Paris-based sales company Charades has closed a raft of deals on “Forever Young,” Valeria Bruni Tedeschi’s film which competed at Cannes and earned a warm critical welcome.
“Forever Young” opens at the end of the 1980s in Paris and follows a young troupe of comedians who have just have been admitted to Les Amandiers, the prestigious theater school headed by Patrice Chéreau. Bruni Tedeschi wrote the script alongside Agnès De Sacy and regular collaborator Noémie Lvovsky. “Forever Young” stars Nadia Tereszkiewicz, Sofiane Bennacer and Louis Garrel, among others.
The movie was acquired Filmin (Spain), Kismet (Australia), Belas Artes (Brazil) Lev (Israel), Cineart (Benelux), Panda (Austria), Weird Wave (Greece), Leopardo Filmes (Portugal), Cinemanse (Finland), Triart (Sweden), Megacom (Adriatics), Russian World Vision (Russia) and Skeye (Airlines).
“Forever Young” will be distributed by Lucky Red in Italy and Ad Vitam in France. Charades is in talks to close Germany. It’s produced by Ad Vitam,...
“Forever Young” opens at the end of the 1980s in Paris and follows a young troupe of comedians who have just have been admitted to Les Amandiers, the prestigious theater school headed by Patrice Chéreau. Bruni Tedeschi wrote the script alongside Agnès De Sacy and regular collaborator Noémie Lvovsky. “Forever Young” stars Nadia Tereszkiewicz, Sofiane Bennacer and Louis Garrel, among others.
The movie was acquired Filmin (Spain), Kismet (Australia), Belas Artes (Brazil) Lev (Israel), Cineart (Benelux), Panda (Austria), Weird Wave (Greece), Leopardo Filmes (Portugal), Cinemanse (Finland), Triart (Sweden), Megacom (Adriatics), Russian World Vision (Russia) and Skeye (Airlines).
“Forever Young” will be distributed by Lucky Red in Italy and Ad Vitam in France. Charades is in talks to close Germany. It’s produced by Ad Vitam,...
- 6/3/2022
- by Elsa Keslassy
- Variety Film + TV
by Cláudio Alves
Well, folks, it seems we have another strong contender for the Palme d'Or. If Cristian Mungiu's R.M.N had people whispering about awards possibilities, Ali Abbasi's Holy Spider upped the conversation considerably. It isn't the first time the Iranian-Danish filmmaker presented work at Cannes, though Border was relegated to the Un Certain Regard competition – which it won. That same day, Valeria Bruni Tedeschi showed her latest directorial effort, Forever Young. The actress-turned-director already competed for the Palme back in 2013 with A Castle in Italy. Nevertheless, like Abbasi, her first film to be screened at Cannes was slotted for the Un Certain Regard section. In 2007, Tedeschi won a Special Jury Prize for Actresses.
As one ponders these directors' latest accomplishments, let's look back at their first prize-winning Cannes experiences…...
Well, folks, it seems we have another strong contender for the Palme d'Or. If Cristian Mungiu's R.M.N had people whispering about awards possibilities, Ali Abbasi's Holy Spider upped the conversation considerably. It isn't the first time the Iranian-Danish filmmaker presented work at Cannes, though Border was relegated to the Un Certain Regard competition – which it won. That same day, Valeria Bruni Tedeschi showed her latest directorial effort, Forever Young. The actress-turned-director already competed for the Palme back in 2013 with A Castle in Italy. Nevertheless, like Abbasi, her first film to be screened at Cannes was slotted for the Un Certain Regard section. In 2007, Tedeschi won a Special Jury Prize for Actresses.
As one ponders these directors' latest accomplishments, let's look back at their first prize-winning Cannes experiences…...
- 5/24/2022
- by Cláudio Alves
- FilmExperience
A decade after presenting A Castle in Italy (2013), Valeria Bruni‑Tedeschi returns to the competition with Les Amandiers (Forever Young). Starring Louis Garrel as Patrice Chéreau and a slew of students lucky (or unlucky) to make it into the infamous school of actors in Nadia Tereszkiewicz, Alexia Chardard and Oscar Lesage, this is Bruni‑Tedeschi’s third trip to the fest as a director – she showcased 2007’s Actresses in the Un Certain Regard section. Having not seen that film – I wonder if both films speak to one another.
