Lisa Redler
Nicole Garcia returned to work with producers David Thion and Philippe Martin for Les Films Pelleas (who produced her 2013 title Going Away / Un beau dimanche) on Lisa Redler – which was co-produced by France 3 Cinema. Garcia returns to work with Dp Christophe Beaucarne and the film’s three main headliners are Pierre Niney, Stacy Martin and Benoit Magimel. Garcia worked as an actress with auteurs such as Bertrand Blier and Alain Resnais in the 70s. Kicking off a directorial career in the 1990s, she competed in Karlovy Vary with 1994’s The Favorite Son and then Venice with her Catherine Deneuve headlined Place Vendome in 1998 (which nabbed Debut the Volpi Cup for Best Actress).…...
Nicole Garcia returned to work with producers David Thion and Philippe Martin for Les Films Pelleas (who produced her 2013 title Going Away / Un beau dimanche) on Lisa Redler – which was co-produced by France 3 Cinema. Garcia returns to work with Dp Christophe Beaucarne and the film’s three main headliners are Pierre Niney, Stacy Martin and Benoit Magimel. Garcia worked as an actress with auteurs such as Bertrand Blier and Alain Resnais in the 70s. Kicking off a directorial career in the 1990s, she competed in Karlovy Vary with 1994’s The Favorite Son and then Venice with her Catherine Deneuve headlined Place Vendome in 1998 (which nabbed Debut the Volpi Cup for Best Actress).…...
- 1/1/2020
- by Nicholas Bell
- IONCINEMA.com
Lisa Redler
Actress/director Nicole Garcia commences her ninth feature with Lisa Redler, returning to work with producers David Thion and Philippe Martin for Les Films Pelleras (who produced her 2013 title Going Away / Un beau dimanche). The title will be co-produced by France 3 Cinema. Garcia returns to work with Dp Christophe Beaucarne (who was nominated for a Cesar on her 2016 title From the Land of the Moon – review). The film’s three main headliners are César winner Pierre Niney, Stacy Martin and Benoit Magimel.
Garcia, who became a renowned actress in the 1970s working with auteurs like Bertrand Blier and Alain Resnais, won a Best Supporting Actress Cesar for 1979’s Le Cavaleur, directed by Philippe de Broca.…...
Actress/director Nicole Garcia commences her ninth feature with Lisa Redler, returning to work with producers David Thion and Philippe Martin for Les Films Pelleras (who produced her 2013 title Going Away / Un beau dimanche). The title will be co-produced by France 3 Cinema. Garcia returns to work with Dp Christophe Beaucarne (who was nominated for a Cesar on her 2016 title From the Land of the Moon – review). The film’s three main headliners are César winner Pierre Niney, Stacy Martin and Benoit Magimel.
Garcia, who became a renowned actress in the 1970s working with auteurs like Bertrand Blier and Alain Resnais, won a Best Supporting Actress Cesar for 1979’s Le Cavaleur, directed by Philippe de Broca.…...
- 1/1/2019
- by Nicholas Bell
- IONCINEMA.com
It was a battle of Yves Saint Laurent biopics at the Césars (the French Oscars, if you will) this year as both the French foreign language Oscar submission "Saint Laurent" (leader of the pack with 10 nods) and "Yves Saint Laurent" picked up a ton of mentions. Oscar players that popped up include "Two Days, One Night" star Marion Cotillard and animated feature "Song of the Sea." Foreign film Oscar nominee "Timbuktu" also had a major showing. And of course, in the Césars' foreign category, films like "Boyhood," "The Grand Budapest Hotel" and "12 Years a Slave" are duking it out. Check out the full list of nominees below, and remember to keep track of it all at The Circuit. Best Film "Les Combattants" "Eastern Boys" "La Famille Bélier" "Saint Laurent" "Hippocrate" "Sils Maria" "Timbuktu" Best Director Céline Sciamma, "Bande De Filles" Thomas Cailley, "Les Combattants" Robin Campillo, "Eastern Boys" Thomas Lilti,...
