71
Metascore
14 reviews · Provided by Metacritic.com
- 100RogerEbert.comGodfrey CheshireRogerEbert.comGodfrey CheshireThe movie deserves to be known, first of all, as a terrific example of intelligent, captivating film craft—further proof of the recent strength of Mexican cinema.
- 83The A.V. ClubMike D'AngeloThe A.V. ClubMike D'AngeloIt’s worth seeing just for its object lesson in how shifts in perspective can radically alter the tenor and meaning of material that might otherwise come across as pompously silly.
- 80Village VoiceBilge EbiriVillage VoiceBilge EbiriRaluy, a Mexican TV and stage star making her movie debut, is captivating as a woman whose terror at her own behavior is matched only by her bewilderment at the system around her.... But the real star here is Plá, with his total control of the frame.
- 70The Hollywood ReporterBoyd van HoeijThe Hollywood ReporterBoyd van HoeijThis is a lean and efficient mix of thriller, drama and socio-political commentary.
- 70Screen DailyLee MarshallScreen DailyLee MarshallIt’s a nice premise, one grounded and lent empathy not only by a series of strong performances but by the script’s point-of-view shifts.
- 70VarietyGuy LodgeVarietyGuy LodgeTempering the strong medicine of its social-justice protestations with a streak of outlandish melodrama, this “Monster” may not have quite as many facets as its title implies, but Pla’s formally deft manipulation of perspective keeps the pic both urgent and even-handed.
- 70The New York TimesStephen HoldenThe New York TimesStephen HoldenA Monster With a Thousand Heads will make your blood boil.
- 63New York PostFarran Smith NehmeNew York PostFarran Smith NehmeIt is engrossing, even funny at times, but it is a bit too jagged in execution to properly build to its tragic climax.
- 60CineVueJohn BleasdaleCineVueJohn BleasdalePlá's film is a caustic, genuine swipe at a selfish and insincere society which is content to make money from the suffering of ordinary people.
- 50Slant MagazineClayton DillardSlant MagazineClayton DillardThe politics of the film are consistently muddled by director Rodrigo Plá's conspicuous formal choices.