Simply put this follows a group of students admitted into Patrice Chéreau’s Théâtre des Amandiers in Nanterre in the 1980s.…...
Simply put this follows a group of students admitted into Patrice Chéreau’s Théâtre des Amandiers in Nanterre in the 1980s.…...
- 5/23/2022
- by Eric Lavallée
- IONCINEMA.com
With almost half of the titles scored, none have yet achieved an average score of three or higher.
Ali Abbasi’s serial killer drama Holy Spider has divided Screen’s Cannes jury grid critics, while Valeria Bruni Tedeschi’s Forever Young landed on the grid with the lowest average score so far.
Holy Spider, which follows a female journalist investigating the murder of sex workers in Iran, achieved a 2.1 average (with one score still to come in). The Telegraph’s Tim Robey and Robbie Collin and Meduza’s Anton Dolin awarded it a four (excellent), but it also picked up...
Ali Abbasi’s serial killer drama Holy Spider has divided Screen’s Cannes jury grid critics, while Valeria Bruni Tedeschi’s Forever Young landed on the grid with the lowest average score so far.
Holy Spider, which follows a female journalist investigating the murder of sex workers in Iran, achieved a 2.1 average (with one score still to come in). The Telegraph’s Tim Robey and Robbie Collin and Meduza’s Anton Dolin awarded it a four (excellent), but it also picked up...
- 5/23/2022
- by Melissa Kasule
- ScreenDaily
Valeria Bruni Tedeschi is a perennial Cannes favorite, having won the Prix Spécial du Jury in 2007 for “Actrices” and scoring a Palme d’Or nomination for 2013’s “A Castle in Italy.” Her latest film, “Forever Young,” takes a look at Les Amandiers, the prestigious theater school where she studied under legendary teacher Patrice Chéreau. The film, which she co-wrote with several other former students, uses the school as a backdrop to tell the story of several young artists launching their careers.
The official synopsis for “Forever Young” reads: “it’s the end of the ’80s in Paris, a young troupe of comedians have just been admitted to Les Amandiers, the prestigious theater school headed by Patrice Chéreau. They set out in life and in their early career. Along the way, they will learn, act, love, fear, live to the fullest and also experience their first tragedies.”
Bruni Tedeschi’s time...
The official synopsis for “Forever Young” reads: “it’s the end of the ’80s in Paris, a young troupe of comedians have just been admitted to Les Amandiers, the prestigious theater school headed by Patrice Chéreau. They set out in life and in their early career. Along the way, they will learn, act, love, fear, live to the fullest and also experience their first tragedies.”
Bruni Tedeschi’s time...
- 5/22/2022
- by Christian Zilko
- Indiewire
Updated, April 19: This article has been updated to include the addition of the Directors’ Fortnight lineup. The update is below.
This year’s Cannes competition slate is unquestionably stacked, including new films from major names like David Cronenberg, Kelly Reichardt, Claire Denis, Arnaud Desplechin, the Dardenne brothers, James Gray, Hirokazu Kore-eda, Ruben Ostlund, and Park Chan-wook, but anyone looking for proof that the lauded festival is at all interested in bulking up its representation of female filmmakers will likely come away disappointed.
While festival director Thierry Fremaux used a recent interview with Variety to tout that this edition of the festival would have “a stronger presence of female directors,” that was all talk: the 2022 festival will include just three films directed by women in the competition section out of 18 total. That’s 16.6 percent, precisely the same ratio as last year and an overall downturn in total inclusion from previous years.
This year’s Cannes competition slate is unquestionably stacked, including new films from major names like David Cronenberg, Kelly Reichardt, Claire Denis, Arnaud Desplechin, the Dardenne brothers, James Gray, Hirokazu Kore-eda, Ruben Ostlund, and Park Chan-wook, but anyone looking for proof that the lauded festival is at all interested in bulking up its representation of female filmmakers will likely come away disappointed.
While festival director Thierry Fremaux used a recent interview with Variety to tout that this edition of the festival would have “a stronger presence of female directors,” that was all talk: the 2022 festival will include just three films directed by women in the competition section out of 18 total. That’s 16.6 percent, precisely the same ratio as last year and an overall downturn in total inclusion from previous years.
