guest star, I can't help but think this is merely a nostalgia trip to get viewers back on board for the Gatwa era, which is certainly what I, and I'm sure many others are excited for.
Yes, David Tennant is the modern era's Tom Baker popularity-wise, but he's not quite as interesting and intriguing as his two successors (predecessors now too?) Matt Smith and Peter Capaldi, who's portrayals match Baker's more alien nature, and in my opinion have aged better than Tennant's.
I'm more excited for Gatwa, bring him on! Also, new TARDIS is pretty sterile looking to be honest, doesn't hold a candle to the Smith/Capaldi era TARDIS's, heck, even Whittaker's had more atmosphere.
7/10. Not bad, but it's certainly no more than a nostalgia trip.
Yes, David Tennant is the modern era's Tom Baker popularity-wise, but he's not quite as interesting and intriguing as his two successors (predecessors now too?) Matt Smith and Peter Capaldi, who's portrayals match Baker's more alien nature, and in my opinion have aged better than Tennant's.
I'm more excited for Gatwa, bring him on! Also, new TARDIS is pretty sterile looking to be honest, doesn't hold a candle to the Smith/Capaldi era TARDIS's, heck, even Whittaker's had more atmosphere.
7/10. Not bad, but it's certainly no more than a nostalgia trip.
A very Special special episode.
caroljude-6635627 November 2023
The Star Beast, first of three special episodes marking the 60th Anniversary of Doctor Who, is a joyous and thought-provoking hour that reunites the winning team of perenially popular favorites David Tennant and Catherine Tate. From the opening scene (which comes after a brief recap of The Tenth Doctor and Donna's history together,) director Rachel Talalay perfectly hits the right beats and tone that bring us right back to the fun and feeling of fifteen years ago.
The plot is a 'typical' Doctor Who story complete with goofy-looking British aliens, explosions and quips. There are scenes and moments that bring us into the modern day, some which might be problematic to a few viewers who consider themselves 'traditionalists' in both entertainment and sociopolitical issues. Most however should find that The Star Beast opens the door to the universe even wider, with new and intriguing characters and concepts.
It LOOKS fantastic - the cinematic quality and special effects are masterfully handled (with a few missteps now and again, none worth mentioning; they do not detract.) Murray Gold's musical score incorporates snatches of familiar melodies and feelings and the new version of the title theme is tremendous (as is the opening title sequence!) David Tennant's Fourteenth Doctor benefits greatly from the years of work the actor has put in since last playing The Doctor; just as we watched him grow as an actor back in his Ten days, we see his growth here as well, still stunning, still hyperkinetic at times, and with even more feeling in his haunted/regretful aka serious moments. Catherine Tate steps back into Donna Noble as if she'd never left, and her growth as an actor is noticeable as well. The rest of the cast are all on point, and the energy and cohesion in the ensemble scenes is perfectly matched to one another.
There are standout scenes that will have you tearing up, laughing out loud, or shouting excitedly like a Doctor seeing their new (amazing, if a bit bare right now) TARDIS for the first time.
The leadup to the end may make you think 'patented Disney fairy tale,' but then so did the first reunion of this Doctor and this Companion. It's not uncomfortable to let yourself go with it and just enjoy. Fan service? Only in the very best way.
The plot is a 'typical' Doctor Who story complete with goofy-looking British aliens, explosions and quips. There are scenes and moments that bring us into the modern day, some which might be problematic to a few viewers who consider themselves 'traditionalists' in both entertainment and sociopolitical issues. Most however should find that The Star Beast opens the door to the universe even wider, with new and intriguing characters and concepts.
It LOOKS fantastic - the cinematic quality and special effects are masterfully handled (with a few missteps now and again, none worth mentioning; they do not detract.) Murray Gold's musical score incorporates snatches of familiar melodies and feelings and the new version of the title theme is tremendous (as is the opening title sequence!) David Tennant's Fourteenth Doctor benefits greatly from the years of work the actor has put in since last playing The Doctor; just as we watched him grow as an actor back in his Ten days, we see his growth here as well, still stunning, still hyperkinetic at times, and with even more feeling in his haunted/regretful aka serious moments. Catherine Tate steps back into Donna Noble as if she'd never left, and her growth as an actor is noticeable as well. The rest of the cast are all on point, and the energy and cohesion in the ensemble scenes is perfectly matched to one another.
There are standout scenes that will have you tearing up, laughing out loud, or shouting excitedly like a Doctor seeing their new (amazing, if a bit bare right now) TARDIS for the first time.
The leadup to the end may make you think 'patented Disney fairy tale,' but then so did the first reunion of this Doctor and this Companion. It's not uncomfortable to let yourself go with it and just enjoy. Fan service? Only in the very best way.
It was Okay
rstenstrom4 December 2023
Warning: Spoilers
I find this episode just watchable its your classic basic Doctor Who story and it works in most places. The Meep was excellent from it being innocent to then just pure evil which was a brilliant reveal even though a bit predictable. It's great to see David Tennant and Catherine Tate back and they play the characters like they never ever left.
Now the main complain people have about this episode is that it's still woke. Which this episode does have PC aspects but it's very forgettable. Rose being transgender shouldn't be criticised as woke I think Yasmin Finnay was good as Rose Noble and her being transgender merges in with the plot. However, I got to say the line "did you just assume its gender?" Wasn't called for and was a bit cringe. As well as the bit when its revealed the reason Donna was saying Binary at the end of Journey's End was because she would have a child who would identify as Non-Binary. Pretty sure people identifying as Non-Binary wasn't around during 2008.
The CGI has improved drastically, I'm not sure what the Sonic Screwdriver does now. They really made most of the money they received from Disney.
Overall I think it wasn't the greatest episode to start the 60th anniversary and a new big era of Doctor Who, but the episode is watchable to say the least.
Now the main complain people have about this episode is that it's still woke. Which this episode does have PC aspects but it's very forgettable. Rose being transgender shouldn't be criticised as woke I think Yasmin Finnay was good as Rose Noble and her being transgender merges in with the plot. However, I got to say the line "did you just assume its gender?" Wasn't called for and was a bit cringe. As well as the bit when its revealed the reason Donna was saying Binary at the end of Journey's End was because she would have a child who would identify as Non-Binary. Pretty sure people identifying as Non-Binary wasn't around during 2008.
The CGI has improved drastically, I'm not sure what the Sonic Screwdriver does now. They really made most of the money they received from Disney.
Overall I think it wasn't the greatest episode to start the 60th anniversary and a new big era of Doctor Who, but the episode is watchable to say the least.
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