Line-up includes A Fantastic Woman, April’s Daughter
Lucrecia Martel’s Zama (pictured) and Laura Mora Ortega’s Killing Jesus (Argentina-Colombia) are among the Iberoamerican showcase at the upcoming seventh edition of the International Film Festival of Panama (Iff Panama).
The festival, set to run from April 5-11, will also screen previously announced Sebastian Lelio’s Oscar-nominated A Fantastic Woman and Michael Franco’s April’s Daughter (Mexico), as well as Alex de la Iglesia’s Perfectos Desconocidos (Spain), and Anahí Berneri’s Alanis (Argentina).
The Gold Seekers (Paraguay) by Juan Carlos Maneglia and Tana Schembori, Marcela Said’s Los Perros (Chile-France), and Gustavo Rondón Córdova’s La Familia (Venezuela) are also included.
Previously announced selections (that will not screen in the Iberoamerican programme) include Ruben Ostlund’s The Square, and Ziad Doueiri’s The Insult, both of which are in contention for the best foreign-language Oscar on March 4
Iff Panama will run from April 5-11. Click...
Lucrecia Martel’s Zama (pictured) and Laura Mora Ortega’s Killing Jesus (Argentina-Colombia) are among the Iberoamerican showcase at the upcoming seventh edition of the International Film Festival of Panama (Iff Panama).
The festival, set to run from April 5-11, will also screen previously announced Sebastian Lelio’s Oscar-nominated A Fantastic Woman and Michael Franco’s April’s Daughter (Mexico), as well as Alex de la Iglesia’s Perfectos Desconocidos (Spain), and Anahí Berneri’s Alanis (Argentina).
The Gold Seekers (Paraguay) by Juan Carlos Maneglia and Tana Schembori, Marcela Said’s Los Perros (Chile-France), and Gustavo Rondón Córdova’s La Familia (Venezuela) are also included.
Previously announced selections (that will not screen in the Iberoamerican programme) include Ruben Ostlund’s The Square, and Ziad Doueiri’s The Insult, both of which are in contention for the best foreign-language Oscar on March 4
Iff Panama will run from April 5-11. Click...
- 2/23/2018
- by Jeremy Kay
- ScreenDaily
Gustavo Rondon Córdova’s debut La Familia world premiered at Cannes Critics’ Week last year.
Film Movement has acquired North American rights to French director Marine Francen’s first feature The Sower and Venezuelan filmmaker Gustavo Rondon Córdova’s La Familia (excluding pay-tv) from Celluloid Dreams.
“I am so delighted to be working with Michael Rosenberg and Film Movement again,” said Celluloid Dreams Vice-President Charlotte Mickie.
“Film Movement has developed a top-notch reputation for bringing world cinema to the North American market-place in a very classy and contemporary way, finding new audiences and pleasing the traditional demographic.”
La Familia, which world premiered in Cannes Critics’ Week last year, is about a father and son who come together when are forced to flee a tough urban suburb in Caracas after the latter seriously injures another boy in a rough game on the streets.
It is produced by La Pandilla Producciones, in coproduction with Cine Cercano, Factor Rh, Avila Films and [link...
Film Movement has acquired North American rights to French director Marine Francen’s first feature The Sower and Venezuelan filmmaker Gustavo Rondon Córdova’s La Familia (excluding pay-tv) from Celluloid Dreams.
“I am so delighted to be working with Michael Rosenberg and Film Movement again,” said Celluloid Dreams Vice-President Charlotte Mickie.
“Film Movement has developed a top-notch reputation for bringing world cinema to the North American market-place in a very classy and contemporary way, finding new audiences and pleasing the traditional demographic.”
La Familia, which world premiered in Cannes Critics’ Week last year, is about a father and son who come together when are forced to flee a tough urban suburb in Caracas after the latter seriously injures another boy in a rough game on the streets.
It is produced by La Pandilla Producciones, in coproduction with Cine Cercano, Factor Rh, Avila Films and [link...
- 2/19/2018
- by Melanie Goodfellow
- ScreenDaily
No baby bump here!
Kendall Jenner rang in the new year on Monday by continuing to shut down rumors that she's pregnant.
The 22-year-old reality star posted an Instagram photo of herself, chic in a white crop top and high-waisted pants that highlighted her abs. The snap also featured her best friend and fellow model, Bella Hadid, looking equally fabulous in a cut-out top, wide-legged satin pants and sheer heels.
"New year, same us," Jenner captioned the snap.
new year, same us
A post shared by Kendall (@kendalljenner) on Jan 1, 2018 at 11:34am Pst
Hadid shared a series of similar photos, writing, "La Familia x Vintage Doves."