- 1/28/2015
- by Kristopher Tapley
- Hitfix
Update, 2:25 Am Pt: Last year’s dueling Yves Saint Laurent biopics each picked up several nominations this morning for France’s César Awards. Bertrand Bonello’s Saint Laurent, the country’s entry for the Foreign Language Oscar, leads the pack with 10 mentions, followed by Thomas Cailley’s Directors’ Fortnight title Les Combattants with nine, and Oscar nominee Timbuktu with eight. Yves Saint Laurent, from helmer Jalil Lespert, took seven nods. Otherwise, there are a number of usual suspects in the batch including Best Actress Oscar nominee Marion Cotillard for Two Days, One Night, as well as Juliette Binoche for Olivier Assayas’ Sils Maria. In something of a departure — and a first — for the French Académie, they nominated American actress Kristen Stewart for her supporting turn in that Cannes competition entry. (Adrien Brody won the Best Actor prize in 2003 for The Pianist.) There are also six nominations for late 2014 release La Famille Bélier.
- 1/28/2015
- by Nancy Tartaglione
- Deadline
Love is the Perfect Crime and The Notebook among competition titles.Scoll down for competition line-up
France’s end-of-year, alpine Les Arcs European Film Festival has unveiled the line-up for its fifth edition (Dec 14-21).
In a joint statement, the event’s Paris-based co-founders Pierre Emmanuel Fleurantin and Guillaume Calop, who both hail from Les Arcs, said: “Les Arcs is celebrating its fifth year. It’s been five years of cinephile pleasures, surprises, discoveries, snowflakes, faith, hard work and storms - both figuratively and literally.”
A total of 12 titles selected by artistic director Frédéric Boyer will compete for the festival’s top prize, the Crystal Arrow. The international jury will be announced at a later date.
The contenders include French Arnaud and Jean-Marie Larrieu’s Love is the Perfect Crime, which also opens the festival, Hungary’s foreign language Oscar submission The Notebook by Janos Szasz, Pawel Pawlikowski’s Ida and Bosnian Jamila Zbanic’s For Those Who Can Tell No Tales about...
France’s end-of-year, alpine Les Arcs European Film Festival has unveiled the line-up for its fifth edition (Dec 14-21).
In a joint statement, the event’s Paris-based co-founders Pierre Emmanuel Fleurantin and Guillaume Calop, who both hail from Les Arcs, said: “Les Arcs is celebrating its fifth year. It’s been five years of cinephile pleasures, surprises, discoveries, snowflakes, faith, hard work and storms - both figuratively and literally.”
A total of 12 titles selected by artistic director Frédéric Boyer will compete for the festival’s top prize, the Crystal Arrow. The international jury will be announced at a later date.
The contenders include French Arnaud and Jean-Marie Larrieu’s Love is the Perfect Crime, which also opens the festival, Hungary’s foreign language Oscar submission The Notebook by Janos Szasz, Pawel Pawlikowski’s Ida and Bosnian Jamila Zbanic’s For Those Who Can Tell No Tales about...
- 11/6/2013
- ScreenDaily
Love is the Perfect Crime [pictured] and The Notebook among competition titles.
France’s end-of-year, alpine Les Arcs European Film Festival has unveiled the line-up for its fifth edition running Dec 14-21.
“Les Arcs is celebrating its fifth year! It’s been a first five years of cinephile pleasures, surprises, discoveries, snowflakes, faith and hard work, and storms - both figuratively and literally,” said the event’s Paris-based co-founders Pierre Emmanuel Fleurantin and Guillaume Calop, who both hail from Les Arcs, said in a joint statement.
A total of 12 titles selected by artistic director Frédéric Boyer will compete for the festival’s top prize, the Crystal Arrow. The international jury will be announced at a later date.
The contenders comprise French Arnaud and Jean-Marie Larrieu’s Love is the Perfect Crime, which also opens the festival, Hungary’s foreign language Oscar submission The Notebook by Janos Szasz, Pawel Pawlikowski’s Ida and Bosnian Jamila Zbanic’s For Those Who Can Tell No Tales about...
France’s end-of-year, alpine Les Arcs European Film Festival has unveiled the line-up for its fifth edition running Dec 14-21.
“Les Arcs is celebrating its fifth year! It’s been a first five years of cinephile pleasures, surprises, discoveries, snowflakes, faith and hard work, and storms - both figuratively and literally,” said the event’s Paris-based co-founders Pierre Emmanuel Fleurantin and Guillaume Calop, who both hail from Les Arcs, said in a joint statement.
