This 3rd edition of Sweetheart Video's high-concept series features familiar seductions that filmmaker Dana Vespoli manages to liven up with interesting plot lines. Fine cast, including the director herself does the rest.
Vespoli is featured in the half of the show, playing a "female handyman" who lives with Nicki Hunter and has to put up with an annoying college kid as roommate, as the lesbians' financial ship hasn't come in yet.
Displaying her wry sense of humor regarding current societal trends, Dana has the kid played ably by virginal Chastity Lynn as a militant youngster, leaving pamphlets all over the place and so deeply into the Vegan cause as to throw away Dana's pricey organic beef steaks from the refrigerator. When confronted by Nicky about it, she counters that leaving animal carcasses lying around is a provocation. Sapphic lovemaking with Earth mother Nicky soon disarms this conflict.
Dana is out reparing a sink, but mightily annoyed by pesky college kid Remy LaCroix, peppering the busy worker with dumb questions (while ma is away) on the job under the sink. DV finally is exasperated and smooches the kid to shut her up, leading oh so expectedly to a roll in the hay. This is a video where Vespoli keeps her midriff covered during sex, a kink of hers evident in the vast majority of her XXX appearances.
Opening segment is extremely well-conceived and acted, a testament to Vespoli's mastery of the minimalist, short story-sex vignette format. In a series of brief blackout scenes we see young Mia Gold ignoring her step-mom-to-be Maggie St. Michaels, really getting under the lady's skin. Finally, she confronts the kid, asking why she dislikes her so much, just a couple weeks before she's to marry daddy. Mia reluctantly reveals a secret, and it draws them together for a sensual love scene and an open ending to this very effective, stand-alone segment.
Final sex scene was especially welcome, in bringing back to the screen a true fetish icon Amber Michaels, with her huge breasts well-preserved. Dana cannily casts Amber has a Hollywood has-been, actually a never-was, whose personal assistant Maddy O'Reilly has had enough with this would- be diva, and is about to quit. Her harsh words to Amber reduce the lady to tears, and their reconciliation (a smooch, fingering and licking do the trick, Lesbo-style) is high-quality cinema. Her fans dating back to the '90s will want to see Amber in this show, which -reality mirroring art - failed to get her further "comeback" parts.
Vespoli is featured in the half of the show, playing a "female handyman" who lives with Nicki Hunter and has to put up with an annoying college kid as roommate, as the lesbians' financial ship hasn't come in yet.
Displaying her wry sense of humor regarding current societal trends, Dana has the kid played ably by virginal Chastity Lynn as a militant youngster, leaving pamphlets all over the place and so deeply into the Vegan cause as to throw away Dana's pricey organic beef steaks from the refrigerator. When confronted by Nicky about it, she counters that leaving animal carcasses lying around is a provocation. Sapphic lovemaking with Earth mother Nicky soon disarms this conflict.
Dana is out reparing a sink, but mightily annoyed by pesky college kid Remy LaCroix, peppering the busy worker with dumb questions (while ma is away) on the job under the sink. DV finally is exasperated and smooches the kid to shut her up, leading oh so expectedly to a roll in the hay. This is a video where Vespoli keeps her midriff covered during sex, a kink of hers evident in the vast majority of her XXX appearances.
Opening segment is extremely well-conceived and acted, a testament to Vespoli's mastery of the minimalist, short story-sex vignette format. In a series of brief blackout scenes we see young Mia Gold ignoring her step-mom-to-be Maggie St. Michaels, really getting under the lady's skin. Finally, she confronts the kid, asking why she dislikes her so much, just a couple weeks before she's to marry daddy. Mia reluctantly reveals a secret, and it draws them together for a sensual love scene and an open ending to this very effective, stand-alone segment.
Final sex scene was especially welcome, in bringing back to the screen a true fetish icon Amber Michaels, with her huge breasts well-preserved. Dana cannily casts Amber has a Hollywood has-been, actually a never-was, whose personal assistant Maddy O'Reilly has had enough with this would- be diva, and is about to quit. Her harsh words to Amber reduce the lady to tears, and their reconciliation (a smooch, fingering and licking do the trick, Lesbo-style) is high-quality cinema. Her fans dating back to the '90s will want to see Amber in this show, which -reality mirroring art - failed to get her further "comeback" parts.