The 20th edition of the festival includes competition titles ’71 and Blind.
The Athens International Film Festival (Sept 17-28) kicks off its 20th edition today with 241 titles selected by artistic director Orestis Andreadakis.
The festival will open with Damian Szifron’s hit Wild Tales, which has proved a critical hit since its world premiere in competition at Cannes, and will close with David Fincher’s Us crime drama Gone Girl, marking its European premiere.
This year’s international competition includes Yann Demange’s Berlinale title, ’71, and Eskil Vogt’s Blind, which has picked up awards in Berlin and Sundance among others.
‘71, Yann Demange (UK)10,000 km, Carlos Marques-Marcet (Spa)Blind, Eskil Vogt (Nor)The Canal, Ivan Kavanagh (Irel)Manos Sucias, Josef Wladyka (Us-Col)The Mend, John Magary (Us)Natural Sciences, Matías Lucchesi (Arg)Thou Wast Mild and Lovely, Josephine Decker (Us)The Way He Looks, Daniel Ribeiro (Bra)When Animals Dream, Jonas Alexander Arnby (De)
A five-member Youth Jury, comprised...
The Athens International Film Festival (Sept 17-28) kicks off its 20th edition today with 241 titles selected by artistic director Orestis Andreadakis.
The festival will open with Damian Szifron’s hit Wild Tales, which has proved a critical hit since its world premiere in competition at Cannes, and will close with David Fincher’s Us crime drama Gone Girl, marking its European premiere.
This year’s international competition includes Yann Demange’s Berlinale title, ’71, and Eskil Vogt’s Blind, which has picked up awards in Berlin and Sundance among others.
‘71, Yann Demange (UK)10,000 km, Carlos Marques-Marcet (Spa)Blind, Eskil Vogt (Nor)The Canal, Ivan Kavanagh (Irel)Manos Sucias, Josef Wladyka (Us-Col)The Mend, John Magary (Us)Natural Sciences, Matías Lucchesi (Arg)Thou Wast Mild and Lovely, Josephine Decker (Us)The Way He Looks, Daniel Ribeiro (Bra)When Animals Dream, Jonas Alexander Arnby (De)
A five-member Youth Jury, comprised...
- 9/17/2014
- by alexisgrivas@yahoo.com (Alexis Grivas)
- ScreenDaily
The 8th annual Sydney Underground Film Festival is a power-packed event featuring outrageous cult films, provocative documentaries and wild short films that will run September 4-7 at its usual haunt, The Factory Theater.
Opening Night: The fest opens with Housebound, a New Zealand horror comedy by Gerard Johnstone about a woman in trouble with the law who comes to believe that her family home is haunted. The film will be preceded by a performance by Renny Kodgers and a free pizza party; and followed by an after party.
Closing Night: The fest will close with the controversial German teen sex comedy Wetlands directed by David Wendt. The film will then be followed by a late-night after party.
Highlights: Usama Alshaibi‘s must see documentary American Arab — an intimate, socially relevatory and essential film — screens at 4 p.m. on Sept. 6. Read the Underground Film Journal review of American Arab.
Jorge Torres-Torres...
Opening Night: The fest opens with Housebound, a New Zealand horror comedy by Gerard Johnstone about a woman in trouble with the law who comes to believe that her family home is haunted. The film will be preceded by a performance by Renny Kodgers and a free pizza party; and followed by an after party.
Closing Night: The fest will close with the controversial German teen sex comedy Wetlands directed by David Wendt. The film will then be followed by a late-night after party.
Highlights: Usama Alshaibi‘s must see documentary American Arab — an intimate, socially relevatory and essential film — screens at 4 p.m. on Sept. 6. Read the Underground Film Journal review of American Arab.
Jorge Torres-Torres...
- 8/7/2014
- by Mike Everleth
- Underground Film Journal
If you happen to be a student of ’90s indie rock, Slint’s Spiderland is an essential text. Engineered by the great Steve Albini in 1991, the same year grunge broke, Spiderland exploded the group’s post-punk songwriting into radically distended forms, ultimately helping to pioneer the field of what’s now portenteously termed “post-rock” (Mogwai, Gy!Be, Explosions in the Sky, etc.). Though that wound up as their final recorded missive, the album’s legend has not dimmed. Director Lance Bangs (Jackass, too many music videos to list here) will be presenting Breadcrumb Trail, a documentary chronicling the making of Spiderland as well as the album’s long shadow of influence, at this year’s SXSW. The first trailer is embedded below:
The post Trailer: Post-rock pioneers Slint get the doc treatment in ‘Breadcrumb Trail’ appeared first on Sound On Sight.
The post Trailer: Post-rock pioneers Slint get the doc treatment in ‘Breadcrumb Trail’ appeared first on Sound On Sight.
- 2/23/2014
- by Simon Howell
- SoundOnSight
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