58
Metascore
14 reviews · Provided by Metacritic.com
- 91IndieWireChristian BlauveltIndieWireChristian BlauveltMacdonald has crafted one of the most riveting rise-fall-redemption story arcs in documentary format in recent memory, with Galliano himself as his unreliable — but never less than compelling — guide.
- 80Screen DailyFionnuala HalliganScreen DailyFionnuala HalliganBetween the highs-and-lows of razzle-dazzle couture there a substantial film here, and a frank portrait of a damaged, evasive man trying to come to terms with what he has done.
- Where this documentary gets it right is in refusing to act as PR for the man – it allows him to to give his side of events, but also his victims’ and the others deeply wounded by his actions. It films his frailty and flaws as well as his genius. Does he deserve to be absolved? Like Galliano’s explanation, there’s no clear answer.
- 80Little White LiesDavid JenkinsLittle White LiesDavid JenkinsWhile the film extends a certain empathy towards its subject’s mighty fall from grace, it does not let him off the hook, and it ends as a multi-dimensional study of a man who has lived a life of such extreme entitlement that sincere contrition simply does not compute with him.
- 67The PlaylistBrian FarvourThe PlaylistBrian FarvourEven when it tries to swing for the fences as some commentary on what motivates hate speech, it may not always work, but Macdonald does the best with what he’s been given, and that’s enough to warrant a look, at least.
- 60The Irish TimesTara BradyThe Irish TimesTara BradyMostly, this is a film of intriguing, maddening loose ends.
- 50The Hollywood ReporterDavid RooneyThe Hollywood ReporterDavid RooneyIf you come to this film looking for a brisk overview of his achievements in couture, you might find High & Low more than serviceable. . . But if you’re expecting the definitive closing leg of the redemption tour, it’s unlikely you’ll find this a persuasive argument for separating the art from the a-hole.
- 40The GuardianPeter BradshawThe GuardianPeter BradshawThe happy ending redemption narrative is not entirely earned.
- 30The New York TimesManohla DargisThe New York TimesManohla DargisThe director Kevin Macdonald asks Galliano questions in “High & Low,” but the answers are largely self-serving and unsatisfying in a movie that, for the most part, plays like yet another installment in a highly publicized redemption narrative.
- 25Slant MagazineDiego SemereneSlant MagazineDiego SemereneThe film shamelessly announces from the very start that it’s an attempt at atonement for disgraced designer John Galliano.