It was a case of fertility fraud.
Instead of using the sperm of Dylan Graff, Dr. Preston Bellamy used his own in order to father the child of his patient, Jessica ("Jess") Graff. The film opens with a graphic demonstration of the fraudulent in vitro procedure.
Jess becomes suspicious when she sees the son of another patient, and the little boy has the same striking "dishwater" blond hair as Dr. Bellamy and her little boy, Henry. Jess then enters into a conspiracy with the other patient, Sarah, in order to disclose the truth about the doctor with such a monumental ego that he wants to pass on his DNA to create a mini master race. It was too bad that Sarah became collateral damage in this case.
There were solid performances and good dramatic tension throughout the film. It was only troubling that Jess kept her husband Dylan in the dark about her investigation of Dr. Bellamy. While she didn't want to hurt her husband's feelings about not being the biological father, she nonetheless should have recognized that it was not healthy to withhold secrets.
The climax was a wild chase scene with Jess and Dylan in combat with the mad, needle-wielding blond doctor. The televised version was punctuated with commercials about the most extreme pro-abortion law in the country in Minnesota. The ads were just as horrifying as the film.
Instead of using the sperm of Dylan Graff, Dr. Preston Bellamy used his own in order to father the child of his patient, Jessica ("Jess") Graff. The film opens with a graphic demonstration of the fraudulent in vitro procedure.
Jess becomes suspicious when she sees the son of another patient, and the little boy has the same striking "dishwater" blond hair as Dr. Bellamy and her little boy, Henry. Jess then enters into a conspiracy with the other patient, Sarah, in order to disclose the truth about the doctor with such a monumental ego that he wants to pass on his DNA to create a mini master race. It was too bad that Sarah became collateral damage in this case.
There were solid performances and good dramatic tension throughout the film. It was only troubling that Jess kept her husband Dylan in the dark about her investigation of Dr. Bellamy. While she didn't want to hurt her husband's feelings about not being the biological father, she nonetheless should have recognized that it was not healthy to withhold secrets.
The climax was a wild chase scene with Jess and Dylan in combat with the mad, needle-wielding blond doctor. The televised version was punctuated with commercials about the most extreme pro-abortion law in the country in Minnesota. The ads were just as horrifying as the film.