A total of 12 titles selected by artistic director Frédéric Boyer will compete for the festival’s top prize, the Crystal Arrow. The international jury will be announced at a later date.
The contenders comprise French Arnaud and Jean-Marie Larrieu’s Love is the Perfect Crime, which also opens the festival, Hungary’s foreign language Oscar submission The Notebook by Janos Szasz, Pawel Pawlikowski’s Ida and Bosnian Jamila Zbanic’s For Those Who Can Tell No Tales about...
- 11/6/2013
- ScreenDaily
Once again the European Film Promotion’s (Efp) Film Sales Support (Fss) initiative will come to Toronto to link sales companies from all over Europe to a great array of buyers from across the globe. Supported by the Media Programme of the European Union, Fss has now been aiding the European film industry fro the last 10 years.
"Toronto has and is an important informal market and an important festival for European films, the distributors see the films in a different mood, more quietly, the public screenings are working well. It is a key place to launch a film or to complete previous sales on films that were in Cannes, Venice, Locarno...” (Loïc Magneron, Wide)
“Tiff is a major pillar of the annual festival calendar. Aside from a proliferation of North American buyers, it also attracts top tier international distributors so a favorable reception at Tiff can significantly increase a film's commercial prospects”. (Andrew Orr, Independent)
Due to the limited amount of resources, only 52 out of the 60 films submitted to the Efp will receive financial support to be marketed during the Tiff, which runs from September 5 to 15. This year alone, 372 films total, over 150 from Europe, will screen at the festival many of which will see their world or international premiers there.
Supported films and companies at Tiff 2013
Alpha Violet (France), rep. Virginie Devesa The Summer of Flying Fish (El Verano de los Peces Voladores) by Marcela Said, France, Chile, 2013
Arri Worldsales (Germany), rep. Moritz Hemminger Exit Marrakech by Caroline Link, Germany, 2013 Home from Home (Die Andere Heimat) by Edgar Reitz, Germany, France, 2013
Athens Filmmakers' Co-Operative (Greece), rep. Venia Vergou Wild Duck by Yannis Sakaridis, Greece, 2013
Bac Films Distribution (France), rep. Clémentine Hugot The Strange Color of Your Body's Tears (L'Entrange Couleur Ded Larmes De Ton Corps) by Hélène Cattet & Bruno Forzani, Belgium, Luxembourg, France, 2013
Beta Cinema (Germany), rep. Tassilo Hallbauer Le Grand-Cahier by János Szász, Germany, Hungary, Austria, France, 2013
Blonde S. A. (Greece), rep. Fenia Cossovitsa Standing Aside, Watching (Na Kathese Kai Na Kitas) by Yorgos Servetas, Greece, 2013
Capricci Films (France), rep. Julien Rejl Story of My Death (Historia De La Meva Mort) by Albert Serra, Spain, France, 2013 The Battle of Tabato (A Batalha De Tabato) by João Viana, Portugal, Guinea-Bissau, 2013
Celluloid Dreams (France), rep. Hengameh Panahi Those Happy Years (Anni Felici) by Daniele Luchetti, Italy, 2013
Cité Films (France), rep. Raphaël Berdugo Faith Connections (Faith Connections) by Pan Nalin, France, India, 2013
Doc & Film International (France), rep. Daniela Elstner, Alice Damiani Violette by Martin Provost, France, Belgium, 2013 South is Nothing (Il Sud E'Niente by Fabio Mollo, Italy, France, 2013
Dogwoof (United Kingdom), rep. Ana Vincente Inreallife by Beeban Kidron, UK, 2013
Ealing Metro International (United Kingdom), rep. Natalie Brenner, Will Machin Half of a Yellow Sun by Biyi Bandele, UK, 2013 The Stag by John Butler, Ireland, 2013
Embankment Films (United Kingdom), rep. Tim Haslam Le Week-End by Roger Michell, UK, 2013