- 4/19/2022
- by Kate Erbland
- Indiewire
The French film centre will also support films by Clément Cogitore, Baya Kasmi, Nicolas Philibert, Sophie Fillières, Sébastien Betbeder, Mathieu Vadepied and Dominique Abel & Fiona Gordon. Eight projects were selected during the 5th and final 2020 session of the Cnc’s second committee for pre-production advances on receipts. Stealing focus amongst these projects we find Les Amandiers, which will be the 5th fiction feature directed by Valeria Bruni Tedeschi following on from It’s Easier For A Camel (the winner of the 2003 Louis Delluc Best First Film Award), The Summer House (screened out of competition in Venice 2018) and two films previously selected for Cannes: Actresses (gracing the Un Certain Regard section in 2007) and A Castle in Italy (in competition in 2013). Her new work will plunge us back into the universe of the Nanterre-Amandiers Theatre, as helmed by Patrice Chéreau at the beginning of the 1990s, training young...
There are precious few things we know about Valeria Bruni Tedeschi after watching her film “The Summer House” that we did not know before. But here’s one: The writer-director-star understands how her detractors perceive her. And so unfolds an early scene that seems designed to head the inevitable criticisms off at the pass: At a financing meeting for her new film, director Anna (Bruni Tedeschi) faces a panel of nonplussed producers who complain that her next project is the same as all her others and that her screenplay is “fragile.”
The scene is an amusingly brittle comedy of manners with the director, as ever, gamely ready to cast herself as the ditz. But it is also pointedly metatextual and has credibility-laden documentary guru Frederick Wiseman in it, gnomically sitting on the panel looking as baffled to be there as we are to see him. For a moment it seems like Bruni Tedeschi,...
The scene is an amusingly brittle comedy of manners with the director, as ever, gamely ready to cast herself as the ditz. But it is also pointedly metatextual and has credibility-laden documentary guru Frederick Wiseman in it, gnomically sitting on the panel looking as baffled to be there as we are to see him. For a moment it seems like Bruni Tedeschi,...
- 9/19/2018
- by Jessica Kiang
- Variety Film + TV
Omar Sharif in 'Doctor Zhivago.' Egyptian star Omar Sharif, 'The Karate Kid' producer Jerry Weintraub: Brief career recaps A little late in the game – and following the longish Theodore Bikel article posted yesterday – below are brief career recaps of a couple of film veterans who died in July 2015: actor Omar Sharif and producer Jerry Weintraub. A follow-up post will offer an overview of the career of peplum (sword-and-sandal movie) actor Jacques Sernas, whose passing earlier this month has been all but ignored by the myopic English-language media. Omar Sharif: Film career beginnings in North Africa The death of Egyptian film actor Omar Sharif at age 83 following a heart attack on July 10 would have been ignored by the English-language media (especially in the U.S.) as well had Sharif remained a star within the Arabic-speaking world. After all, an "international" star is only worth remembering...
- 7/24/2015
- by Andre Soares
- Alt Film Guide
The 15th Mumbai Film Festival (Mff) presented by Reliance Entertainment and organized by the Mumbai Academy of Moving Image (Mami) scheduled between 17th-24th October is all set to showcase the best of contemporary French cinema and welcome artists for the 6th edition of the Rendez-vous with French Cinema co-organized with The French Embassy in India, Institut Français en Inde and Unifrance films.
As part of the festival highlights, Costa Gavras will receive the Lifetime Achievement Award during the opening ceremony in the presence of His Excellency Mr François Richier, Ambassador of France to India who will grace us with his presence especially for this occasion. Among others, Nathalie Baye, jury member of the international section, Mahamat Saleh Haroun, director of the film “Grigris”, Guillaume Brac, director of the film “Tonnerre” (Competition) and Leos Carax, well known film maker who will be conducting a masters class.
The special section “Rendez-vous...
