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The Uninvited (2003)
A good first draft
7 September 2004
Warning: Spoilers
Warning: Minor spoilers

This film is a bit like a good rough draft that, with more work, could've become something quite interesting. The basic premise is good, about suppressed memories and how they can affect us. It takes its time setting up the characters and scenarios, and the story slowly unravels before us.

It's not horror, or thriller exactly, but a rather horrific tale of trauma and loss. The film is mostly very calm and distinctly un-gruesome, but there are some quite disturbing images that are likely to haunt you for quite a while. But this is a very different film from what you might think of at the term "Asian Horror".

It's main failing is that it doesn't seem to really know what to do, or where to go. It begins with a rather "thriller" approach, with the mystery of two dead girls appearing before our main character, but this event is actually just used as a mood-setter and hook. But nobody let's us know about that, so the viewer is constantly wondering when we'll return to the two dead kids, and how they relate to the story. The movie then seems to head in the direction of a drama, as our main character becomes very interested in a rather disturbed, mysterious woman. You almost think the film is going to be a melancholic love story, but not so. It then becomes a mystery about this woman, what her past is, what her situation is, and trying to find out what's troubling her. But somewhat later the focus is brought back to the main character and his (unmentioned so far) childhood traumas. All in all, the film is a collection of good ideas, some excellent scenes, and quite clever plot elements, but it lacks real unity. Threads are started only to be dropped, others are picked up that were never really introduced, and the focus just keeps shifting from one theme to another without ever actually developing into much.

Throughout, the main character behaves in completely unnatural ways. This could've been used as an effect, to illustrate how the character is crippled by his past traumas, and maybe this is the intention. But it just doesn't work that way. For more than half the film I was wondering what kind of idiot this guy is - only later is there given any hint of the fact that he has some past issues troubling him.

Overall, the rather interesting themes are left almost completely undeveloped on any intellectual level, and the movie ends up as wasted potential. Other filmmakers should watch this film and cannibalize its better ideas.
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Stranded (2001)
Better than most sci-fi out there
2 June 2004
These days sci-fi tends to be all about action, gleaming spaceships, and aliens with wrinkly tentacles. No fantasy, no mystery, no bizarre unknown. Action flicks or relationship dramas set in space. That's not my idea of sci-fi.

This film takes its time. We spend a good chunk of the film watching the crew crash-landed on Mars without enough supplies, trying to figure out what to do. It takes a long time before we get to the mystery, and for once, we don't get to see the dwarf behind the curtain. If this were a Hollywood film, all of Stranded would be cut down to about 15 minutes, and the rest of the film would be an action film where the surviving crew are being chased by some lame baddie, maybe a crew member gone mad, or some rusty martian janitorial robot with a few screws loose.

I like the film. Make no mistake, it has a lot of BAD things about it. A few awful casting choices, amateurish directing, and absolutely awful voice-over narration. The first five minutes are so awful you wouldn't believe it. But once the film gets underway, there's enough good to it to let you ignore the bad.

If you like Hollywood sci-fi, don't watch this film because you'll absolutely hate it. But if you like films such as 2001, Solaris, and THX-1138, then you might want to give this film a chance. By no means is it up to the standards of such masterpieces, but it's far more memorable and interesting than any other Mars-flick made in recent years.
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The Silencer (1992)
the best bad film ever!
20 April 2001
how can anyone not love this film? this movie goes so beyond bad it puts ed wood to shame. to think dozens of people actually put time and effort into this film, and even got paid for their "efforts," is just mind-blowing. forget camp, forget rocky horror picture show, steven segal, look who's talking too, just forget every bad film you ever saw. if you want to cry and laugh until you die convulsing on the floor, watch this film. has more cheese than the moon, worse editing and effects than 'liquid sky', more gratuitous skimpy outfits than a britney spears video, 'the silencer' is just wall-to-wall cringers.
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A brilliant film, as long as you see the subtitled version
8 January 2000
Man Facing Southeast is a very good, deep, thought-provoking film. Beautiful, stark visuals, music, and good acting all work to create a very intense and utterly mesmerizing atmosphere. But don't bother renting it - as far as I know only the dubbed version is available on video. With dialogue that takes itself this seriously, it takes extreme skill to keep it from being merely pretentious and ridiculous - a skill which the dubbers completely lacked. Thus a great, serious film is turned into one of those completely unwatchable abominations where you don't know if you should laugh or cry.
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