Eyeworks Film & TV Drama (The Netherlands), rep. Maarten Swart The Dinner (Het Diner) by Menno Meyjes, The Netherlands, 2013
Fantasia Ltd (Greece), rep. Nicoletta Romeo The Daughter (I Kori) by Thanos Anastopoulos, Greece, Italy, 2013
Film Factory Entertainment (Spain), rep. Vicente Canales Cannibal (Canibal) by Manuel Martín Cuenca, Spain, 2013 Zip & Zap and the Marble Gang (Zipi & Zape y el Club de la Canica) by Oskar Santos, Spain, 2013
Films Boutique (Germany), rep. Jean-Christophe Simon Walesa. Man of Hope (Walesa) by Andrzej Wajda, Poland, 2013
Films Distribution (France), rep. Nicolas Brigaud-Robert, François Yon Eastern Boys by Robin Campillo, France, 2013 Under the Starry Sky (Des Etoiles) by Dyana Gaye, France, Senegal, 2013
Heretic (Greece), rep. Giorgos Karnavas The Eternal Return of Antonis Paraskevas (I Aionia Epistrofi Tou Antoni Paraskeva) by Elina Psykou, Greece, 2013
Independent Film Sales (United Kingdom), rep. Karina Gechtman, Abigail Walsh The Sea by Stephen Brown, UK, Ireland, 2013 Starred Up by David Mackenzie, UK, 2013
Latido Films (Spain), rep. Miren Zamora Honeymoon (Libanky) by Jan Hrebejk, Czech Republic/Slovak Republic, 2013
LevelK (Denmark), rep. Tine Klint Sex, Drugs & Taxation (Spies Og Glistrup) by Christoffer Boe, Denmark, 2013
Linel Films (United Kingdom), rep. Aran Hughes To The Wolf (Sto Lyko) by Aran Hughes & Christina Koutsospyrou, Greece, UK, France, 2013
Minds Meet (Belgium), rep. Tomas Leyers I'm The Same I'm An Other by Caroline Strubbe, Belgium, The Netherlands, 2013
MK2 (France), rep. Victoire Thevenin Hotel (Hotell) by Lisa Langseth, Sweden, Denmark, 2012
Mpm Film (France), rep. Pierre Menahem For Those Who Can Tell No Tales by Jasmila Žbanić, Bosnia and Herzegovina, Germany, 2013
Negativ s.r.o. (Czech Republic), rep. Zuzana Bielikova Miracle (Zazrak) by Juraj Lehotský, Czech Republic, Slovakia, 2013
Pathé Distribution (France), rep. Muriel Sauzay The Finishers by Nils Tavernier, France, 2013 Quai d'Orsay by Bertrand Tavernier, France, 2013
Pausilypon Films (Greece), rep. Menelaos Karamaghiolis J.A.C.E. - Just Another Confused Elephant by Menelaos Karamaghiolis, Greece, Portugal, Macedonia, Turkey, 2012
Picture Tree International (Germany), rep. Andreas Rothbauer Mary Queen of Scots by Thomas Imbach, Switzerland, 2013 Metalhead (Malmhaus) by Ragnar Bragason, Iceland, Norway, 2013
PPProductions (Greece), rep. Thanassis Karathanos Septmeber by Penny Panayotopoulou, Greece, Germany, 2013
Pyramide International (France), rep. Agathe Mauruc Giraffada by Rani Massalha, France, Germany, Italy, 2013
Rezo (France), rep. Laurent Danielou, Sebastien Chesneau The Station (Blutgletscher) by Marvin Kren, Austria, 2013 Abuse of Weakness (Abus De Faibless) by Catherine Breillat, France, Belgium, Germany, 2013
The Match Factory (Germany), rep. Michael Weber, Thania Dimitrakopoulou The Police Officer's Wife (Die Frau Des Polizisten) by Philip Gröning, Germany, 2013 Qissa (Quissa) by Anup Singh, Germany, India, The Netherlands, France, 2013
The Yellow Affair (Sweden), rep. Miira Paasilinna Heart of a Lion (Leijonasydan) by Dome Karukoski, Finland, 2013
TrustNordisk (Denmark), rep. Susan Wendt, Nicolai Korsgaard Pioneer (Pioner) by Erik Skjoldbjaerg, Norway, 2013 We Are The Best (Vi Ar Bast!) by Lukas Moodysson, Sweden, 2013
Wide (France), rep. Loic Magneron Bobo by Ines Oliveira, Portugal, 2013
Wide House (France), rep. Garreau Geoffrey Ain't Misbehavin, A Marcel Ophuls Journey (Un Voyageur) by Marcel Ophuls, France, 2013
Wild Bunch (France), rep. Vicent Maraval, Gary Farkas Going Away (Un Beau Dimanche) by Nicole Garcia, France, 2013 A Promise (Une Promesse) by Patrice Leconte, France, Belgium, 2013...
