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Riddick (2013)
1/10
Best chick flick ever
21 January 2014
Warning: Spoilers
You know when you're feeling a little emotional and need some downtime to curl up with your loved one and a good flick? I've got one word for you... Riddick. Warm cuppa. Cuddly slippers. Hot cold beefcake with them dreamy sparkly eyes. From its stylish minimalist no-dialogue prologue this was always going to be about the man and his battling skills (but there is a couple of chicks as well). I missed out on seeing The Chronicles of Riddick so the 2 min flashback was very helpful to get a feel for what the Necromongers were all about. Hot harems! But not too much back story, just enough to whet your appetite for the main event. Riddick has everything going for him. Moves like the wind. Stunning breath control underwater. Awesome backswing with a trusty thigh bone. The fire and discipline to screw loose armour back into his own flesh. He's good with puppies. You could read Riddick as the tragic tale of a man and his (zebra)dog(thingy) - charming, witty and ultimately heart-wrenching. Or not. I'm pretty sure that his dog dies. Either that or it just runs off after it gets shot with a glowing green bullet.

This is not just fluff and puppies. It's deeper than that. In a subtle dig at anti-vaxxers everwhere, writer/director Twohy manages to slip in a timely pro-vaccination message - a little poisonous critter goes a long way if you can milk it in advance and inoculate yourself. It's great know-how that you no longer get in Girl Guides and once our favourite rogue has regained his mojo and and cleared level one in record time, you know you're onto a clear winner. That's because once Riddick clears the puddle Boss, makes it up the stairs and out through the archway, the payoff really kicks in for fans of the first film. It's the Pitch Black action and set-up you remember. Except this time it's different. There's rain. Which changes everything.

The only quibble I had with this movie was not seeing enough of those cute little aliens with the snappy tails. One more would have topped off the climactic battle nicely. Otherwise plot-wise, pretty perfect. Not only does RBR live to fight another day but he's even starting to convert the lesbian. Battlestar babe Sackoff was smokin', especially on the end of a rope as she winches Riddick to safety. Reeled in nicely bruv!
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Munich (2005)
7/10
1972 comes to life
6 December 2005
Everyone is a victim in Steven Spielberg's latest - the Olympic athletes, the Palestians who take them hostage, the Israelis who devote their lives to avenging the incident. Everyone wants their home and family. Spielberg takes his familiar themes into new territory, striving hard to maintain a neutral tone even while depicting horrifying carnage. The film-makers may succeed in raising the debate about peace in the Middle East with strong performances revealing awkward and arbitrary responses to bloodshed. Eric Bana leaps off the screen and leads an ensemble cast in perhaps his meatiest role since Chopper. His Mossad agent character becomes more and more believable as his smooth veneer is quickly worn down. Jumping from city to city, the film credibly holds the period in focus with over a hundred speaking parts and convincing accents from the International cast. I heard one Israeli viewer questioning whether Aussies Bana and Rush were dubbed (the answer was no). 1972, sideburns and all, comes to life in the film through newsreels and exquisite production design. If there is anything that holds this back from being a great film, it's a few uncertain shifts between awkward humour, boys own action and noble, but somewhat blatant, efforts to balance Israeli and Arab concerns. The film works best as a fascinating tribute to the law of diminishing returns from the Arab-Israeli conflict without any suggestions of how the conflict as a whole could be resolved. Munich is not what you would call entertainment, nor is it 100% clear who its audience is, but a good film nonetheless. The case for the State of Palestine has a new celluloid chapter and a surprising ally.
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Survival: Survival Special: The Year of the Wildebeest (1974)
Season Unknown, Episode Unknown
8/10
Stunning visuals ahead of their time
30 September 2004
If you thought the BBC was innovative, sending in a Mars Rover-like camera to record the day-to-day behavior of African lions, you must check out this film.

Back in the 70s, Alan and Joan Root stuck a film camera into a tortoise shell and recorded stunning visuals of the annual East African wildebeast migration as thousands of gnus (that's wildebeast not free software) stormed over the lens. Magical memories of watching this film (and others not listed in IMDb *tut tut*) in Nairobi in my childhood and later seeing the migration in the distance in the flesh.

The film techniques on display here are revealed in another film "Two in the Bush" - a documentary on the Roots. I'm not sure why their catalogue of work is so hard to find but they are well worth the effort.
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