Three sisters who live in their grandmother's home invite their thirteen-year-old half sister, whom they have just met, to join them.Three sisters who live in their grandmother's home invite their thirteen-year-old half sister, whom they have just met, to join them.Three sisters who live in their grandmother's home invite their thirteen-year-old half sister, whom they have just met, to join them.
- Awards
- 16 wins & 24 nominations
Ryohei Suzuki
- Dr. Yasuyuki Inoue
- (as Ryôhei Suzuki)
Oshiro Maeda
- Fûta Ozaki
- (as Ohshiroh Maeda)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBefore they shot the movie, four actresses spent a day at the house together to get familiarized with the layout of the house and get comfortable with each other. They cleaned the house, weeded the garden, cooked meals and ate together. They also fixed the shoji screen, which Koreeda liked it so much that he incorporated the scene in the movie.
- GoofsWhen the four sisters are having their lunch with Chika's boyfriend at their house, in the interior shot looking outward, all the noodles on the main plate have been eaten.
In the next scene, an exterior scene looking inward to the house, Sachi reaches down and takes the plate away but Chika reaches up and takes several noodles off the plate with her chopsticks.
- Quotes
Sachi Kôda: I want you to stay forever.
Suzu Asano: I want to stay forever.
- ConnectionsReferenced in Il était une fois...: Une affaire de famille (2021)
Featured review
When spring wind blows
This movie has all the elements to be a perfect Japanese movie usable for a Wstern audience. We have a story about tree sisters living alone in a traditional house facing everyday problems like many Ghibli productions, trains in the mountains, funerals as in the "Departures", little restaurant and cherry blossoms. However here we have an opposite narration compared to the movies of Ozu that made us fall in love with that absolutely Japanese simplicity as well unexpressed depth of emotions inside them. In other words, the beginning of those black and white masterpieces was one of familiar tranquility. A tranquility then threatened and finally restored. Let's think to "Tokyo Monogatari" in which at the end the old mother went back to the village where the younger daughter waits for her. Or the old father giving her daughter as spouse to another house at the end of "Sanma no aji". So there the key was finding the harmony. Like the regular sound of wood made by a bamboo fountain in a Japanese garden. Here in "Our little sister" we start from a situation of familiar disorder and in the end nothing changes so much. The hardships of the three sisters remain the same. Sachi, the older one, still leads all the house and the garden by herself. Yoshino, the lovable middle one, still looks for a new boyfriend whit out stopping the habit of drinking alone. Chika, the little one, still date with his naif boyfriend. But in the middle of all this something happened. They accepted in their lives the young sister Suzu, born after their father divorced. This young girl brought to their life a moment of happiness as well hope to going on to what they were doing. Suzu didn't change their life. Is not what can be called "a familiar earthquake". She should be compared nothing more to a blow of spring wind refreshing the house of the three sisters. This is another great difference from past production. We don't have strongly deep feelings. The sisters lives the joy of everyday. Somebody criticize Koreeda for this aspect accusing him of making a movie of good atmosphere and not of emotions. However family has changed. Japan has changed. The three sisters here stands for the contemporary Japan with low birth rate and feared by the earthquake of 2011. A Japan concerned more to what is going on today then to what can happen tomorrow. So we find ourself on the other side to the society growing fast, sometimes too much, in the Ozu's productions where smoking chimneys made their comparison a lot of times. The end show us this idea more clear. The four girls looks over the sea on a shore while speaking about their future without having great expectations. We find no more girls waiting for their boyfriends while practicing on surf as in Kitano's "A scene at the sea". A masterpiece filmed in the highest economic welfare of Japan of the late 80es. In Koreeda's movie we find contemporary girls simply hoping their everyday life can be as always was until then. With hardships but also joy. Without concerning too much about past,that is to say family and father, and future,or marriage and work. Paradoxically a contemporary return to the simplicity of "mono no aware". The medieval Japanese aesthetic principle of enjoy what is short-lived. As the cherry blossoms. As the windy teenage pureness of Sachi. The little sister that brings happiness.
helpful•176
- pggirasole
- Jan 18, 2016
- How long is Our Little Sister?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Kamakura Diary
- Filming locations
- Kamakura, Kanagawa, Japan(town where the three sisters live)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $467,555
- Opening weekend US & Canada
- $25,118
- Jul 10, 2016
- Gross worldwide
- $15,946,109
- Runtime2 hours 7 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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