"Toronto has and is an important informal market and an important festival for European films, the distributors see the films in a different mood, more quietly, the public screenings are working well. It is a key place to launch a film or to complete previous sales on films that were in Cannes, Venice, Locarno...” (Loïc Magneron, Wide)
“Tiff is a major pillar of the annual festival calendar. Aside from a proliferation of North American buyers, it also attracts top tier international distributors so a favorable reception at Tiff can significantly increase a film's commercial prospects”. (Andrew Orr, Independent)
Due to the limited amount of resources, only 52 out of the 60 films submitted to the Efp will receive financial support to be marketed during the Tiff, which runs from September 5 to 15. This year alone, 372 films total, over 150 from Europe, will screen at the festival many of which will see their world or international premiers there.
Supported films and companies at Tiff 2013
Alpha Violet (France), rep. Virginie Devesa The Summer of Flying Fish (El Verano de los Peces Voladores) by Marcela Said, France, Chile, 2013
Arri Worldsales (Germany), rep. Moritz Hemminger Exit Marrakech by Caroline Link, Germany, 2013 Home from Home (Die Andere Heimat) by Edgar Reitz, Germany, France, 2013
Athens Filmmakers' Co-Operative (Greece), rep. Venia Vergou Wild Duck by Yannis Sakaridis, Greece, 2013
Bac Films Distribution (France), rep. Clémentine Hugot The Strange Color of Your Body's Tears (L'Entrange Couleur Ded Larmes De Ton Corps) by Hélène Cattet & Bruno Forzani, Belgium, Luxembourg, France, 2013
Beta Cinema (Germany), rep. Tassilo Hallbauer Le Grand-Cahier by János Szász, Germany, Hungary, Austria, France, 2013
Blonde S. A. (Greece), rep. Fenia Cossovitsa Standing Aside, Watching (Na Kathese Kai Na Kitas) by Yorgos Servetas, Greece, 2013
Capricci Films (France), rep. Julien Rejl Story of My Death (Historia De La Meva Mort) by Albert Serra, Spain, France, 2013 The Battle of Tabato (A Batalha De Tabato) by João Viana, Portugal, Guinea-Bissau, 2013
Celluloid Dreams (France), rep. Hengameh Panahi Those Happy Years (Anni Felici) by Daniele Luchetti, Italy, 2013
Cité Films (France), rep. Raphaël Berdugo Faith Connections (Faith Connections) by Pan Nalin, France, India, 2013
Doc & Film International (France), rep. Daniela Elstner, Alice Damiani Violette by Martin Provost, France, Belgium, 2013 South is Nothing (Il Sud E'Niente by Fabio Mollo, Italy, France, 2013
Dogwoof (United Kingdom), rep. Ana Vincente Inreallife by Beeban Kidron, UK, 2013
Ealing Metro International (United Kingdom), rep. Natalie Brenner, Will Machin Half of a Yellow Sun by Biyi Bandele, UK, 2013 The Stag by John Butler, Ireland, 2013
Embankment Films (United Kingdom), rep. Tim Haslam Le Week-End by Roger Michell, UK, 2013
Eyeworks Film & TV Drama (The Netherlands), rep. Maarten Swart The Dinner (Het Diner) by Menno Meyjes, The Netherlands, 2013
Fantasia Ltd (Greece), rep. Nicoletta Romeo The Daughter (I Kori) by Thanos Anastopoulos, Greece, Italy, 2013
Film Factory Entertainment (Spain), rep. Vicente Canales Cannibal (Canibal) by Manuel Martín Cuenca, Spain, 2013 Zip & Zap and the Marble Gang (Zipi & Zape y el Club de la Canica) by Oskar Santos, Spain, 2013
