A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.
- Won 3 Oscars
- 233 wins & 309 nominations total
Alex R. Hibbert
- Little
- (as Alex Hibbert)
Duan Sanderson
- Azu
- (as Duan 'Sandy' Sanderson)
Herman 'Caheei McGloun
- Longshoreman
- (as Herman 'Caheej' McGloun)
Rudi Goblen
- Gee
- (as Rudi Goblin)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Storyline
Did you know
- TriviaNaomie Harris had to shoot her entire role in three days, in between her promotional tour of Spectre (2015), due to a visa problem (Harris is British). The scenes spanned 15 years in the character's life and were filmed out of sequence.
- GoofsWhen Chiron and his mother are in their house and she asks him for money, his backpack is placed at his front, strapped over both shoulders. However, in several shots where he is seen from the back, there is no strap over his left shoulder. At one point he switches the backpack from his front to his back, but right after that, when his mother starts struggling with him, the backpack is at his front again.
- Crazy creditsThere are no opening credits.
- Alternate versionsDespite the 'A' (adults only) rating, the Indian theatrical release was cut by 53 seconds by the Censor Board to mute all instances of "bitch/bitches, motherfucker, and dick", the sex scene between Kevin and Chiron, and the homosexual kiss between 2 boys. After cuts, 2 minutes was added to promote anti-smoking disclaimers.
- SoundtracksEvery Nigger Is a Star
Written by Boris Gardiner and Barrington Gardiner
Performed by Boris Gardiner
Remix by Dennis "DEZO" Williams
Courtesy of Now-Again Records, LLC obo Jazzman Records LTD.
Featured review
Works better if thought of as a good indie, rather than an Oscar winner
I remember the 'good old days' when IMDb review forums had a more balanced array of reviews, instead of everyone rating something 1 or 10, and then adding politics. So I'll add some of that to the mix. This was my experience: I watched it post-Oscar. My reaction: "Moonlight" is that type of movie that is best appreciated as a "hey, that was an interesting indie; it's well acted and I wonder what the director will do next", instead of an Oscar winner for best movie and best screenplay. It's the type of film that I would have added to my list after seeing it show up somewhere in the Independent Spirit Awards, like "L.I.E.", "Our Lady of the Assassins", "Paranoid Park", etc. It's stylish, it captures a slice of life, and it is mostly engaging. Unfortunately, like others point out, it feels under-done, like each act was cut short a little, and in particular the last act is underwhelming, and too much like a first-time screenwriter's autobiographical play. It's Oscar-winning screenplay is ironically quite short on story-telling, dialogue (yes, sometimes appropriately intentionally, other times just not very creative), and scenes that will engage enough.
The cinematography is interesting, with a video-game like POV, floating over the lead character's shoulders from behind, inviting you into the action. There's some nice shots, good use of music (although sometimes cut a bit abruptly, and I would have liked to have heard more of the beautiful score), and a lot of use of the senses. Feel the ice, feel the sand, taste the food, enjoy the nightlight; it all feels relaxing, enhancing the ability to escape a grim reality into something more beautiful. Other sounds are blocked out or intentionally out of sync. I liked that Barry Jenkins was able to capture that.
The first act has an excellent scene with a showdown between a surrogate father and an absent mother, which is also a debate about the drug dealer/drug user relationship. Mahershala Ali and Naomie Harris are great in these respective roles. There's discussion of identity, acceptance, masculinity, and bullying. The second act builds on a climax in which the characters stands up for himself, literally and figuratively, and then takes on a sociopathic bully, who is one of this year's scariest villains. The third act tries to balance a charming but thin love story, while exploring identity, and the influence of our role models and life circumstances on ourselves.
It sounds better than what it is, unfortunately. The trailer is great. But, again, the screenplay is underdeveloped. The third act is a different film, or perhaps needed to be shorter and add an additional act between that and the second one, to further flesh out the story.
The cinematography is interesting, with a video-game like POV, floating over the lead character's shoulders from behind, inviting you into the action. There's some nice shots, good use of music (although sometimes cut a bit abruptly, and I would have liked to have heard more of the beautiful score), and a lot of use of the senses. Feel the ice, feel the sand, taste the food, enjoy the nightlight; it all feels relaxing, enhancing the ability to escape a grim reality into something more beautiful. Other sounds are blocked out or intentionally out of sync. I liked that Barry Jenkins was able to capture that.
The first act has an excellent scene with a showdown between a surrogate father and an absent mother, which is also a debate about the drug dealer/drug user relationship. Mahershala Ali and Naomie Harris are great in these respective roles. There's discussion of identity, acceptance, masculinity, and bullying. The second act builds on a climax in which the characters stands up for himself, literally and figuratively, and then takes on a sociopathic bully, who is one of this year's scariest villains. The third act tries to balance a charming but thin love story, while exploring identity, and the influence of our role models and life circumstances on ourselves.
It sounds better than what it is, unfortunately. The trailer is great. But, again, the screenplay is underdeveloped. The third act is a different film, or perhaps needed to be shorter and add an additional act between that and the second one, to further flesh out the story.
helpful•4321
- demented_peruvian
- Mar 6, 2017
Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $27,854,932
- Opening weekend US & Canada
- $402,075
- Oct 23, 2016
- Gross worldwide
- $65,172,611
- Runtime1 hour 51 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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