As part of the festival highlights, Costa Gavras will receive the Lifetime Achievement Award during the opening ceremony in the presence of His Excellency Mr François Richier, Ambassador of France to India who will grace us with his presence especially for this occasion. Among others, Nathalie Baye, jury member of the international section, Mahamat Saleh Haroun, director of the film “Grigris”, Guillaume Brac, director of the film “Tonnerre” (Competition) and Leos Carax, well known film maker who will be conducting a masters class.
The special section “Rendez-vous...
- 10/18/2013
- by Pooja Rao
- Bollyspice
Title: Un Castello in Italia (Un château en Italie/ A castle in Italy) Director: Valeria Bruni Tedeschi Starring: Valeria Bruni Tedeschi, Louis Garrel, Filippo Timi, Marisa Borini. Valeria Bruni Tedeschi, is known to the general public for being the older sister of former French first lady Carla Bruni-Sarkozy, as well as being an established actress, screenwriter and director. In ‘Un Castello in Italia,’ Valeria delivers her third feature as director, and co-stars, next to her mother in real life and on stage, Marisa Borini, and her former long time partner, with whom she adopted an African baby girl, Louis Garrel, son of the famous director Philippe. ‘A Castle in Italy’ [ Read More ]
The post Un Castello in Italia (Un Château en Italie/ A Castle in Italy) Movie Review appeared first on Shockya.com.
The post Un Castello in Italia (Un Château en Italie/ A Castle in Italy) Movie Review appeared first on Shockya.com.
- 9/26/2013
- by Chiara Spagnoli Gabardi
- ShockYa
Pascal Bonitzer’s Looking for Hortense (Cherchez Hortense, in the original French) is finally set to arrive on our shores this summer, having debuted at Venice last year to positive early reviews.
The film earned two nominations at the César Awards earlier in the year, the French equivalent of the Oscars. And with its August UK release date just a few weeks away, we’ve got the new UK quad poster to exclusively share.
Looking For Hortense is a bittersweet ‘comedie de moeurs’ that is French in spirit but universal in appeal. Damien (Jean-Pierre Bacri), a Chinese civilization professor, lives with his partner, Iva (Kristin Scott Thomas), a stage director, and their son Noé. The couple’s relationship has drifted into routine that has drained it of love. Damien finds himself trapped one day by Iva, who orders him to ask his father, a senior member of the French Council of State,...
The film earned two nominations at the César Awards earlier in the year, the French equivalent of the Oscars. And with its August UK release date just a few weeks away, we’ve got the new UK quad poster to exclusively share.
Looking For Hortense is a bittersweet ‘comedie de moeurs’ that is French in spirit but universal in appeal. Damien (Jean-Pierre Bacri), a Chinese civilization professor, lives with his partner, Iva (Kristin Scott Thomas), a stage director, and their son Noé. The couple’s relationship has drifted into routine that has drained it of love. Damien finds himself trapped one day by Iva, who orders him to ask his father, a senior member of the French Council of State,...
- 7/1/2013
- by Kenji Lloyd
- HeyUGuys.co.uk
Cannes Film Festival announces 2013 Lineup. There were 1,858 submissions this year, according to festival chief Thierry Frémaux. Some titles will be added in the coming weeks: In Competition Opening Film Baz Luhrmann The Great Gatsby (H.C.) *** Valeria Bruni-tedeschi Un CHÂTEAU En Italie Ethan Coen, Joel Coen Inside Llewyn Davis Arnaud des PALLIÈRES Michael Kohlhaas Arnaud Desplechin Jimmy P. (Psychotherapy Of A Plains Indian) Amat Escalante Heli Asghar Farhadi Le PASSÉ (The Past) James Gray The Immigrant Mahamat-Saleh Haroun Grigris Jia Zhangke Tian Zhu Ding (A Touch Of Sin) Kore-eda Hirokazu Soshite Chichi Ni Naru (Like Father, Like Son) Abdellatif Kechiche La Vie D’ADЀLE (Blue Is The Warmest Color) Takashi Miike Wara No Tate (Shield Of Straw) François Ozon Jeune Et Jolie (Young And Beautiful) Alexander Payne Nebraska Roman Polanski La VÉNUS À La Fourrure Steven Soderbergh Behind The Candelabra Paolo Sorrentino La Grande Bellezza (The Great Beauty) Alex Van Warmerdam...
