New York, NY (4/26/24) – Yen Audio announced the upcoming audiobook adaptations of That Time I Got Reincarnated as a Slime and Weathering With You. These iconic Yen On properties are a welcome addition to the Yen Audio catalog, one which has been known to feature hit anime tie-in properties, such as Solo Leveling, as well as celebrated works of Japanese fiction, such as The Miracles of the Namiya General Store.
That Time I Got Reincarnated as a Slime
Story by Fuse
Lonely thirty-seven-year-old Satoru Mikami is stuck in a dead-end job, unhappy with his mundane life, but after dying at the hands of a robber, he awakens to a fresh start in a fantasy realm…as a slime monster! As he acclimates to his goopy new existence, his exploits with the other monsters set off a chain of events that will change his new world forever!
That Time I Got Reincarnated as a Slime...
That Time I Got Reincarnated as a Slime
Story by Fuse
Lonely thirty-seven-year-old Satoru Mikami is stuck in a dead-end job, unhappy with his mundane life, but after dying at the hands of a robber, he awakens to a fresh start in a fantasy realm…as a slime monster! As he acclimates to his goopy new existence, his exploits with the other monsters set off a chain of events that will change his new world forever!
That Time I Got Reincarnated as a Slime...
- 4/30/2024
- by Adam Symchuk
- AsianMoviePulse
Aamir Khan’s coming-of-age musical retains no.1 spot ahead of Maze Runner: The Death Cure.
Source: Amir Khan Productions
‘Secret Superstar’
In the lull before Chinese New Year which starts on Feb 16 this year, the week of Jan 29-Feb 4 became the quietest since last November. The new releases failed to make much of an impression, leaving holdovers Secret Superstar and Maze Runner: The Death Cure in lead positions.
Aamir Khan’s coming-of-age musical retained the No.1 spot for two straight weeks, adding $26m for a 17-day total of $95.9m, which was almost half of Dangal’s final gross. It’s now the top grossing foreign film in 2018, ahead of Jumanji: Welcome To The Jungle, Maze Runner: The Death Cure and Star Wars: The Last Jedi.
Fox’s young adult adventure Maze Runner: The Death Cure ranked second with $16.2m for $40.5m after 10 days. This third installment has surpassed its previous two predecessors, breaking a new record...
Source: Amir Khan Productions
‘Secret Superstar’
In the lull before Chinese New Year which starts on Feb 16 this year, the week of Jan 29-Feb 4 became the quietest since last November. The new releases failed to make much of an impression, leaving holdovers Secret Superstar and Maze Runner: The Death Cure in lead positions.
Aamir Khan’s coming-of-age musical retained the No.1 spot for two straight weeks, adding $26m for a 17-day total of $95.9m, which was almost half of Dangal’s final gross. It’s now the top grossing foreign film in 2018, ahead of Jumanji: Welcome To The Jungle, Maze Runner: The Death Cure and Star Wars: The Last Jedi.
Fox’s young adult adventure Maze Runner: The Death Cure ranked second with $16.2m for $40.5m after 10 days. This third installment has surpassed its previous two predecessors, breaking a new record...
- 2/5/2018
- by Silvia Wong
- ScreenDaily
China kicked off the New Year with a massive $200m hit delivered by The Ex-File: The Return Of The Exes, but Star Wars: The Last Jedi opened soft.
Disney’s Star Wars: The Last Jedi was the first Hollywood blockbuster to arrive in 2018, but it was easily defeated by a large margin. Despite its worldwide success ($1.2bn worldwide so far), it took $30.9 from its three-day opening weekend, half of Star Wars: The Force Awakens and about 70% of Rogue One: A Star War Story which was released almost exactly one year ago.
Star Wars: The Last Jedi was the only new entry in the top 10 chart.
Instead The Ex-File 3 has become the first runaway success of 2018, garnering $167m in the first week (Jan 1-7). It’s almost on par with the second week earnings of last October’s National...
