Claudia Sanchez’s documentary Transmexico took the Audience Choice Award on Saturday at the Santa Barbara Film Festival, which revealed winners in its juried categories as it wraps its 39th edition.
The doc follows three trans women who challenge societal norms while inspiring change against daunting odds.
Other winners include Sophia Sabella and Pablo Feldman’s Edge of Everything, which took the fest’s Spirit Award for Independent Cinema; Nays Baghai’s Driving Into the Darkness as Best Documentary; and Wregas Bhanuteja’s Andragogy from Indonesia as Best International Feature Film.
The fest also bestowed wins on short films A Man’s Man (documentary), Area Boy (live-action) and On the 8th Day (animated), qualifying the pics for the 2025 Oscars.
“We are so grateful to our dedicated group of jurors for their fine selections,” Sbiff programming director Claudia Puig said as part of the awards ceremony, held at a breakfast today...
The doc follows three trans women who challenge societal norms while inspiring change against daunting odds.
Other winners include Sophia Sabella and Pablo Feldman’s Edge of Everything, which took the fest’s Spirit Award for Independent Cinema; Nays Baghai’s Driving Into the Darkness as Best Documentary; and Wregas Bhanuteja’s Andragogy from Indonesia as Best International Feature Film.
The fest also bestowed wins on short films A Man’s Man (documentary), Area Boy (live-action) and On the 8th Day (animated), qualifying the pics for the 2025 Oscars.
“We are so grateful to our dedicated group of jurors for their fine selections,” Sbiff programming director Claudia Puig said as part of the awards ceremony, held at a breakfast today...
- 2/17/2024
- by Patrick Hipes
- Deadline Film + TV
“TransMexico,” “Edge of Everything” and Andragogy” are among the winners of the 39th annual Santa Barbara International Film Festival.
The Sbiff, whose mission is to discover and showcase the “best in independent and international cinema,” has become one of the leading film festivals in the United States – attracting roughly 100,000 attendees for a packed week slatted with screenings of over 200+ films.
A panel of jury members selected the winners, which included Lesley Chilcott, Alex Keledjian, Chris Landon, Lael Loewenstein, Jacqueline Lyanga, David Magdael, Gail Mancuso, Greg Nava, Pituka Ortega Heilbron, Carla Renata, Gil Robertson, Ondi Timoner, Clay Tweel and Ali Wolfe.
“We are so grateful to our dedicated group of jurors for their fine selections,” Claudia Puig, Sbiff’s programming director, said in a statement. “The winning films tell stories that span the globe, from the magic of movie palaces in the Atacama Desert to the stunning mystery of ice caves...
The Sbiff, whose mission is to discover and showcase the “best in independent and international cinema,” has become one of the leading film festivals in the United States – attracting roughly 100,000 attendees for a packed week slatted with screenings of over 200+ films.
A panel of jury members selected the winners, which included Lesley Chilcott, Alex Keledjian, Chris Landon, Lael Loewenstein, Jacqueline Lyanga, David Magdael, Gail Mancuso, Greg Nava, Pituka Ortega Heilbron, Carla Renata, Gil Robertson, Ondi Timoner, Clay Tweel and Ali Wolfe.
“We are so grateful to our dedicated group of jurors for their fine selections,” Claudia Puig, Sbiff’s programming director, said in a statement. “The winning films tell stories that span the globe, from the magic of movie palaces in the Atacama Desert to the stunning mystery of ice caves...
- 2/17/2024
- by Diego Ramos Bechara
- Variety Film + TV
Festival First For Darren Dale
Producer and screenwriter, Darren Dale has been named as the new board chair of the Sydney Film Festival, following the retirement of Dianne Weir. He is a leading advocate for Aboriginal and Torres Strait Islander content and has been director of Blackfella Films since 2000. He has been involved with films including “The Dark Emu Story,” “Mabo” and TV’s “Redfern Now.” He is also a member of the Academy of Motion Picture Arts & Sciences and has held board roles at Acmi, Sydney Film Festival, Screen Nsw and the Australian Film Television and Radio School.
“As the first Indigenous and industry practitioner to chair the Sydney Film Festival, Darren Dale’s appointment marks a significant and positive shift for the festival. With an impressive track record in storytelling spanning two decades, he brings valuable experience to lead this cultural organization,” said federal Minister for Arts John Graham.
Producer and screenwriter, Darren Dale has been named as the new board chair of the Sydney Film Festival, following the retirement of Dianne Weir. He is a leading advocate for Aboriginal and Torres Strait Islander content and has been director of Blackfella Films since 2000. He has been involved with films including “The Dark Emu Story,” “Mabo” and TV’s “Redfern Now.” He is also a member of the Academy of Motion Picture Arts & Sciences and has held board roles at Acmi, Sydney Film Festival, Screen Nsw and the Australian Film Television and Radio School.
“As the first Indigenous and industry practitioner to chair the Sydney Film Festival, Darren Dale’s appointment marks a significant and positive shift for the festival. With an impressive track record in storytelling spanning two decades, he brings valuable experience to lead this cultural organization,” said federal Minister for Arts John Graham.
