Did Jessica and Ben manage to move on?
On Counting On Season 11 Episode 13, the duo opened up to Jim Bob and Michelle about overcoming their past sins.
Meanwhile, the family rushed to Kendra's side as she welcomed her second daughter into the world.
Then, the family attempted to celebrate Easter in a different way due to Covid-19 restrictions.
Watch Counting On Season 11 Episode 13 Online
Use the video above to watch Counting On online right here via TV Fanatic.
Catch up on all your favorite shows and reviews and join in the conversations with other fanatics who love TV as much as you.
TV Fanatic is your destination for the latest news, spoilers, reviews, and so much more!
On Counting On Season 11 Episode 13, the duo opened up to Jim Bob and Michelle about overcoming their past sins.
Meanwhile, the family rushed to Kendra's side as she welcomed her second daughter into the world.
Then, the family attempted to celebrate Easter in a different way due to Covid-19 restrictions.
Watch Counting On Season 11 Episode 13 Online
Use the video above to watch Counting On online right here via TV Fanatic.
Catch up on all your favorite shows and reviews and join in the conversations with other fanatics who love TV as much as you.
TV Fanatic is your destination for the latest news, spoilers, reviews, and so much more!
- 3/31/2021
- by Paul Dailly
- TVfanatic
Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.
– Bleecker Street has announced it has acquired U.S. and select territory rights to “The Man Who Invented Christmas,” to be directed by Bharat Nalluri. The film will start shooting next month and is targeting a holiday 2017 release date.
The cast includes Dan Stevens as Charles Dickens, Christopher Plummer as Scrooge and Jonathan Pryce as Dickens’ father. The Solution is handling rights for the rest of the world. The script is written by Susan Coyne and is based on the book “The Man Who Invented Christmas” by Les Standiford, published by Crown. The film recounts how Charles Dickens created the classic holiday fable, “A Christmas Carol.”
– Exclusive: Gravitas Ventures has announced it has acquired exclusive distribution rights...
– Bleecker Street has announced it has acquired U.S. and select territory rights to “The Man Who Invented Christmas,” to be directed by Bharat Nalluri. The film will start shooting next month and is targeting a holiday 2017 release date.
The cast includes Dan Stevens as Charles Dickens, Christopher Plummer as Scrooge and Jonathan Pryce as Dickens’ father. The Solution is handling rights for the rest of the world. The script is written by Susan Coyne and is based on the book “The Man Who Invented Christmas” by Les Standiford, published by Crown. The film recounts how Charles Dickens created the classic holiday fable, “A Christmas Carol.”
– Exclusive: Gravitas Ventures has announced it has acquired exclusive distribution rights...
- 11/11/2016
- by Kate Erbland
- Indiewire
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you’d like to submit a piece for consideration, get in touch with us in the comments below or on Twitter at @TheFilmStage.
Jem Cohen‘s (Museum Hours, Counting) new documentary, World Without End (No Reported Incidents), will be released in the U.S. by Grasshopper Film early next year. From the press release:
Quite close to London, but for many, a million miles away, Southend-on-Sea is a town along the Thames estuary. Jem Cohen’s new documentary, World Without End (No Reported Incidents), is a portrait of this place – everyday streets, everyday birds, unflagging tides, mud, and sky. But it is also about humanity and history, about prize-winning Indian curries, an encyclopedic universe of hats, and a nearly lost world of proto-punk music.
William Friedkin recently shadowed an Italian exorcist,...
Jem Cohen‘s (Museum Hours, Counting) new documentary, World Without End (No Reported Incidents), will be released in the U.S. by Grasshopper Film early next year. From the press release:
Quite close to London, but for many, a million miles away, Southend-on-Sea is a town along the Thames estuary. Jem Cohen’s new documentary, World Without End (No Reported Incidents), is a portrait of this place – everyday streets, everyday birds, unflagging tides, mud, and sky. But it is also about humanity and history, about prize-winning Indian curries, an encyclopedic universe of hats, and a nearly lost world of proto-punk music.
William Friedkin recently shadowed an Italian exorcist,...
- 11/4/2016
- by Nick Newman
- The Film Stage
In 2012, Jem Cohen's feature film Museum Hours received critical acclaim, and earned Cohen a wider audience, partly for having ventured into narrative storytelling—while still upholding the same principles of his past work. His latest film, Counting, is partly a return to the mode he has long been recognized for. Divided into fofteem distinct, poetically intermeshing chapters, it is an essayistic travelogue in the spirit of the late Chris Marker (who receives an explicit dedication).>> - Adam Cook...