Disney’s Star Wars: The Last Jedi was the first Hollywood blockbuster to arrive in 2018, but it was easily defeated by a large margin. Despite its worldwide success ($1.2bn worldwide so far), it took $30.9 from its three-day opening weekend, half of Star Wars: The Force Awakens and about 70% of Rogue One: A Star War Story which was released almost exactly one year ago.
Star Wars: The Last Jedi was the only new entry in the top 10 chart.
Instead The Ex-File 3 has become the first runaway success of 2018, garnering $167m in the first week (Jan 1-7). It’s almost on par with the second week earnings of last October’s National...
- 1/8/2018
- by Silvia Wong
- ScreenDaily
Feng Xiaogang’s local hit fends off comedy The Ex-File: The Return Of The Exes.
Source: Im Global
‘Youth’
As 2017 drew to a close, a wide variety of Chinese tentpoles led the last week of the year (Dec 25-31). Feng Xiaogang’s Youth, already in its third week, retained the overall No.1 position, while new release The Ex-File: The Return Of The Exes ruled the weekend.
With almost overwhelming praise from Chinese audiences, Youth delivered a hat trick and added $51.3m. The bittersweet coming-of-age drama was exceptionally resilient as it bounced back to the second place on Sunday after dropping to the fifth on Friday. After 17 days, it has amassed $169.5m, making it the eighth highest grossing film in 2017. It has also overtaken 2013’s Personal Tailor to become Feng’s top grossing film.
Local romantic comedy The Ex-File: The Return Of The Exes took the weekend but came in only...
Source: Im Global
‘Youth’
As 2017 drew to a close, a wide variety of Chinese tentpoles led the last week of the year (Dec 25-31). Feng Xiaogang’s Youth, already in its third week, retained the overall No.1 position, while new release The Ex-File: The Return Of The Exes ruled the weekend.
With almost overwhelming praise from Chinese audiences, Youth delivered a hat trick and added $51.3m. The bittersweet coming-of-age drama was exceptionally resilient as it bounced back to the second place on Sunday after dropping to the fifth on Friday. After 17 days, it has amassed $169.5m, making it the eighth highest grossing film in 2017. It has also overtaken 2013’s Personal Tailor to become Feng’s top grossing film.
Local romantic comedy The Ex-File: The Return Of The Exes took the weekend but came in only...
- 1/2/2018
- by Silvia Wong
- Screen Daily Test
Feng Xiaogang’s local hit fends off comedy The Ex-File: The Return Of The Exes.
Source: Im Global
‘Youth’
As 2017 drew to a close, a wide variety of Chinese tentpoles led the last week of the year (Dec 25-31). Feng Xiaogang’s Youth, already in its third week, retained the overall No.1 position, while new release The Ex-File: The Return Of The Exes ruled the weekend.
With almost overwhelming praise from Chinese audiences, Youth delivered a hat trick and added $51.3m. The bittersweet coming-of-age drama was exceptionally resilient as it bounced back to the second place on Sunday after dropping to the fifth on Friday. After 17 days, it has amassed $169.5m, making it the eighth highest grossing film in 2017. It has also overtaken 2013’s Personal Tailor to become Feng’s top grossing film.
Local romantic comedy The Ex-File: The Return Of The Exes took the weekend but came in only second overall with $42m from its first three...
Source: Im Global
‘Youth’
As 2017 drew to a close, a wide variety of Chinese tentpoles led the last week of the year (Dec 25-31). Feng Xiaogang’s Youth, already in its third week, retained the overall No.1 position, while new release The Ex-File: The Return Of The Exes ruled the weekend.
With almost overwhelming praise from Chinese audiences, Youth delivered a hat trick and added $51.3m. The bittersweet coming-of-age drama was exceptionally resilient as it bounced back to the second place on Sunday after dropping to the fifth on Friday. After 17 days, it has amassed $169.5m, making it the eighth highest grossing film in 2017. It has also overtaken 2013’s Personal Tailor to become Feng’s top grossing film.
Local romantic comedy The Ex-File: The Return Of The Exes took the weekend but came in only second overall with $42m from its first three...
- 1/2/2018
- by Silvia Wong
- ScreenDaily
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