- 11/23/2023
- by Patrick Frater
- Variety Film + TV
Documentary follows stolen generations member Brenda Matthews’ search for her white foster parents
Get our weekend culture and lifestyle email
The inherently fragmentary nature of memories is a difficult thing to visualise, but The Last Daughter’s co-directors, Brenda Matthews and Nathaniel Schmidt, do a fine job of it in this tenderly crafted documentary. Imagery throughout the film is tuned to the testimony of Matthews, a Wiradjuri woman and member of the stolen generations who was removed from her biological family when she was very young. She was placed in the custody of white foster parents who raised her in a loving home for five years before being directed to return her to her Aboriginal family. This created, in the long run, a large gap in her understanding of her past.
Matthews’ first memories were of growing up in a white family but where did they go? Why did they leave her life?...
Get our weekend culture and lifestyle email
The inherently fragmentary nature of memories is a difficult thing to visualise, but The Last Daughter’s co-directors, Brenda Matthews and Nathaniel Schmidt, do a fine job of it in this tenderly crafted documentary. Imagery throughout the film is tuned to the testimony of Matthews, a Wiradjuri woman and member of the stolen generations who was removed from her biological family when she was very young. She was placed in the custody of white foster parents who raised her in a loving home for five years before being directed to return her to her Aboriginal family. This created, in the long run, a large gap in her understanding of her past.
Matthews’ first memories were of growing up in a white family but where did they go? Why did they leave her life?...
- 6/15/2023
- by Luke Buckmaster
- The Guardian - Film News
Warwick Thornton’s “The New Boy” has been set as the opening title of next month’s Sydney Film Festival, which will celebrate its 70th edition, June 7-18. The film, a tale of sprituality and survival in 1940s Australia, starring Cate Blanchett, Deborah Mailman, Wayne Blair and Aswan Reid, will also play in the festival’s competition section.
Other titles in competition include: the world premiere of Australian documentary feature “The Dark Emu Story,” directed by Allan Clarke; Christian Petzold’s previously announced “Afire”; Charlotte Regan’s Sundance Grand Jury Prize winner “Scrapper”; Kore-eda Hirokazu’s “Monster”; Aki Kaurismäki’s compassionate comedy “Fallen Leaves”; Kim Jee-woon’s “Cobweb”; Asmae El Moudir’s “The Mother of All Lies”; Alice Englert’s directorial debut “Bad Behaviour”; Celine Song’s Sundance and Berlinale 2023 selected romance “Past Lives”; Liu Jian’s 2023 Berlinale-selected animation “Art College 1994”; Devashish Makhija’s “Joram,” a thriller about an...
Other titles in competition include: the world premiere of Australian documentary feature “The Dark Emu Story,” directed by Allan Clarke; Christian Petzold’s previously announced “Afire”; Charlotte Regan’s Sundance Grand Jury Prize winner “Scrapper”; Kore-eda Hirokazu’s “Monster”; Aki Kaurismäki’s compassionate comedy “Fallen Leaves”; Kim Jee-woon’s “Cobweb”; Asmae El Moudir’s “The Mother of All Lies”; Alice Englert’s directorial debut “Bad Behaviour”; Celine Song’s Sundance and Berlinale 2023 selected romance “Past Lives”; Liu Jian’s 2023 Berlinale-selected animation “Art College 1994”; Devashish Makhija’s “Joram,” a thriller about an...
- 5/10/2023
- by Patrick Frater
- Variety Film + TV
The Sydney Film Festival, which this year will celebrate its 70th edition, has unveiled its first dozen selections. Seven are feature films, five are documentaries.
“The 2023 program will expand on this legacy, promising to ignite stimulating dialogues and present powerful ideas that will broaden audience perspectives,” said festival director Nashen Moodley. He noted that over the previous 69 editions the Sydney festival has showcased more than 10,000 films.
Highlights among the documentaries are two Australian titles. “Rachel’s Farm” follows actor-director Rachel Ward as she revitalizes her beef farm using sustainable farming practices. In “The Last Daughter” Wiradjuri woman Brenda Matthews documents her search to uncover the truth about her government-ordered abduction as a child and to find her white foster family. Both Matthews and Ward will attend the festival in person.
“Red, White and Brass” – presented as a feature, rather than a documentary – is a fact-based tale of a group of...
“The 2023 program will expand on this legacy, promising to ignite stimulating dialogues and present powerful ideas that will broaden audience perspectives,” said festival director Nashen Moodley. He noted that over the previous 69 editions the Sydney festival has showcased more than 10,000 films.
Highlights among the documentaries are two Australian titles. “Rachel’s Farm” follows actor-director Rachel Ward as she revitalizes her beef farm using sustainable farming practices. In “The Last Daughter” Wiradjuri woman Brenda Matthews documents her search to uncover the truth about her government-ordered abduction as a child and to find her white foster family. Both Matthews and Ward will attend the festival in person.
“Red, White and Brass” – presented as a feature, rather than a documentary – is a fact-based tale of a group of...
- 4/5/2023
- by Patrick Frater
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.