- 8/10/2015
- Fandor: Keyframe
In 2012, Jem Cohen's feature film Museum Hours received critical acclaim, and earned Cohen a wider audience, partly for having ventured into narrative storytelling—while still upholding the same principles of his past work. His latest film, Counting, is partly a return to the mode he has long been recognized for. Divided into fofteem distinct, poetically intermeshing chapters, it is an essayistic travelogue in the spirit of the late Chris Marker (who receives an explicit dedication).>> - Adam Cook...
- 8/10/2015
- Keyframe
Zabaltegi strand of the festival will feature 24 titles.Scroll down for full list
The 63rd San Sebastian Film Festival (Sept 18-26) has unveiled the features that will comprise its Zabaltegi programme, including Spanish premieres of new films from Laurie Anderson, Eric Khoo, Corneliu Porumboiu, Walter Salles and Alexander Sokurov.
The non-competitive strand includes features, documentaries, animation and shorts, and the first screening of all films in the section will run at the Tabakalera centre for contemporary culture and creation, the hub of Zabaltegi activities from this year.
Titles in the section that played at this year’s Cannes include Porumboiu’s black comedy The Treasure, which won the Un Certain Regard Talent Prize; Tambutti documentary Beyond My Grandfather Allende, winner of the L’Oeil d’Or award for best documentary; and Magnus Von Horn’s debut The Here After, which played in Directors’ Fornight.
Films that will first be seen at Venice (Sept 2-12) include Francofonia, from Russian...
The 63rd San Sebastian Film Festival (Sept 18-26) has unveiled the features that will comprise its Zabaltegi programme, including Spanish premieres of new films from Laurie Anderson, Eric Khoo, Corneliu Porumboiu, Walter Salles and Alexander Sokurov.
The non-competitive strand includes features, documentaries, animation and shorts, and the first screening of all films in the section will run at the Tabakalera centre for contemporary culture and creation, the hub of Zabaltegi activities from this year.
Titles in the section that played at this year’s Cannes include Porumboiu’s black comedy The Treasure, which won the Un Certain Regard Talent Prize; Tambutti documentary Beyond My Grandfather Allende, winner of the L’Oeil d’Or award for best documentary; and Magnus Von Horn’s debut The Here After, which played in Directors’ Fornight.
Films that will first be seen at Venice (Sept 2-12) include Francofonia, from Russian...
- 8/10/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Interview has posted its 1972 conversation with Warren Beatty, who, at the time, was working on George McGovern's presidential campaign. More interviews: David Simon on The Wire, Treme and his forthcoming series, Show Me a Hero; William Friedkin on the 70s; Pedro Costa discusses Horse Money and the late Gil-Scott Heron; Jem Cohen explains why his new film, Counting, isn't all that different from Museum Hours; Rick Alverson on testing audience's patience with The Comedy and Entertainment; James Ponsoldt defends The End of the Tour; Greta Gerwig on Frances Ha and Mistress America; and The Believer's interview with Amber Tamblyn. » - David Hudson...
- 8/7/2015
- Fandor: Keyframe
Interview has posted its 1972 conversation with Warren Beatty, who, at the time, was working on George McGovern's presidential campaign. More interviews: David Simon on The Wire, Treme and his forthcoming series, Show Me a Hero; William Friedkin on the 70s; Pedro Costa discusses Horse Money and the late Gil-Scott Heron; Jem Cohen explains why his new film, Counting, isn't all that different from Museum Hours; Rick Alverson on testing audience's patience with The Comedy and Entertainment; James Ponsoldt defends The End of the Tour; Greta Gerwig on Frances Ha and Mistress America; and The Believer's interview with Amber Tamblyn. » - David Hudson...
- 8/7/2015
- Keyframe
Hewing closely to the tradition of documentary as diaristic essay, Jem Cohen’s Counting moves from New York to Sharjah as the cinema eye ruminates on street life, destruction, displacement and disparate urban portraiture. Divided into 15 chapters, Counting seldom forces any conclusions, drawing on the viewers’ emotional responses to its alternately lyrical structure and literal depictions — the removal of Brooklyn’s iconic Kentile Floors sign among them. Filmmaker spoke to Cohen about where Counting falls in the documentary tradition, and how his approach was not all that different from his most recent “narrative,” Museum Hours. Counting is now in theaters from Cinema Guild. Filmmaker: What is your process on an essayistic […]...
- 8/5/2015
- by Sarah Salovaara
- Filmmaker Magazine - Blog
Hewing closely to the tradition of documentary as diaristic essay, Jem Cohen’s Counting moves from New York to Sharjah as the cinema eye ruminates on street life, destruction, displacement and disparate urban portraiture. Divided into 15 chapters, Counting seldom forces any conclusions, drawing on the viewers’ emotional responses to its alternately lyrical structure and literal depictions — the removal of Brooklyn’s iconic Kentile Floors sign among them. Filmmaker spoke to Cohen about where Counting falls in the documentary tradition, and how his approach was not all that different from his most recent “narrative,” Museum Hours. Counting is now in theaters from Cinema Guild. Filmmaker: What is your...