Films Boutique (Germany), rep. Jean-Christophe Simon Walesa. Man of Hope (Walesa) by Andrzej Wajda, Poland, 2013
Films Distribution (France), rep. Nicolas Brigaud-Robert, François Yon Eastern Boys by Robin Campillo, France, 2013 Under the Starry Sky (Des Etoiles) by Dyana Gaye, France, Senegal, 2013
Heretic (Greece), rep. Giorgos Karnavas The Eternal Return of Antonis Paraskevas (I Aionia Epistrofi Tou Antoni Paraskeva) by Elina Psykou, Greece, 2013
Independent Film Sales (United Kingdom), rep. Karina Gechtman, Abigail Walsh The Sea by Stephen Brown, UK, Ireland, 2013 Starred Up by David Mackenzie, UK, 2013
Latido Films (Spain), rep. Miren Zamora Honeymoon (Libanky) by Jan Hrebejk, Czech Republic/Slovak Republic, 2013
LevelK (Denmark), rep. Tine Klint Sex, Drugs & Taxation (Spies Og Glistrup) by Christoffer Boe, Denmark, 2013
Linel Films (United Kingdom), rep. Aran Hughes To The Wolf (Sto Lyko) by Aran Hughes & Christina Koutsospyrou, Greece, UK, France, 2013
Minds Meet (Belgium), rep. Tomas Leyers I'm The Same I'm An Other by Caroline Strubbe, Belgium, The Netherlands, 2013
MK2 (France), rep. Victoire Thevenin Hotel (Hotell) by Lisa Langseth, Sweden, Denmark, 2012
Mpm Film (France), rep. Pierre Menahem For Those Who Can Tell No Tales by Jasmila Žbanić, Bosnia and Herzegovina, Germany, 2013
Negativ s.r.o. (Czech Republic), rep. Zuzana Bielikova Miracle (Zazrak) by Juraj Lehotský, Czech Republic, Slovakia, 2013
Pathé Distribution (France), rep. Muriel Sauzay The Finishers by Nils Tavernier, France, 2013 Quai d'Orsay by Bertrand Tavernier, France, 2013
Pausilypon Films (Greece), rep. Menelaos Karamaghiolis J.A.C.E. - Just Another Confused Elephant by Menelaos Karamaghiolis, Greece, Portugal, Macedonia, Turkey, 2012
Picture Tree International (Germany), rep. Andreas Rothbauer Mary Queen of Scots by Thomas Imbach, Switzerland, 2013 Metalhead (Malmhaus) by Ragnar Bragason, Iceland, Norway, 2013
PPProductions (Greece), rep. Thanassis Karathanos Septmeber by Penny Panayotopoulou, Greece, Germany, 2013
Pyramide International (France), rep. Agathe Mauruc Giraffada by Rani Massalha, France, Germany, Italy, 2013
Rezo (France), rep. Laurent Danielou, Sebastien Chesneau The Station (Blutgletscher) by Marvin Kren, Austria, 2013 Abuse of Weakness (Abus De Faibless) by Catherine Breillat, France, Belgium, Germany, 2013
The Match Factory (Germany), rep. Michael Weber, Thania Dimitrakopoulou The Police Officer's Wife (Die Frau Des Polizisten) by Philip Gröning, Germany, 2013 Qissa (Quissa) by Anup Singh, Germany, India, The Netherlands, France, 2013
The Yellow Affair (Sweden), rep. Miira Paasilinna Heart of a Lion (Leijonasydan) by Dome Karukoski, Finland, 2013
TrustNordisk (Denmark), rep. Susan Wendt, Nicolai Korsgaard Pioneer (Pioner) by Erik Skjoldbjaerg, Norway, 2013 We Are The Best (Vi Ar Bast!) by Lukas Moodysson, Sweden, 2013
Wide (France), rep. Loic Magneron Bobo by Ines Oliveira, Portugal, 2013
Wide House (France), rep. Garreau Geoffrey Ain't Misbehavin, A Marcel Ophuls Journey (Un Voyageur) by Marcel Ophuls, France, 2013
Wild Bunch (France), rep. Vicent Maraval, Gary Farkas Going Away (Un Beau Dimanche) by Nicole Garcia, France, 2013 A Promise (Une Promesse) by Patrice Leconte, France, Belgium, 2013...
- 9/7/2013
- by Carlos Aguilar
- Sydney's Buzz
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