- 4/18/2013
- by Josh Abraham
- Hollywoodnews.com
With less than a month to go before the festival kicks off out in France, the official line-up has finally been unveiled for this year’s 66th Cannes Film Festival.
The festival is, of course, one of the most prominent events of the year for the industry, with a handful of films launching their status as strong awards contenders out on the Croisette.
Last year, it was Wes Anderson’s Moonrise Kingdom, Michael Haneke’s Amour, Thomas Vinterberg’s The Hunt, Benh Zeitlin’s Beasts of the Southern Wild. The year before that, it was Michael Hazanavicius’ The Artist, Terrence Malick’s The Tree of Life, Nicolas Winding Refn’s Drive, and Woody Allen’s Midnight in Paris.
This year, Baz Luhrmann’s highly anticipated The Great Gatsby has been chosen as the Opening Night Film for Cannes, following its theatrical release in the Us the previous weekend. And bookending...
The festival is, of course, one of the most prominent events of the year for the industry, with a handful of films launching their status as strong awards contenders out on the Croisette.
Last year, it was Wes Anderson’s Moonrise Kingdom, Michael Haneke’s Amour, Thomas Vinterberg’s The Hunt, Benh Zeitlin’s Beasts of the Southern Wild. The year before that, it was Michael Hazanavicius’ The Artist, Terrence Malick’s The Tree of Life, Nicolas Winding Refn’s Drive, and Woody Allen’s Midnight in Paris.
This year, Baz Luhrmann’s highly anticipated The Great Gatsby has been chosen as the Opening Night Film for Cannes, following its theatrical release in the Us the previous weekend. And bookending...
- 4/18/2013
- by Kenji Lloyd
- HeyUGuys.co.uk
66th Cannes Film Festival announced its complete lineup today. The selection includes two Indian Films: “Bombay Talkies” by Anurag Kashyap, Dibakar Banerjee, Zoya Akhtar and Karan Johar and “Monsoon Shootout” by Amit Kumar. Actor Nandita Das is on the Cinefondation jury.
Here is the complete lineup:-
In Competition
Opening Film
Baz Luhrmann The Great Gatsby (H.C.) 1h45
***
Valeria Bruni-tedeschi Un CHÂTEAU En Italie 1h44
Ethan Coen, Joel Coen Inside Llewyn Davis 1h45
Arnaud DESPALLIÈRES Michael Kohlhaas 2h05
Arnaud Desplechin Jimmy P. (Psychotherapy Of A Plains Indian) 2h
Amat Escalante Heli 1h45
Asghar Farhadi Le PASSÉ (The Past) 2h10
James Gray The Immigrant 2h
Mahamat-Saleh Haroun Grigris 1h40
Jia Zhangke Tian Zhu Ding
(A Touch Of Sin) 2h15
Kore-eda Hirokazu Soshite Chichi Ni Naru
(Like Father, Like Son) 2h
Abdellatif Kechiche La Vie D’ADЀLE 3h07
Takashi Miike Wara No Tate
(Shield Of Straw) 2h05
François Ozon Jeune Et Jolie...
Here is the complete lineup:-
In Competition
Opening Film
Baz Luhrmann The Great Gatsby (H.C.) 1h45
***
Valeria Bruni-tedeschi Un CHÂTEAU En Italie 1h44
Ethan Coen, Joel Coen Inside Llewyn Davis 1h45
Arnaud DESPALLIÈRES Michael Kohlhaas 2h05
Arnaud Desplechin Jimmy P. (Psychotherapy Of A Plains Indian) 2h
Amat Escalante Heli 1h45
Asghar Farhadi Le PASSÉ (The Past) 2h10
James Gray The Immigrant 2h
Mahamat-Saleh Haroun Grigris 1h40
Jia Zhangke Tian Zhu Ding
(A Touch Of Sin) 2h15
Kore-eda Hirokazu Soshite Chichi Ni Naru
(Like Father, Like Son) 2h
Abdellatif Kechiche La Vie D’ADЀLE 3h07
Takashi Miike Wara No Tate
(Shield Of Straw) 2h05
François Ozon Jeune Et Jolie...
- 4/18/2013
- by NewsDesk
- DearCinema.com
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