- 8/5/2015
- by Sarah Salovaara
- Filmmaker Magazine-Director Interviews
This is a reprint of our review from the 2015 Berlin International Film Festival. Six cities; fifteen chapters; a hundred signposts; cats; shops; car parks; and multiple shots taken through the perspex windows of airplanes looking out at the wing, the sky and the clouds below — Jem Cohen's non-narrative documentary/picaresque travelogue, "Counting," is a fragmentary collection of impressions even less coherently linked than his last eccentric essay, "Museum Hours." Where that film had Renaissance art, Vienna, and the act of looking as its elusive throughlines, "Counting," despite its chapter headings, is willfully anti-structural, organized according to principles that are all but impossible to discern. If that sounds like a frustrating watch, actually it's the opposite — there's a kind of helpless humility to the presentation of these urban impressions, almost a kind of democracy, that allows you to engage as much or as little...
- 7/30/2015
- by Jessica Kiang
- The Playlist
Overheard Yet Alive: Cohen Continues Poetic Pursuit of Travel
Jem Cohen invites us once again on a lackadaisical travelogue through cityscapes and unkempt streets, through museums and graveyards the world over. Rather than settling into a single city and involving us with charactorial allure as he did to striking effect in 2012’s Museum Hours, with Counting, the New York City-based filmmaker is content to document his travels over the course of the last few years from his home base to the Moscow, London, Istanbul and beyond, taking stock of the world’s increasing technological homogenization. Noting the quirky singularities of each of his chosen locales, cataloging each with episodic numerical reference points like a deck of cards shuffled together with the grace of a studied magician, casually precise, this is worth the full coach fare.
Unlike the late Chris Marker (whom the last chapters of the film are dedicated...
Jem Cohen invites us once again on a lackadaisical travelogue through cityscapes and unkempt streets, through museums and graveyards the world over. Rather than settling into a single city and involving us with charactorial allure as he did to striking effect in 2012’s Museum Hours, with Counting, the New York City-based filmmaker is content to document his travels over the course of the last few years from his home base to the Moscow, London, Istanbul and beyond, taking stock of the world’s increasing technological homogenization. Noting the quirky singularities of each of his chosen locales, cataloging each with episodic numerical reference points like a deck of cards shuffled together with the grace of a studied magician, casually precise, this is worth the full coach fare.
Unlike the late Chris Marker (whom the last chapters of the film are dedicated...
- 7/30/2015
- by Jordan M. Smith
- IONCINEMA.com
Sometimes we lament movie trailers because they can give away too much information. But then there are those movies where such a thing just isn’t possible, like with Jem Cohen’s latest film “Counting,” the trailer of which you can view below. “Counting,” as described in our review from the Berlin Film Festival, is a “non-narrative documentary/picaresque travelogue.” The movie is constructed into 15 distinct chapters and is Jem Cohen’s personal essay of his experiences traveling through six different cities, including New York City (his hometown), Istanbul, Moscow, and St. Petersburg. It’s a collection of images, a cinematic photo album, if you will. Read More: Berlin's Review, Globetrotting, Chris Marker Inspired Doc Essay 'Counting' As you can see from the trailer, the images range from the strikingly beautiful to the mundane to… cats. As it says on its website, “‘Counting’ measures street life, light and time,...
- 7/15/2015
- by Ken Guidry
- The Playlist
Read More: Cinema Guild Acquires Jem Cohen's New Documentary 'Counting' Cinema Guild has released the trailer and official poster for Jem Cohen's "Counting." The acclaimed director may have given a traditional narrative structure a try in "Museum Hours," but he returns to his typical experimental form of distant observation in the upcoming lyrical documentary. The film's official synopsis reads: "In fifteen linked chapters shot in locations ranging from Moscow to New York, "Counting" merges the city symphony, the diary film and the personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen's films, the documentary measures street life, light and time, noting not only surveillance and overdevelopment but resistance and its phantoms as manifested in music, animals and everyday magic." Set in the winter, the juxtaposition of ghostly yet poetic images of urban wastelands...
- 7/14/2015
- by Conor Soules
- Indiewire
We're rounding up reviews, interviews, clips and trailers for films screening at this year's BAMcinemaFest: Alex Ross Perry's Queen of Earth, James Ponsoldt's The End of the Tour, Sean Baker's Tangerine, Stephen Winter's Jason and Shirley, Nathan Silver's Stinking Heaven, Sebastián Silva's Nasty Baby, Todd Rohal's Uncle Kent 2, Jennifer Phang's Advantageous, Kris Swanberg's Unexpected, Patrick Wang's The Grief of Others, Les Blank's A Poem Is a Naked Person, Jem Cohen's Counting, Larry Clark's Kids—and more. » - David Hudson...