La Familia x Vintage Doves
A post shared by...
Kendall Jenner rang in the new year on Monday by continuing to shut down rumors that she's pregnant.
The 22-year-old reality star posted an Instagram photo of herself, chic in a white crop top and high-waisted pants that highlighted her abs. The snap also featured her best friend and fellow model, Bella Hadid, looking equally fabulous in a cut-out top, wide-legged satin pants and sheer heels.
"New year, same us," Jenner captioned the snap.
new year, same us
A post shared by Kendall (@kendalljenner) on Jan 1, 2018 at 11:34am Pst
Hadid shared a series of similar photos, writing, "La Familia x Vintage Doves."
La Familia x Vintage Doves
A post shared by...
- 1/2/2018
- Entertainment Tonight
Cannes titles The Desert Bride and April’s Daughters among 12 titles.
The 65th San Sebastian Film Festival (Sept 22-30) has revealed the 12 titles in its Horizontes Latinos programme, featuring some of the best Latin American films of the year to date.
This year’s selection includes Cannes Un Certain Regard title The Desert Bride (pictured) directed by Cecilia Atán and Valeria Pivato, and Gustavo Rondón’s debut La Familia, which was screened at Cannes Critics’ Week.
Another Un Certain Regard title, Michel Franco’s April’s Daughters, has also been selected. His film After Lucia won the Prize Un Certain Regard in 2012, and his follow-up, Chronic competed for the Palme d’Or and won the best screenplay award at Cannes in 2015.
All 12 feature films compete for the Horizontes Award and its €35,000 ($40,958) prize. The six first and second films in the selection (La Educación De Rey, La Familia, Medea, Arábia, La Novia Del Desierto and Temporada De Caza) are also...
The 65th San Sebastian Film Festival (Sept 22-30) has revealed the 12 titles in its Horizontes Latinos programme, featuring some of the best Latin American films of the year to date.
This year’s selection includes Cannes Un Certain Regard title The Desert Bride (pictured) directed by Cecilia Atán and Valeria Pivato, and Gustavo Rondón’s debut La Familia, which was screened at Cannes Critics’ Week.
Another Un Certain Regard title, Michel Franco’s April’s Daughters, has also been selected. His film After Lucia won the Prize Un Certain Regard in 2012, and his follow-up, Chronic competed for the Palme d’Or and won the best screenplay award at Cannes in 2015.
All 12 feature films compete for the Horizontes Award and its €35,000 ($40,958) prize. The six first and second films in the selection (La Educación De Rey, La Familia, Medea, Arábia, La Novia Del Desierto and Temporada De Caza) are also...
- 8/16/2017
- by orlando.parfitt@screendaily.com (Orlando Parfitt)
- ScreenDaily
Mafia tale Sicilian Ghost Story to open sidebar, Sundance hit Brigsby Bear selected as closer.
Cannes Critics’ Week, devoted to first and second features as well as shorts, has unveiled the line-up of its 56th edition, running May 18-26.
Italian directors Fabio Grassadonia and Antonio Piazza will open the selection with their second feature Sicilian Ghost Story, a genre-mixing work following a teenage girl as she searches for the boy she loves after he is kidnapped by the Mafia.
It is inspired by the real-life tale of Giuseppe Di Matteo, the son of a former Mafia hitman-turned-informant, who was abducted in 1993.
Critics’ Week artistic director Charles Tesson described it as a “staggering crossover between cinema genres, combining politics, fantasy and terrible teen love.”
The directorial duo premiered their debut feature Salvo in competition in Critics’ Week in 2013, winning the €15,000 Nespresso Grand Prize.
The screenplay for Sicilian Ghost Story was developed at the Sundance Screenwriting Lab and went...
Cannes Critics’ Week, devoted to first and second features as well as shorts, has unveiled the line-up of its 56th edition, running May 18-26.
Italian directors Fabio Grassadonia and Antonio Piazza will open the selection with their second feature Sicilian Ghost Story, a genre-mixing work following a teenage girl as she searches for the boy she loves after he is kidnapped by the Mafia.
It is inspired by the real-life tale of Giuseppe Di Matteo, the son of a former Mafia hitman-turned-informant, who was abducted in 1993.
Critics’ Week artistic director Charles Tesson described it as a “staggering crossover between cinema genres, combining politics, fantasy and terrible teen love.”
The directorial duo premiered their debut feature Salvo in competition in Critics’ Week in 2013, winning the €15,000 Nespresso Grand Prize.
The screenplay for Sicilian Ghost Story was developed at the Sundance Screenwriting Lab and went...
- 4/21/2017
- ScreenDaily
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