Big changes are in store for the 5th annual Migrating Forms experimental media festival, which is set to run December 11-17.
Well, that’s the first change: Moving from its traditional spot in March to December. More importantly, though, the fest is moving physical locations. Instead of it’s usual home of the Anthology Film Archives in Manhattan, this year’s Migrating Forms will be screening at the BAMcinématek in Brooklyn.
The festivities will begin on Dec. 11 with the U.S. premiere of four new short films by media artist Ryan Trecartin. Each film involves a unique cast of characters, including Trecartin’s actual high school classmates and a group of reality TV show hopefuls, navigating their complex social strata.
The rest of the fest will screen challenging feature-length material, such as Drew Tobia’s outrageous See You Next Tuesday; the family drama The Unity of Things by Daniel Schmidt...
Well, that’s the first change: Moving from its traditional spot in March to December. More importantly, though, the fest is moving physical locations. Instead of it’s usual home of the Anthology Film Archives in Manhattan, this year’s Migrating Forms will be screening at the BAMcinématek in Brooklyn.
The festivities will begin on Dec. 11 with the U.S. premiere of four new short films by media artist Ryan Trecartin. Each film involves a unique cast of characters, including Trecartin’s actual high school classmates and a group of reality TV show hopefuls, navigating their complex social strata.
The rest of the fest will screen challenging feature-length material, such as Drew Tobia’s outrageous See You Next Tuesday; the family drama The Unity of Things by Daniel Schmidt...
- 12/9/2013
- by Mike Everleth
- Underground Film Journal
Nb: Films by Robert Beavers, Peter Hutton, and Luther Price were unavailable for preview. However, I said some very nice things about these men and their work in general over at The Dissolve.
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
- 9/9/2013
- by Michael Sicinski
- MUBI
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