- 6/17/2015
- Fandor: Keyframe
We're rounding up reviews, interviews, clips and trailers for films screening at this year's BAMcinemaFest: Alex Ross Perry's Queen of Earth, James Ponsoldt's The End of the Tour, Sean Baker's Tangerine, Stephen Winter's Jason and Shirley, Nathan Silver's Stinking Heaven, Sebastián Silva's Nasty Baby, Todd Rohal's Uncle Kent 2, Jennifer Phang's Advantageous, Kris Swanberg's Unexpected, Patrick Wang's The Grief of Others, Les Blank's A Poem Is a Naked Person, Jem Cohen's Counting, Larry Clark's Kids—and more. » - David Hudson...
- 6/17/2015
- Keyframe
A slew of festival favorites are set to make their New York premieres at the 2015 edition of BAMcinemaFest, which will open with James Ponsoldt’s The End of The Tour and close with Sean Baker’s Tangerine. Alex Ross Perry’s Berlinale premiere Queen of Earth will serve as Centerpiece at the festival, which runs from June 17 – 28 in Fort Greene. Aside from the Sundance and SXSW holdovers, notable selections include Jem Cohen’s Counting; Nathan Silver’s Stinking Heaven; Here Come the Videofreex, a documentary about a 1960s and 70s video collective; the world premiere of Jason and Shirley, a reimagining of Portrait of Jason; and Henry Gamble’s Birthday Party, Stephen Cone’s latest, […]...
- 5/6/2015
- by Sarah Salovaara
- Filmmaker Magazine - Blog
A slew of festival favorites are set to make their New York premieres at the 2015 edition of BAMcinemaFest, which will open with James Ponsoldt’s The End of The Tour and close with Sean Baker’s Tangerine. Alex Ross Perry’s Berlinale premiere Queen of Earth will serve as Centerpiece at the festival, which runs from June 17 – 28 in Fort Greene. Aside from the Sundance and SXSW holdovers, notable selections include Jem Cohen’s Counting; Nathan Silver’s Stinking Heaven; Here Come the Videofreex, a documentary about a 1960s and 70s video collective; the world premiere of Jason and Shirley, a reimagining of Portrait of Jason; and Henry Gamble’s Birthday Party, Stephen Cone’s latest, […]...
- 5/6/2015
- by Sarah Salovaara
- Filmmaker Magazine-Director Interviews
Below you will find our total coverage of the 2015 Berlin International Film Festival. New interviews will be added to the index as they are published.
Correspondences
Between Adam Cook and Daniel Kasman
#1
Introduction by Daniel Kasman
#2
Adam Cook continues the festival introduction
#3
Daniel Kasman on Guy Maddin and Evan Johnson's The Forbidden Room, Jafar Panahi's Taxi
#4
Adam Cook on Jem Cohen's Counting, Guy Maddin and Evan Johnson's The Forbidden Room, Jafar Panahi's Taxi
#5
Daniel Kasman on Berlin Critics' Week, Nathalie Nambot and Maki Berchache's Brûle la mer, Kevin B. Lee's Transformers: The Premake, Alex Ross Perry's Queen of Earth
#6
Adam Cook on Pablo Larraín's The Club, Kidlat Tahimik's Balikbayan #1 Memories of Overdevelopment Redux III, Andrew Haigh's 45 Years, Wim Wenders' Everything Will Be Fine
#7
Daniel Kasman on Werner Herzog's Queen of the Desert, Patricio Guzmán's The Pearl...
Correspondences
Between Adam Cook and Daniel Kasman
#1
Introduction by Daniel Kasman
#2
Adam Cook continues the festival introduction
#3
Daniel Kasman on Guy Maddin and Evan Johnson's The Forbidden Room, Jafar Panahi's Taxi
#4
Adam Cook on Jem Cohen's Counting, Guy Maddin and Evan Johnson's The Forbidden Room, Jafar Panahi's Taxi
#5
Daniel Kasman on Berlin Critics' Week, Nathalie Nambot and Maki Berchache's Brûle la mer, Kevin B. Lee's Transformers: The Premake, Alex Ross Perry's Queen of Earth
#6
Adam Cook on Pablo Larraín's The Club, Kidlat Tahimik's Balikbayan #1 Memories of Overdevelopment Redux III, Andrew Haigh's 45 Years, Wim Wenders' Everything Will Be Fine
#7
Daniel Kasman on Werner Herzog's Queen of the Desert, Patricio Guzmán's The Pearl...
- 2/24/2015
- by Notebook
- MUBI
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