The broad shape of the ending is predictable; by the time you get to it, you could probably write the final confrontation yourself. This a likable, well-intentioned movie, but those qualities don’t take it far enough.
I wouldn’t mind seeing these characters again (Batacam penned a sequel, I hear), because the bare bones of a First Gen crime thriller are here. It’s just that everybody involved needs more practice in the genre to get it right.
Despite Smaller and Smaller Circles being visually proficient, stagy performances fueled by formulaic dialogue do little to steer the film’s narrative.
Soapy in style and luridly exploitative in its approach to violence, Smaller And Smaller Circles is perhaps not sophisticated enough to appeal to fans of the crime genre outside of the domestic market.