Considering how Korean and Japanese directors have influenced the international film industry over the past few years, it’s safe to say that this has been one of their best decades ever (and hopefully not the last).
So it’s time to put aside all fears and try to dive headfirst into the boundless world of Asian cinema. But, first, it is worth noting that you can play casino online slots on the Asian theme. The popular movies are:
Parasite;Train to Busan;Oldboy;Hero and others. Swimmers (2001)
The best place to start is with a catchy comedy. First, you’ll see that the Japanese have a great sense of humor, and second, nothing is impossible.
The movie looks like it came out of a sports manga. The young and charismatic guys in swimming trunks offer an intoxicating spectacle that can lift the spirits of even the most skeptical viewer.
So it’s time to put aside all fears and try to dive headfirst into the boundless world of Asian cinema. But, first, it is worth noting that you can play casino online slots on the Asian theme. The popular movies are:
Parasite;Train to Busan;Oldboy;Hero and others. Swimmers (2001)
The best place to start is with a catchy comedy. First, you’ll see that the Japanese have a great sense of humor, and second, nothing is impossible.
The movie looks like it came out of a sports manga. The young and charismatic guys in swimming trunks offer an intoxicating spectacle that can lift the spirits of even the most skeptical viewer.
- 4/18/2022
- by Peter Adams
- AsianMoviePulse
Nawapol Thamrongrattanarit’s sophomore feature “Mary is Happy, Mary is Happy” is one of the first films based entirely on the twitter feed by an existing user of the platform. Using 410 consecutive tweets by the user @marylony as its inspiration, this Venice Biennale-funded feature tells the universal and relatable story of growing up, falling in love, and moving on while trying to make the ultimate minimal school yearbook.
Nawapol Thamrongrattanarit manages to take the seemingly random tweets by the user @marylony and create a cohesive piece of cinema while staying as authentic as possible to their varying tone. He does this difficult task by creating small vignettes out of sets of tweets, all of which are shown either on a black screen or as subtitles, with each of them ending up showing a different aspect of the multifaceted person that is the original Twitter user, and by extension, the film’s main character.
Nawapol Thamrongrattanarit manages to take the seemingly random tweets by the user @marylony and create a cohesive piece of cinema while staying as authentic as possible to their varying tone. He does this difficult task by creating small vignettes out of sets of tweets, all of which are shown either on a black screen or as subtitles, with each of them ending up showing a different aspect of the multifaceted person that is the original Twitter user, and by extension, the film’s main character.
- 6/10/2020
- by martin
- AsianMoviePulse
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