Matthiesen offers no easy answers, but The Model paints a decidedly unglamorous picture, while pulling back the curtain on the exploitative realities of the business.
The descent into melodrama in the final act increases the tension but, in relying on some unexpected actions by several characters, also damages the film’s credibility.
The screenplay by Matthiessen and co-writers Martin Pieter Zandvliet and Anders Frithiof August is compelling up until the melodramatic, credulity-straining final act, although the characters, apart from Emma, feel underdeveloped.
Mr. Matthiesen seems as if he might have been trying to make an indictment of sexism and exploitation in the fashion world, but if so he doesn’t hit the theme nearly hard enough.
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The PlaylistOktay Ege Kozak
The PlaylistOktay Ege Kozak
Even as a late night Netflix viewing for fashion aficionados who enjoy a scandalous bit of melodramatic trash, The Model doesn’t offer anything new, interesting, or engaging.