"Thumbelina" is yet another Don Bluth hodgepodge of depressing plot, wasted talent, and annoying songs. The only reason to watch this movie is because the woes of Thumbelina are so ridiculous that it's almost laughable. Watch it with a friend and crack jokes while you watch, and this is almost like a Mystery Science Theater flick (except that it's not science fiction).
The woe-is-me storyline follows Thumbelina, voiced by Jodi Benson. In "The Little Mermaid" playing Ariel, Benson gave her character headstrong ambition and determination. As Thumbelina, she's a whiny, wimpy tiny woman whisping away wherever the writers take her. And they take her on many painful misadventures; from her initial run-in with a troupe of dancing frogs, to a swinging dancing hall of bugs led by a beetle voiced by Gilbert Gottfried (perhaps a tongue-in-cheek reference or homage to Tex Avery), to a buttinski fieldmouse who would rather have Thumbelina marry a blind mole instead of the fairy prince of her dreams. Oh yes, and each disaster or rescue is accompanied by a musical number, one that is invariably mind numbing and/or insipid. The fieldmouse's "Marry the Mole" song (done by Carol Channing in a typically annoying drone), unnerved me the most since it demonstrated that the songwriters know extremely little about Shakespeare ("Romeo and Juliet/were very much in love when they were wed"), among other things.
Combine that with a multitude of annoying characters (the fieldmouse, the frog troupe, Jacquimo the pigeon narrator, the fieldmouse, the fairy prince, and did I mention the FIELDMOUSE?!) and the masochistic plot, and you have a movie that stands up well to Rocky Horror-esque heckling. I mean, there is a certain sick pleasure in watching Thumbelina's spirit get repeatedly broken...
As long as you have a high endurance rate for awful songs.
The woe-is-me storyline follows Thumbelina, voiced by Jodi Benson. In "The Little Mermaid" playing Ariel, Benson gave her character headstrong ambition and determination. As Thumbelina, she's a whiny, wimpy tiny woman whisping away wherever the writers take her. And they take her on many painful misadventures; from her initial run-in with a troupe of dancing frogs, to a swinging dancing hall of bugs led by a beetle voiced by Gilbert Gottfried (perhaps a tongue-in-cheek reference or homage to Tex Avery), to a buttinski fieldmouse who would rather have Thumbelina marry a blind mole instead of the fairy prince of her dreams. Oh yes, and each disaster or rescue is accompanied by a musical number, one that is invariably mind numbing and/or insipid. The fieldmouse's "Marry the Mole" song (done by Carol Channing in a typically annoying drone), unnerved me the most since it demonstrated that the songwriters know extremely little about Shakespeare ("Romeo and Juliet/were very much in love when they were wed"), among other things.
Combine that with a multitude of annoying characters (the fieldmouse, the frog troupe, Jacquimo the pigeon narrator, the fieldmouse, the fairy prince, and did I mention the FIELDMOUSE?!) and the masochistic plot, and you have a movie that stands up well to Rocky Horror-esque heckling. I mean, there is a certain sick pleasure in watching Thumbelina's spirit get repeatedly broken...
As long as you have a high endurance rate for awful songs.
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